2174 lines
411 KiB
HTML
2174 lines
411 KiB
HTML
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<head>
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<title>Darby O’Gill and the Good People</title>
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</head>
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<body><main>
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<section id="titlepage" epub:type="titlepage frontmatter">
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||
<h1 epub:type="title">Darby O’Gill and the Good People</h1>
|
||
<p>By <b epub:type="z3998:author z3998:personal-name">Herminie Templeton Kavanagh</b>.</p>
|
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7.86%2C0.00l-11.86-33.96l-0.35%2C0.00l-2.74%2C34.32l-13.19%2C0.00l5.19-57.89l14.04%2C0.00l12.84%2C33.40l12.84-33.40l14.04%2C0.00l5.19%2C57.89l-13.19%2C0.00z%22%2F%3E%09%09%3Cpath%20d%3D%22M382.22%2C412.11l21.12%2C0.00c11.30%2C0.00%2C19.79%2C5.82%2C19.79%2C17.82c0.00%2C11.93-8.49%2C18.60-19.79%2C18.60l-7.93%2C0.00l0.00%2C21.47l-13.19%2C0.00l0.00-57.89z%20%20M395.41%2C438.00l3.72%2C0.00c5.19%2C0.00%2C10.11-1.75%2C10.11-7.65c0.00-5.96-4.91-7.72-10.11-7.72l-3.72%2C0.00l0.00%2C15.37z%22%2F%3E%09%09%3Cpath%20d%3D%22M447.15%2C412.11l0.00%2C46.32l19.93%2C0.00l0.00%2C11.58l-33.12%2C0.00l0.00-57.89l13.19%2C0.00z%22%2F%3E%09%09%3Cpath%20d%3D%22M511.73%2C412.11l0.00%2C11.58l-19.93%2C0.00l0.00%2C11.51l19.09%2C0.00l0.00%2C11.58l-19.09%2C0.00l0.00%2C11.65l19.93%2C0.00l0.00%2C11.58l-33.12%2C0.00l0.00-57.89l33.12%2C0.00z%22%2F%3E%09%09%3Cpath%20d%3D%22M520.66%2C423.68l0.00-11.58l40.70%2C0.00l0.00%2C11.58l-13.75%2C0.00l0.00%2C46.32l-13.19%2C0.00l0.00-46.32l-13.75%2C0.00z%22%2F%3E%09%09%3Cpath%20d%3D%22M566.29%2C441.02c0.00-16.91%2C13.26-29.96%2C29.19-29.96c16.07%2C0.00%2C29.12%2C13.05%2C29.12%2C29.96s-12.49%2C30.04-29.12%2C30.04c-17.12%2C0.00-29.19-13.12-29.19-30.04z%20%20M580.54%2C441.02c0.00%2C8.63%2C4.14%2C17.26%2C14.95%2C17.26c10.53%2C0.00%2C14.88-8.63%2C14.88-17.26s-4.63-17.26-14.88-17.26c-10.18%2C0.00-14.95%2C8.63-14.95%2C17.26z%22%2F%3E%09%09%3Cpath%20d%3D%22M648.62%2C434.07l0.00%2C35.93l-13.19%2C0.00l0.00-57.89l13.19%2C0.00l23.02%2C35.93l0.14%2C0.00l0.00-35.93l13.19%2C0.00l0.00%2C57.89l-13.19%2C0.00l-23.02-35.93l-0.14%2C0.00z%22%2F%3E%09%09%3Cpath%20d%3D%22M775.25%2C470.00l-18.18%2C0.00l-21.33-24.56l0.00%2C24.56l-13.19%2C0.00l0.00-57.89l13.19%2C0.00l0.00%2C23.65l19.86-23.65l16.00%2C0.00l-23.30%2C27.44z%22%2F%3E%09%09%3Cpath%20d%3D%22M812.18%2C412.11l23.37%2C57.89l-14.18%2C0.00l-4.28-11.58l-22.04%2C0.00l-4.28%2C11.58l-14.18%2C0.00l23.37-57.89l12.21%2C0.00z%20%20M812.61%2C446.84l-6.46-16.84l-0.14%2C0.00l-6.46%2C16.84l13.05%2C0.00z%22%2F%3E%09%09%3Cpath%20d%3D%22M854.94%2C470.00l-24.28-57.89l14.88%2C0.00l14.60%2C38.04l14.60-38.04l14.88%2C0.00l-24.28%2C57.89l-10.39%2C0.00z%22%2F%3E%09%09%3Cpath%20d%3D%22M919.87%2C412.11l23.37%2C57.89l-14.18%2C0.00l-4.28-11.58l-22.04%2C0.00l-4.28%2C11.58l-14.18%2C0.00l23.37-57.89l12.21%2C0.00z%20%20M920.29%2C446.84l-6.46-16.84l-0.14%2C0.00l-6.46%2C16.84l13.05%2C0.00z%22%2F%3E%09%09%3Cpath%20d%3D%22M963.68%2C434.07l0.00%2C35.93l-13.19%2C0.00l0.00-57.89l13.19%2C0.00l23.02%2C35.93l0.14%2C0.00l0.00-35.93l13.19%2C0.00l0.00%2C57.89l-13.19%2C0.00l-23.02-35.93l-0.14%2C0.00z%22%2F%3E%09%09%3Cpath%20d%3D%22M1042.85%2C412.11l23.37%2C57.89l-14.18%2C0.00l-4.28-11.58l-22.04%2C0.00l-4.28%2C11.58l-14.18%2C0.00l23.37-57.89l12.21%2C0.00z%20%20M1043.27%2C446.84l-6.46-16.84l-0.14%2C0.00l-6.46%2C16.84l13.05%2C0.00z%22%2F%3E%09%09%3Cpath%20d%3D%22M1125.82%2C437.58l0.00%2C12.56c-3.16%2C14.67-15.37%2C20.91-26.74%2C20.91c-15.58%2C0.00-28.21-13.40-28.21-29.96c0.00-16.63%2C11.93-30.04%2C28.21-30.04c10.18%2C0.00%2C17.26%2C3.79%2C22.32%2C9.89l-8.63%2C9.47c-3.37-5.40-7.79-7.44-12.91-7.44c-8.14%2C0.00-14.74%2C8.07-14.74%2C18.11c0.00%2C9.82%2C6.60%2C17.82%2C14.74%2C17.82c6.32%2C0.00%2C12.56-4.07%2C12.56-11.16l-13.33%2C0.00l0.00-10.18l26.74%2C0.00z%22%2F%3E%09%09%3Cpath%20d%3D%22M1149.83%2C446.77l0.00%2C23.23l-13.19%2C0.00l0.00-57.89l13.19%2C0.00l0.00%2C23.09l18.67%2C0.00l0.00-23.09l13.19%2C0.00l0.00%2C57.89l-13.19%2C0.00l0.00-23.23l-18.67%2C0.00z%22%2F%3E%09%3C%2Fg%3E%3C%2Fsvg%3E" epub:type="se:image.color-depth.black-on-transparent"/>
|
||
</section>
|
||
<nav id="toc" epub:type="toc">
|
||
<h2 epub:type="title">Table of Contents</h2>
|
||
<ol>
|
||
<li>
|
||
<a href="#titlepage">Titlepage</a>
|
||
</li>
|
||
<li>
|
||
<a href="#imprint">Imprint</a>
|
||
</li>
|
||
<li>
|
||
<a href="#foreword">Foreword</a>
|
||
</li>
|
||
<li>
|
||
<a href="#epigraph">The Fairies</a>
|
||
</li>
|
||
<li>
|
||
<a href="#halftitlepage">Darby O’Gill and the Good People</a>
|
||
<ol>
|
||
<li>
|
||
<a href="#darby-ogill-and-the-good-people">Darby O’Gill and the Good People</a>
|
||
</li>
|
||
<li>
|
||
<a href="#darby-ogill-and-the-leprechaun">Darby O’Gill and the Leprechaun</a>
|
||
</li>
|
||
<li>
|
||
<a href="#the-convarsion-of-father-cassidy">The Convarsion of Father Cassidy</a>
|
||
</li>
|
||
<li>
|
||
<a href="#how-the-fairies-came-to-ireland">How the Fairies Came to Ireland</a>
|
||
</li>
|
||
<li>
|
||
<a href="#the-adventures-of-king-brian-connors">The Adventures of King Brian Connors</a>
|
||
<ol>
|
||
<li>
|
||
<a href="#the-king-and-the-omadhaun"><span epub:type="z3998:roman">I</span>: The King and the Omadhaun</a>
|
||
</li>
|
||
<li>
|
||
<a href="#the-couple-without-childher"><span epub:type="z3998:roman">II</span>: The Couple Without Childher</a>
|
||
</li>
|
||
<li>
|
||
<a href="#the-luck-of-the-mulligans"><span epub:type="z3998:roman">III</span>: The Luck of the Mulligans</a>
|
||
</li>
|
||
</ol>
|
||
</li>
|
||
<li>
|
||
<a href="#the-banshees-comb">The Banshee’s Comb</a>
|
||
<ol>
|
||
<li>
|
||
<a href="#the-diplomacy-of-bridget"><span epub:type="z3998:roman">I</span>: The Diplomacy of Bridget</a>
|
||
<ol>
|
||
<li>
|
||
<a href="#the-diplomacy-of-bridget-1" epub:type="z3998:roman">I</a>
|
||
</li>
|
||
<li>
|
||
<a href="#the-diplomacy-of-bridget-2" epub:type="z3998:roman">II</a>
|
||
</li>
|
||
</ol>
|
||
</li>
|
||
<li>
|
||
<a href="#the-banshees-halloween"><span epub:type="z3998:roman">II</span>: The Banshee’s Halloween</a>
|
||
<ol>
|
||
<li>
|
||
<a href="#the-banshees-halloween-1" epub:type="z3998:roman">I</a>
|
||
</li>
|
||
<li>
|
||
<a href="#the-banshees-halloween-2" epub:type="z3998:roman">II</a>
|
||
</li>
|
||
</ol>
|
||
</li>
|
||
<li>
|
||
<a href="#the-ghosts-at-chartres-mill"><span epub:type="z3998:roman">III</span>: The Ghosts at Chartre’s Mill</a>
|
||
</li>
|
||
<li>
|
||
<a href="#the-costa-bower"><span epub:type="z3998:roman">IV</span>: The Costa Bower</a>
|
||
<ol>
|
||
<li>
|
||
<a href="#the-costa-bower-1" epub:type="z3998:roman">I</a>
|
||
</li>
|
||
<li>
|
||
<a href="#the-costa-bower-2" epub:type="z3998:roman">II</a>
|
||
</li>
|
||
</ol>
|
||
</li>
|
||
</ol>
|
||
</li>
|
||
</ol>
|
||
</li>
|
||
<li>
|
||
<a href="#colophon">Colophon</a>
|
||
</li>
|
||
<li>
|
||
<a href="#uncopyright">Uncopyright</a>
|
||
</li>
|
||
</ol>
|
||
</nav>
|
||
<section id="imprint" epub:type="imprint frontmatter">
|
||
<header>
|
||
<h2 epub:type="title">Imprint</h2>
|
||
<img alt="The Standard Ebooks logo." 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epub:type="z3998:publisher-logo se:image.color-depth.black-on-transparent"/>
|
||
</header>
|
||
<p>This ebook is the product of many hours of hard work by volunteers for <a href="https://standardebooks.org/">Standard Ebooks</a>, and builds on the hard work of other literature lovers made possible by the public domain.</p>
|
||
<p>This particular ebook is based on a transcription from <a href="https://en.wikisource.org/wiki/Darby_O%27Gill_and_the_Good_People">Wikisource</a> and on digital scans from the <a href="https://archive.org/details/darbyogillgoodpe00kavarich">Internet Archive</a>.</p>
|
||
<p>The source text and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. They may still be copyrighted in other countries, so users located outside of the United States must check their local laws before using this ebook. The creators of, and contributors to, this ebook dedicate their contributions to the worldwide public domain via the terms in the <a href="https://creativecommons.org/publicdomain/zero/1.0/">CC0 1.0 Universal Public Domain Dedication</a>. For full license information, see the <a href="uncopyright">Uncopyright</a> at the end of this ebook.</p>
|
||
<p>Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at <a href="https://standardebooks.org/">standardebooks.org</a>.</p>
|
||
</section>
|
||
<section id="foreword" epub:type="preface frontmatter z3998:fiction">
|
||
<h2 epub:type="title">Foreword</h2>
|
||
<p>This history sets forth the only true account of the adventures of a daring Tipperary man named Darby O’Gill among the Fairies of Sleive-na-mon.</p>
|
||
<p>These adventures were first related to me by <abbr epub:type="z3998:name-title">Mr.</abbr> Jerry Murtaugh, a reliable car-driver, who goes between Kilcuny and Ballinderg. He is a first cousin of Darby O’Gill’s own mother.</p>
|
||
</section>
|
||
<section id="epigraph" epub:type="epigraph frontmatter z3998:fiction">
|
||
<h2 epub:type="title">The Fairies</h2>
|
||
<blockquote epub:type="z3998:poem">
|
||
<p>
|
||
<span>“Up the airy mountain,</span>
|
||
<br/>
|
||
<span>Down the rushy glen,</span>
|
||
<br/>
|
||
<span>We daren’t go a-hunting</span>
|
||
<br/>
|
||
<span>For fear of little men.</span>
|
||
<br/>
|
||
<span>Wee folk, good folk,</span>
|
||
<br/>
|
||
<span>Trooping altogether;</span>
|
||
<br/>
|
||
<span>Green jacket, red cap,</span>
|
||
<br/>
|
||
<span>And white owl’s feather.</span>
|
||
</p>
|
||
<p>
|
||
<span>They stole little Bridget</span>
|
||
<br/>
|
||
<span>For seven years long;</span>
|
||
<br/>
|
||
<span>When she came down again</span>
|
||
<br/>
|
||
<span>Her friends were all gone.</span>
|
||
<br/>
|
||
<span>They took her lightly back</span>
|
||
<br/>
|
||
<span>Between the day and morrow;</span>
|
||
<br/>
|
||
<span>They thought that she was fast asleep,</span>
|
||
<br/>
|
||
<span>But she was dead with sorrow.”</span>
|
||
</p>
|
||
<cite>William Allingham</cite>
|
||
</blockquote>
|
||
</section>
|
||
<section id="halftitlepage" epub:type="halftitlepage frontmatter">
|
||
<h2 epub:type="fulltitle">Darby O’Gill and the Good People</h2>
|
||
</section>
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<article id="darby-ogill-and-the-good-people" epub:type="se:short-story bodymatter z3998:fiction">
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<h2 epub:type="title">Darby O’Gill and the Good People</h2>
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<p>Although only one living man of his own free will ever went among them there, still, any well-learned person in Ireland can tell you that the abode of the Good People is in the hollow heart of the great mountain Sleive-na-mon. That same one man was Darby O’Gill, a cousin of my own mother.</p>
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<p>Right and left, generation after generation, the fairies had stolen pigs, young childher, old women, young men, cows, churnings of butter from other people, but had never bothered any of our kith or kin until, for some mysterious rayson, they soured on Darby, and took the eldest of his three foine pigs.</p>
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<p>The next week a second pig went the same way. The third week not a thing had Darby left for the Balinrobe fair. You may aisly think how sore and sorry the poor man was, an’ how Bridget his wife an’ the childher carried on. The rent was due, and all left was to sell his cow Rosie to pay it. Rosie was the apple of his eye; he admired and rayspected the pigs, but he loved Rosie.</p>
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<p>Worst luck of all was yet to come. On the morning when Darby went for the cow to bring her into market, bad scrans to the hoof was there; but in her place only a wisp of dirty straw to mock him. Millia murther! What a howlin’ and screechin’ and cursin’ did Darby bring back to the house!</p>
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<p>Now Darby was a bould man, and a desperate man in his anger, as you soon will see. He shoved his feet into a pair of brogues, clapped his hat on his head, and gripped his stick in his hand.</p>
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<p>“Fairy or no fairy, ghost or goblin, livin’ or dead, who took Rosie’ll rue this day,” he says.</p>
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<p>With those wild words he bolted in the direction of Sleive-na-mon.</p>
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<p>All day long he climbed like an ant over the hill, looking for a hole or cave through which he could get at the prison of Rosie. At times he struck the rocks with his blackthorn, cryin’ out challenge.</p>
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<p>“Come out, you that took her,” he called. “If ye have the courage of a mouse, ye murtherin’ thieves, come out!”</p>
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<p>No one made answer—at laste, not just then. But at night, as he turned, hungry and footsore, toward home, who should he meet up with on the crossroads but the ould fairy doctor, Sheela Maguire. Well known she was as a spy for the Good People. She spoke up:</p>
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<p>“Oh, then, you’re the foolish, blundherin’-headed man to be saying what you’ve said, and doing what you’ve done this day, Darby O’Gill,” says she.</p>
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<p>“What do I care!” says he fiercely. “I’d fight the divil tonight for my beautiful cow.”</p>
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<p>“Then go into <abbr epub:type="z3998:name-title">Mrs.</abbr> Hagan’s meadow beyant,” says Sheela, “and wait till the moon is up. By-an’-by ye’ll see a herd of cows come down from the mountain, and yer own’ll be among them.”</p>
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<p>“What’ll I do then?” asked Darby, his voice thrembling with excitement.</p>
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<p>“Sorra a hair I care what ye do! But there’ll be lads there, and hundreds you won’t see, that’ll stand no ill words, Darby O’Gill.”</p>
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<p>“One question more, ma’am,” says Darby, as Sheelah was moving away. “How late in the night will they stay without?”</p>
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<p>Sheelah caught him by the collar and, pulling his head close, whuspered:</p>
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<p>“When the cock crows the Good People must be safe at home. After cockcrow they have no power to help or to hurt, and every mortal eye can see them plain.”</p>
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<p>“I thank you kindly,” says Darby, “and I bid you good evening, ma’am.” He turned away, leaving her standing there alone, looking after him; but he was sure he heard voices talkin’ to her, and laughin’ and tittherin’ behind him.</p>
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<p>It was dark night when Darby stretched himself on the ground in Hagan’s meadow; the yellow rim of the moon just tipped the edge of the hills.</p>
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<p>As he lay there in the long grass amidst the silence there came a cowld shudder in the air, an’ afther it had passed the deep cracked voice of a nearby bullfrog called loudly an’ ballyraggin’:</p>
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<p>“The Omadhaun! Omadhaun! Omadhaun!” it said.</p>
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<p>From a sloe three over near the hedge an owl cried, surprised and thrembling:</p>
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<p>“Who‑o‑o? who‑o‑o?” it axed.</p>
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<p>At that every frog in the meadow—an’ there must have been tin thousand of them—took up the answer, an’ shrieked shrill an’ high together. “Darby O’Gill! Darby O’Gill! Darby O’Gill!” sang they.</p>
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<p>“The Omadhaun! The Omadhaun!” cried the wheezy masther frog again. “Who-o? Who-o?” axed the owl. “Darby O’Gill! Darby O’Gill!” screamed the rollicking chorus; an’ that way they were goin’ over an’ over agin until the bould man was just about to creep off to another spot whin, sudden, a hundred slow shadows, stirring up the mists, crept from the mountain way toward him. First he must find was Rosie among the herd. To creep quiet as a cat through the hedge and raich the first cow was only a minute’s work. Then his plan, to wait till cockcrow, with all other sober, sensible thoughts, went clane out of the lad’s head before his rage; for cropping eagerly the long, sweet grass, the first baste he met, was Rosie.</p>
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<p>With a leap Darby was behind her, his stick falling sharply on her flanks. The ingratitude of that cow almost broke Darby’s heart. Rosie turned fiercely on him, with a vicious lunge, her two horns aimed at his breast. There was no suppler boy in the parish than Darby, and well for him it was so, for the mad rush the cow gave would have caught any man the laste thrifle heavy on his legs, and ended his days right there.</p>
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<p>As it was, our hayro sprang to one side. As Rosie passed, his left hand gripped her tail. When one of the O’Gills takes hould of a thing, he hangs on like a bull terrier. Away he went, rushing with her.</p>
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<p>Now began a race the like of which was never heard of before or since. Ten jumps to the second, and a hundred feet to the jump. Rosie’s tail standing straight up in the air, firm as an iron bar, and Darby floating straight out behind; a thousand furious fairies flying a short distance after, filling the air with wild commands and threatenings.</p>
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<p>Suddenly the sky opened for a crash of lightning that shivered the hills, and a roar of thunder that turned out of their beds every man, woman, and child in four counties. Flash after flash came the lightning, hitting on every side of Darby. If it wasn’t for fear of hurting Rosie, the fairies would sartenly have killed Darby. As it was, he was stiff with fear, afraid to hould on and afraid to lave go, but flew, waving in the air at Rosie’s tail like a flag.</p>
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<p>As the cow turned into the long, narrow valley which cuts into the east side of the mountain, the Good People caught up with the pair, and what they didn’t do to Darby, in the line of sticking pins, pulling whiskers, and pinching wouldn’t take long to tell. In troth, he was just about to let go his hould, and take the chances of a fall, when the hillside opened and—whisk! the cow turned into the mountain. Darby found himself flying down a wide, high passage which grew lighter as he went along. He heard the opening behind shut like a trap, and his heart almost stopped beating, for this was the fairies’ home in the heart of Sleive-na-mon. He was captured by them!</p>
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<p>When Rosie stopped, so stiff were all Darby’s joints, that he had great trouble loosening himself to come down. He landed among a lot of angry-faced little people, each no higher than your hand, everyone wearing a green velvet cloak and a red cap.</p>
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<p>“We’ll take him to the king,” says a red-whiskered wee chap. “What he’ll do to the murtherin’ spalpeen’ll be good and plenty!”</p>
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<p>With that they marched our bould Darby, a prisoner, down the long passage, which every second grew wider and lighter, and fuller of little people.</p>
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<p>Sometimes, though, he met with human beings like himself, only the black charm was on them, they having been stolen at some time by the Good People. He saw lost people there from every parish in Ireland, both commoners and gentry. Each was laughing, talking, and divarting himself with another. Off to the sides he could see small cobblers making brogues, tinkers mending pans, tailors sewing cloth, smiths hammering horseshoes, everyone merrily to his trade, making a divarsion out of work.</p>
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<p>To this day Darby can’t tell where the beautiful red light he now saw came from. It was like a soft glow, only it filled the place, making things brighter than day.</p>
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<p>Down near the centre of the mountain, was a room twenty times higher and broader than the biggest church in the world. As they drew near this room, there arose the sound of a reel played on bagpipes. The music was so bewitching that Darby, who was the gracefullest reel dancer in all Ireland, could hardly make his feet behave themselves.</p>
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<p>At the room’s edge Darby stopped short and caught his breath, the sight was so entrancing. Set over the broad floor were thousands and thousands of the Good People, facing this way and that, and dancing to a reel; while on a throne in the middle of the room sat ould Brian Conners, King of the Fairies, blowing on the bagpipes. The little King, with a goold crown on his head, wearing a beautiful green velvet coat and red knee-breeches, sat with his legs crossed, beating time with his foot to the music.</p>
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<p>There were many from Darby’s own parish; and what was his surprise to see there Maureen McGibney, his own wife’s sister, whom he had supposed resting dacintly in her grave in holy ground these three years. She had flowers in her brown hair, a fine colour in her cheeks, a gown of white silk and goold, and her green mantle raiched to the heels of her purty red slippers.</p>
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<p>There she was, gliding back and forth, ferninst a little gray-whuskered, round-stomached fairy man, as though there was never a care nor a sorrow in the world.</p>
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<p>As I told you before, I tell you again, Darby was the finest reel dancer in all Ireland; and he came from a family of dancers, though I say it who shouldn’t, as he was my mother’s own cousin. Three things in the world banish sorrow—love and whisky and music. So, when the surprise of it all melted a little, Darby’s feet led him in to the thick of the throng, right under the throne of the King, where he flung care to the winds, and put his heart and mind into his two nimble feet. Darby’s dancing was such that purty soon those around stood still to admire.</p>
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<p>There’s a saying come down in our family through generations which I still hould to be true, that the better the music the aisier the step. Sure never did mortal men dance to so fine a chune and never so supple a dancer did such a chune meet up with.</p>
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<p>Fair and graceful he began. Backward and forward, sidestep and turn; cross over, then forward; a hand on his hip and his stick twirling free; sidestep and forward; cross over again; bow to his partner, and hammer the floor.</p>
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<p>It wasn’t long till half the dancers crowded around admiring, clapping their hands, and shouting encouragement. The ould King grew so excited that he laid down the pipes, took up his fiddle, came down from the throne, and standing ferninst Darby began a finer chune than the first.</p>
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<p>The dancing lasted a whole hour, no one speaking a word except to cry out, “Foot it, ye divil!” “Aisy now, he’s threading on flowers!” “Hooroo! Hooroo! Hooray!” Then the King stopped and said:</p>
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<p>“Well, that bates Banagher, and Banagher bates the world! Who are you, and how came you here?”</p>
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<p>Then Darby up and tould the whole story.</p>
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<p>When he had finished, the King looked sayrious. “I’m glad you came, an’ I’m sorry you came,” he says. “If we had put our charm on you outside to bring you in, you’d never die till the end of the world, when we here must all go to hell. But,” he added quickly, “there’s no use in worrying about that now. That’s nayther here nor there! Those willing to come with us can’t come at all, at all; and here you are of your own free act and will. Howsomever, you’re here, and we daren’t let you go outside to tell others of what you have seen, and so give us a bad name about—about taking things, you know. We’ll make you as comfortable as we can; and so you won’t worry about Bridget and the childher, I’ll have a goold sovereign left with them every day of their lives. But I wish we had the comeither on you,” he says, with a sigh, “for it’s aisy to see you’re great company. Now come up to my place an’ have a noggin of punch for friendship’s sake,” says he.</p>
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<p>That’s how Darby O’Gill began his six months’ stay with the Good People. Not a thing was left undone to make Darby contented and happy. A civiler people than the Good People he never met. At first he couldn’t get over saying, “God keep all here,” and “God save you kindly,” and things like that, which was like burning them with a hot iron.</p>
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<p>If it weren’t for Maureen McGibney, Darby would be in Sleive-na-mon at this hour. Sure she was always the wise girl, ready with her crafty plans and warnings. On a day when they two were sitting alone together, she says to him:</p>
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<p>“Darby, dear,” says she, “it isn’t right for a dacint man of family to be spending his days cavortin’, and idlin’, and fillin’ the hours with sport and nonsense. We must get you out of here; for what is a sovereign a day to compare with the care and protection of a father?” she says.</p>
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<p>“Thrue for ye!” moaned Darby, “and my heart is just splittin’ for a sight of Bridget an’ the childher. Bad luck to the day I set so much store on a dirty, ongrateful, threacherous cow!”</p>
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<p>“I know well how you feel,” says Maureen, “for I’d give the whole world to say three words to Bob Broderick, that ye tell me that out of grief for me has never kept company with any other girl till this day. But that’ll never be,” she says, “because I must stop here till the Day of Judgment, and then I must go to ⸻,” says she, beginning to cry, “but if you get out, you’n bear a message to Bob for me, maybe?” she says.</p>
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<p>“It’s aisy to talk about going out, but how can it be done?” asked Darby.</p>
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<p>“There’s a way,” says Maureen, wiping her big gray eyes, “but it may take years. First, you must know that the Good People can never put their charm on anyone who is willing to come with them. That’s whay you came safe. Then, agin, they can’t work harm in the daylight, and after cockcrow any mortal eye can see them plain; nor can they harm anyone who has a sprig of holly, nor pass over a leaf or twig of holly, because that’s Christmas bloom. Well, there’s a certain evil word for a charm that opens the side of the mountain, and I will try to find it out for you. Without that word, the armies of the world couldn’t get out or in. But you must be patient and wise, and wait.”</p>
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<p>“I will so, with the help of God,” says Darby.</p>
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<p>At these words, Maureen gave a terrible screech.</p>
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<p>“Cruel man!” she cried, “don’t you know that to say pious words to one of the Good People, or to one undher their black charm, is like cutting him with a knife?”</p>
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<p>The next night she came to Darby again.</p>
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<p>“Watch yerself now,” she says, “for tonight they’re goin’ to lave the door of the mountain open, to thry you; and if you stir two steps outside they’ll put the comeither on you,” she says.</p>
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<p>Sure enough, when Darby took his walk down the passage, after supper, as he did every night, there the side of the mountain lay wide open and no one in sight. The temptation to make one rush was great; but he only looked out a minute, and went whistling back down the passage, knowing well that a hundred hidden eyes were on him the while. For a dozen nights after it was the same.</p>
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<p>At another time Maureen said:</p>
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<p>“The King himself is going to thry you hard the day, so beware!” She had no sooner said the words than Darby was called for, and went up to the King.</p>
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<p>“Darby, my sowl,” says the King, in a sootherin’ way, “have this noggin of punch. A betther never was brewed; it’s the last we’ll have for many a day. I’m going to set you free, Darby O’Gill, that’s what I am.”</p>
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<p>“Why, king,” says Darby, putting on a mournful face, “how have I offended ye?”</p>
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<p>“No offence at all,” says the king, “only we’re depriving you.”</p>
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<p>“No depravity in life!” says Darby. “I have lashins and lavings to ate and to drink, and nothing but fun an’ divarsion all day long. Out in the world it was nothing but work and throuble and sickness, disappointment and care.”</p>
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<p>“But Bridget and the childher?” says the King, giving him a sharp look out of half-shut eyes.</p>
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<p>“Oh, as for that, king,” says Darby, “it’s aisier for a widow to get a husband, or for orphans to find a father, than it is for them to pick up a sovereign a day.”</p>
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<p>The King looked mighty satisfied and smoked for a while without a word.</p>
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<p>“Would you mind going out an evenin’ now and then, helpin’ the boys to mind the cows?” he asked at last.</p>
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<p>Darby feared to thrust himself outside in their company.</p>
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<p>“Well, I’ll tell ye how it is,” replied my brave Darby. “Some of the neighbors might see me, and spread the report on me that I’m with the fairies, and that’d disgrace Bridget and the childher,” he says.</p>
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<p>The King knocked the ashes from his pipe.</p>
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<p>“You’re a wise man besides being the hoight of good company,” says he, “and it’s sorry I am you didn’t take me at my word; for then we would have you always, at laste till the Day of Judgment, when—but that’s nayther here nor there! Howsomever, we’ll bother you about it no more.”</p>
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<p>From that day they thrated him as one of their own.</p>
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<p>It was one day five months after that Maureen plucked Darby by the coat and led him off to a lonely spot.</p>
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<p>“I’ve got the word,” she says.</p>
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<p>“Have you, faith! What is it?” says Darby, all of a thrimble.</p>
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<p>Then she whispered a word so blasphaymous, so irrayligious, that Darby blessed himself. When Maureen saw him making the sign, she fell down in a fit, the holy emblem hurt her so, poor child.</p>
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<p>Three hours after this me bould Darby was sitting at his own fireside talking to Bridget and the childher. The neighbours were hurrying to him, down every road and through every field, carrying armfuls of holly bushes, as he had sent word for them to do. He knew well he’d have fierce and savage visitors before morning.</p>
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<p>After they had come with the holly, he had them make a circle of it so thick around the house that a fly couldn’t walk through without touching a twig or a leaf. But that was not all.</p>
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<p>You’ll know what a wise girl and what a crafty girl that Maureen was when you hear what the neighbours did next. They made a second ring of holly outside the first, so that the house sat in two great wreaths, one wreath around the other. The outside ring was much the bigger, and left a good space between it and the first, with room for ever so many people to stand there. It was like the inner ring, except for a little gate, left open as though by accident, where the fairies could walk in.</p>
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<p>But it wasn’t an accident at all, only the wise plan of Maureen’s; for nearby this little gap, in the outside wreath, lay a sprig of holly with a bit of twine tied to it. Then the twine ran along up to Darby’s house, and in through the window, where its end lay convaynient to his hand. A little pull on the twine would drag the stray piece of holly into the gap, and close tight the outside ring.</p>
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<p>It was a trap, you see. When the fairies walked in through the gap, the twine was to be pulled, and so they were to be made prisoners between the two rings of holly. They couldn’t get into Darby’s house, because the circle of holly nearest the house was so tight that a fly couldn’t get through without touching the blessed tree or its wood. Likewise, when the gap in the outer wreath was closed, they couldn’t get out again. Well, anyway, these things were hardly finished and fixed, when the dusky brown of the hills warned the neighbours of twilight, and they scurried like frightened rabbits to their homes.</p>
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<p>Only one amongst them all had courage to sit inside Darby’s house waiting the dreadful visitors, and that one was Bob Broderick. What vengeance was in store couldn’t be guessed at all, at all, only it was sure that it was to be more turrible than any yet wreaked on mortal man.</p>
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<p>Not in Darby’s house alone was the terror, for in their anger the Good People might lay waste the whole parish. The roads and fields were empty and silent in the darkness. Not a window glimmered with light for miles around. Many a blaggard who hadn’t said a prayer for years was now down on his marrow bones among the dacint members of his family, thumping his craw, and roaring his Pather and Aves.</p>
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<p>In Darby’s quiet house, against which the cunning, the power, and the fury of the Good People would first break, you can’t think of half the suffering of Bridget and the childher, as they lay huddled together on the settle-bed; nor of the strain on Bob and Darby, who sat smoking their dudeens and whispering anxiously together.</p>
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<p>For some rayson or other the Good People were long in coming. Ten o’clock struck, then eleven, afther that twelve, and not a sound from the outside. The silence and then no sign of any kind had them all just about crazy, when suddenly there fell a sharp rap on the door.</p>
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<p>“Millia murther,” whispered Darby, “we’re in for it. They’ve crossed the two rings of holly, and are at the door itself.”</p>
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<p>The childher begun to cry and Bridget said her prayers out loud; but no one answered the knock.</p>
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<p>“Rap, rap, rap,” on the door, then a pause.</p>
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<p>“God save all here!” cried a queer voice from the outside.</p>
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<p>Now no fairy would say, “God save all here,” so Darby took heart and opened the door. Who should be standing there but Sheelah Maguire, a spy for the Good People. So angry were Darby and Bob that they snatched her within the threshold, and before she knew it they had her tied hand and foot, wound a cloth around her mouth, and rolled her under the bed. Within the minute a thousand rustling voices sprung from outside. Through the window, in the clear moonlight, Darby marked weeds and grass being trampled by inwisible feet, beyond the farthest ring of holly.</p>
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<p>Suddenly broke a great cry. The gap in the first ring was found. Signs were plainly seen of uncountable feet rushing through, and spreading about the nearer wreath. Afther that a howl of madness from the little men and women. Darby had pulled his twine and the trap was closed, with five thousand of the Good People entirely at his mercy.</p>
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<p>Princes, princesses, dukes, dukesses, earls, earlesses, and all the quality of Sleive-na-mon were prisoners. Not more than a dozen of the last to come escaped, and they flew back to tell the king.</p>
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<p>For an hour they raged. All the bad names ever called to mortal man were given free, but Darby said never a word. “Pickpocket,” “sheep stayler,” “murtherin’ thafe of a blaggard,” were the softest words trun at him.</p>
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<p>By an’ by, howsumever, as it begun to grow near to cockcrow, their talk grew a great dale civiler. Then came beggin’, pladin’, promisin’, and enthratin’, but the doors of the house still stayed shut an’ its windows down.</p>
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<p>Purty soon Darby’s old rooster, Terry, came down from his perch, yawned, an’ flapped his wings a few times. At that the terror and the screechin’ of the Good People would have melted the heart of a stone.</p>
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<p>All of a sudden a fine, clear voice rose from beyant the crowd. The King had come. The other fairies grew still, listening.</p>
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<p>“Ye murtherin’ thafe of the world,” says he King grandly, “what are ye doin’ wid my people?”</p>
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<p>“Keep a civil tongue in yer head, Brian Connor,” says Darby, sticking his head out the window, “for I’m as good a man as you, any day,” says Darby.</p>
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<p>At that minute Terry, the cock, flapped his wings and crowed. In a flash there sprang into full view the crowd of Good People—dukes, earls, princes, quality, and commoners, with their ladies, jammed thick together about the house; every one of them with his head thrown back bawling and crying, and tears as big as pigeon-eggs rouling down his cheeks.</p>
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<p>A few feet away, on a straw pile in the barnyard, stood the King, his goold crown tilted on the side of his head, his long green cloak about him, and his rod in his hand, but thremblin’ allover.</p>
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<p>In the middle of the crowd, but towering high above them all, stood Maureen McGibney in her cloak of green an’ goold, her purty brown hair fallin’ down on her shoulders, an’ she—the crafty villain—cryin, an’ bawlin’, an’ abusin’ Darby, with the best of them.</p>
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<p>“What’ll you have an’ let them go?” says the King.</p>
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<p>“First an’ foremost,” says Darby, “take yer spell off that slip of a girl there, an’ send her into the house.”</p>
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<p>In a second Maureen was standing inside the door, her both arms about Bob’s neck, and her head on his collarbone.</p>
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<p>What they said to aich other, and what they done in the way of embracin’ an’ kissin’ an’ cryin’ I won’t take time in telling you.</p>
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<p>“Next,” says Darby, “send back Rosie and the pigs.”</p>
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<p>“I expected that,” says the king. And at those words they saw a black bunch coming through the air; in a few seconds Rosie and the three pigs walked into the stable.</p>
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<p>“Now,” says Darby, “promise in the name of Ould Nick” (’tis by him the Good People swear) “never to moil nor meddle again with anyone or anything from this parish.”</p>
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<p>The King was fair put out by this. Howsomever, he said at last, “You ongrateful scoundhrel, in the name of Ould Nick, I promise.”</p>
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<p>“So far, so good,” says Darby, “but the worst is yet to come. Now you must raylase from your spell every soul you’ve stole from this parish; and besides, you must send me ten thousand pounds in goold.”</p>
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<p>Well, the King gave a roar of anger that was heard in the next barony.</p>
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<p>“Ye high-handed, hard-hearted robber,” he says, “I’ll never consent!” he says.</p>
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||
<p>“Plase yerself,” says Darby. “I see Father Cassidy comin’ down the hedge,” he says, “an’ he has a prayer for ye all in his book that’ll burn ye up like wisps of sthraw ef he ever catches ye here,” says Darby.</p>
|
||
<p>With that the roaring and bawling was pitiful to hear, and in a few minutes a bag with ten thousand goold sovereigns in it was trun at Darby’s threshold; and fifty people, young an’ some of them ould, flew over an’ stood beside the king. Some of them had spent years with the fairies. Their relatives thought them dead an’ buried. They were the lost ones from that parish.</p>
|
||
<p>With that Darby pulled the bit of twine again, opening the trap, and it wasn’t long until every fairy was gone.</p>
|
||
<p>The green coat of the last one was hardly out of sight when, sure enough, who should come up but Father Cassidy, his book in his hand. He looked at the fifty people who had been with the fairies standin’ there—the poor crathures—thremblin’ an’ wondherin’, an’ afeard to go to their homes.</p>
|
||
<p>Darby tould him what had happened.</p>
|
||
<p>“Ye foolish man,” says the priest, “you could have got out every poor prisoner that’s locked in Sleive-na-mon, let alone those from this parish.”</p>
|
||
<p>One could have scraped with a knife the surprise off Darby’s face.</p>
|
||
<p>“Would yer Reverence have me let out the Corkonians, the Connaught men, and the Fardowns, I ask ye?” he says hotly. “When <abbr epub:type="z3998:name-title">Mrs.</abbr> Malowney there goes home and finds that Tim has married the Widow Hogan, ye’ll say I let out too many, even of this parish, I’m thinkin’.”</p>
|
||
<p>“But,” says the priest, “ye might have got ten thousand pounds for aich of us.”</p>
|
||
<p>“If aich had ten thousand pounds, what comfort would I have in being rich?” asked Darby again. “To enjoy well being rich, there should be plenty of poor,” says Darby.</p>
|
||
<p>“God forgive ye, ye selfish man!” says Father Cassidy.</p>
|
||
<p>“There’s another rayson besides,” says Darby. “I never got betther nor friendlier thratement than I had from the Good People. An’ the divil a hair of their heads I’d hurt more than need be,” he says.</p>
|
||
<p>Some way or other the King heard of this saying, an’ was so mightily pleased that next night a jug of the finest poteen was left at Darby’s door.</p>
|
||
<p>After that, indade, many’s the winter night, when the snow lay so heavy that no neighbor was stirrin’, and when Bridget and the childher were in bed, Darby sat by the fire, a noggin of hot punch in his hand, argying an’ getting news of the whole world. A little man, with a goold crown on his head, a green cloak on his back, and one foot thrown over the other, sat ferninst him by the hearth.</p>
|
||
</article>
|
||
<article id="darby-ogill-and-the-leprechaun" epub:type="se:short-story bodymatter z3998:fiction">
|
||
<h2 epub:type="title">Darby O’Gill and the Leprechaun</h2>
|
||
<p>The news that Darby O’Gill had spint six months with the Good People spread fast and far and wide.</p>
|
||
<p>At fair or hurlin’ or market he would be backed be a crowd agin some convaynient wall, and there for hours men, women, and childher, with jaws dhroppin’, and eyes bulgin’d stand ferninst him listening to half-frightened questions or to bould mystarious answers.</p>
|
||
<p>Alway, though, one bit of wise adwise inded his discoorge: “Nayther make nor moil nor meddle with the fairies,” Darby’d say. “If you’re going along the lonely boreen at night, and you hear, from some fairy fort, a sound of fiddles, or of piping, or of sweet woices singing, or of little feet pattering in the dance, don’t turn your head, but say your prayers an’ hould on your way. The pleasures the Good People’ll share with you have a sore sorrow hid in them, an’ the gifts they’ll offer are only made to break hearts with.”</p>
|
||
<p>Things went this a-way till one day in the market, over among the cows, Maurteen Cavanaugh, the schoolmasther—a cross-faced, argifying ould man he was—contradicted Darby pint blank. “Stay a bit,” says Maurteen, catching Darby by the coat collar. “You forget about the little fairy cobbler, the Leprechaun,” he says. “You can’t deny that to catch the Leprechaun is great luck entirely. If one only fix the glance of his eye on the cobbler, that look makes the fairy a presner—one can do anything with him as long as a human look covers the little lad—and he’ll give the favours of three wishes to buy his freedom,” says Maurteen.</p>
|
||
<p>At that Darby, smiling high and knowledgeable, made answer over the heads of the crowd.</p>
|
||
<p>“God help your sinse, honest man!” he says. “Around the favors of thim same three wishes is a bog of thricks an’ cajoleries and con‑ditions that’ll defayt the wisest.</p>
|
||
<p>“First of all, if the look be taken from the little cobbler for as much as the wink of an eye, he’s gone forever,” he says. “Man alive, even when he does grant the favours of the three wishes, you’re not safe, for, if you tell anyone you’ve seen the Leprechaun, the favours melt like snow, or if you make a fourth wish that day—whiff! they turn to smoke. Take my adwice—nayther make nor moil nor meddle with the fairies.”</p>
|
||
<p>“Thrue for ye,” spoke up long Pether McCarthy, siding in with Darby. “Didn’t Barney McBride, on his way to early mass one May morning, catch the fairy cobbler sewing an’ workin’ away under a hedge. ‘Have a pinch of snuff, Barney agra,’ says the Leprechaun, handing up the little snuffbox. But, mind ye, when my poor Barney bint to take a thumb an’ finger full what did the little villain do but fling the box, snuff and all, into Barney’s face. An’ thin, whilst the poor lad was winkin’ and blinkin’, the Leprechaun gave one leap and was lost in the reeds.</p>
|
||
<p>“Thin again, there was Peggy O’Rourke, who captured him fair an’ square in a hawthorn-bush. In spite of his wiles she wrung from him the favours of the three wishes. Knowing, of course, that if she towldt anyone of what happened to her the spell was broken, and the wishes wouldn’t come thrue, she hurried home, aching and longing to in some way find from her husband, Andy, what wishes she’d make.</p>
|
||
<p>“Throwing open her door, she said, ‘What would ye wish for most in the world, Andy dear. Tell me an’ your wish’ll come true,’ says she. A peddler was crying his wares out in the lane. ‘Lanterns, tin lanterns!’ cried the peddler. ‘I wish I had one of thim lanterns,’ says Andy, careless and bendin’ over to get a coal for his pipe, when, lo and behold, there was a lantern in his hand.</p>
|
||
<p>“Well, so vexed was Peggy that one of her fine wishes should be wasted on a palthry tin lantern that she lost all patience with him. ‘Why, thin, bad scran to you,’ says she—not mindin’ her own words—‘I wish the lantern was fastened to the ind of your nose.’</p>
|
||
<p>“The word wasn’t well out of her mouth till the lantern was hung swinging from the ind of Andy’s nose in a way that the wit of man couldn’t loosen. It took the third and last of Peggy’s wishes to relayse Andy.”</p>
|
||
<p>“Look at that now,” cried a dozen voices from the admiring crowd. “Darby said so from the first.”</p>
|
||
<p>Well, after a time people used to come from miles around to see Darby, and sit undher the shtraw-stack beside the stable to adwise with our hayro about their most important business—what was the best time for the settin’ of hins and what was good to cure colic in childher, an’ things like that.</p>
|
||
<p>Any man so parsecuted with admiration an’ hayrofication might aisily feel his chest swell out a bit, so it’s no wondher that Darby set himself up for a knowledgeable man.</p>
|
||
<p>He took to talking slow an’ shuttin’ one eye whin he listened, and he walked with a knowledgeable twist to his chowldhers. He grew monsthrously fond of fairs and public gatherings, where people made much of him; and he lost every ounce of liking he ever had for hard worruk.</p>
|
||
<p>Things wint on with him in this way from bad to worse, and where it would have inded no man knows, if one unlucky morning he hadn’t rayfused to bring in a creel of turf his wife Bridget had axed him to fetch her. The unfortunate man said it was no work for the likes of him.</p>
|
||
<p>The last word was still on Darby’s lips whin he rayalised his mistake an’ he’d have give the worruld to have the sayin’ back agin.</p>
|
||
<p>For a minute you could have heard a pin dhrop. Bridget, instead of being in a hurry to begin at him, was crool dayliberate. She planted herself at the door, her two fists on her hips an’ her lips shut.</p>
|
||
<p>The look Julius Sayser’d trow at a sarvant girl he’d caught stealing sugar from the rile cupboard was the glance she waved up and down from Darby’s toes to his head and from his head to his brogues agin.</p>
|
||
<p>Thin she began an’ talked steady as a fall of hail that has now an’ then a bit of lightning an’ tunder mixed in it.</p>
|
||
<p>The knowledgeable man stood purtendin’ to brush his hat and tryin’ to look brave, but the heart inside of him was meltin’ like butther.</p>
|
||
<p>Bridget began aisily be carelessly mentioning a few of Darby’s best known wakenesses. Afther that she took up some of them not so well known, being ones Darby himself had sayrious doubts about having at all. But on these last she was more savare than on the first. Through it all he daren’t say a word—he only smiled lofty and bitther.</p>
|
||
<p>’Twas but natural next for Bridget to explain what a poor crachure her husband was on the day she got him, an’ what she might have been if she had married aither one of the six others who had axed her. The step for her was a little one thin to the shortcomings and misfortunes of his blood relaytions, which she follyed back to the blaggardisms of his fourth cousin, Phelim McFadden.</p>
|
||
<p>Even in his misery poor Darby couldn’t but marvel at her wondherful memory.</p>
|
||
<p>By the time she began talking of her own family, and especially about her Aunt Honoria O’Shaughnessy, who had once shook hands with a bishop, and who in the rebellion of ninety-eight had trun a brick at a Lord Liftinant, whin he was riding by, Darby was as wilted and as forlorn-looking as a roosther caught out in the winther rain.</p>
|
||
<p>He lost more pride in those few minutes than it had taken months to gather an’ hoard. It kept falling in great drops from his forehead.</p>
|
||
<p>Just as Bridget was lading up to what Father Cassidy calls a pur-roar-ration—that being the part of your wife’s discoorse whin, afther telling you all that she’s done for you, and all she’s stood from your relaytions, she breaks down and cries, and so smothers you entirely—just as she was coming to that, I say, Darby scrooged his caubeen down on his head, stuck his fingers in his two ears, and making one grand rush through the door, bolted as fast as his legs could carry him down the road toward the Sleive-na-mon Mountains.</p>
|
||
<p>Bridget stood on the step looking after him too surprised for a word. With his fingers still in his ears, so that he couldn’t hear her commands to turn back, he ran without stopping till he came to the willow-tree near Joey Hooligan’s forge. There he slowed down to fill his lungs with the fresh, sweet air.</p>
|
||
<p>’Twas one of those warmhearted, laughing autumn days which steals for a while the bonnet and shawl of the May. The sun from a sky of feathery whiteness, laned over, telling jokes to the worruld an’ the goold harvest-fields and purple hills, lasy and continted, laughed back at the sun. Even the blackbird flying over the haw-tree looked down an’ sang to those below, “God save all here;” an’ the linnet from her bough answered back quick an’ sweet, “God save you kindly, sir.”</p>
|
||
<p>With such pleasant sights and sounds an’ twitterings at every side, our hayro didn’t feel the time passing till he was on top of the first hill of the Sleive-na-mon Mountains, which, as everyone knows, is called the Pig’s Head.</p>
|
||
<p>It wasn’t quite lonesome enough on the Pig’s Head, so our hayro plunged into the valley an’ climbed the second mountain—the Divil’s Pillow—where ’twas lonesome and desarted enough to shuit anyone.</p>
|
||
<p>Beneath the shade of a three, for the days was warm, he sat himself down in the long, sweet grass, lit his pipe, and let his mind go free. But, as he did, his thoughts rose together, like a flock of frightened, angry pheasants, an’ whirred back to the owdacious things Bridget had said about his relations.</p>
|
||
<p>Wasn’t she the mendageous, humbrageous woman, he thought, to say such things about as illigant stock as the O’Gills and the O’Gradys?</p>
|
||
<p>Why, Wullum O’Gill, Darby’s uncle, at that minute was head butler at Castle Brophy, and was known far an’ wide as being one of the foinest scholars an’ as having the most beautiful pair of legs in all Ireland.</p>
|
||
<p>This same Wullum O’Gill had tould Bridget in Darby’s own hearing, on a day when the three were going through the great picture gallery at Castle Brophy, that the O’Gills at one time had been kings in Ireland.</p>
|
||
<p>Darby never since could raymember whether this time was before the flood or after the flood. Bridget said it was durin’ the flood, but surely that sayin’ was nonsinse.</p>
|
||
<p>Howsumever, Darby knew his Uncle Wullum was right, for he often felt in himself the signs of greatness. And now, as he sat alone on the grass, he said out loud:</p>
|
||
<p>“If I had me rights I’d be doing nothing all day long but sittin’ on a throne, an’ playin’ games of forty-five with me Lord Liftenant an’ some of me generals. There never was a lord that liked good ating or dhrinking betther nor I or who hates worse to get up airly in the morning. That last disloike, I’m tould, is a great sign entirely of gentle blood the worruld over,” says he.</p>
|
||
<p>As for his wife’s people, the O’Hagans and the O’Shaughnessys, well—they were no great shakes, he said to himself, at laste so far as looks were consarned. All the handsomeness in Darby’s childher came from his own side of the family. Even Father Cassidy said the childher took afther the O’Gills.</p>
|
||
<p>“If I were rich,” says Darby to a lazy ould bumble bee who was droning an’ tumbling in front of him, “I’d have a castle like Castle Brophy, with a great picture gallery in it. On one wall I’d put the pictures of the O’Gills and the O’Gradys, and on the wall ferninst thim I’d have the O’Hagans an’ the O’Shaughnessys.”</p>
|
||
<p>At that ideah his heart bubbled in a new and fierce deloight. “Bridget’s people,” he says agin, scowling at the bee, “would look four times as common as they raylly are, whin they were compared in that way with my own relations. An’ whenever Bridget got rampageous, I’d take her in and show her the difference betwixt the two clans, just to punish her, so I would.”</p>
|
||
<p>How long the lad sat that way warming the cowld thoughts of his heart with drowsy pleasant dhrames an’ misty longings he don’t rightly know, whin—tack, tack, tack, tack, came the busy sound of a little hammer from the other side of a fallen oak.</p>
|
||
<p>“Be jingo!” he says to himself with a start, “ ’tis the Leprechaun that’s in it.”</p>
|
||
<p>In a second he was on his hands an’ knees, the tails of his coat flung across his back, an’ he crawling softly toward the sound of the hammer. Quiet as a mouse he lifted himself up on the mossy log to look over, and there, before his two popping eyes, was a sight of wondheration.</p>
|
||
<p>Sitting on a white stone, an’ working away like fury, hammering pegs into a little red shoe, half the size of your thumb, was a bald-headed ould cobbler of about twice the height of your hand. On the top of a round snub nose was perched a pair of horn-rimmed spectacles, an’ a narrow fringe of iron-grey whuskers grew under his stubby chin. The brown leather apron he wore was so long that it covered his green knee-breeches an’ almost hid the knitted grey stockings.</p>
|
||
<p>The Leprechaun—for it was he indade—as he worked, mumbled an’ mutthered in great discontent.</p>
|
||
<p>“Oh, haven’t I the hard, hard luck!” he said. “I’ll never have thim done in time for her to dance in tonight. So, thin, I’ll be kilt intirely,” says he. “Was there ever another quane of the fairies as wearing on shoes an’ brogues an’ dancin’ slippers? Haven’t I the—” Looking up, he saw Darby.</p>
|
||
<p>“The top of the day to you, dacint man,” says the cobbler, jumpin’ up. Giving a sharp cry, he pinted quick at Darby’s stomach. “But, wirra, wirra, what’s that woolly ugly thing you have crawlin’ an’ creepin’ on your weskit?” he said, purtendin’ to be all excited.</p>
|
||
<p>“Sorra thing on my weskit,” answered Darby, cool as ice, “or anywhere else, that’ll make me take my two bright eyes off’n you—not for a second,” says he.</p>
|
||
<p>“Well! Well! Will you look at that, now?” laughed the cobbler. “Mark how quick an’ handy he took me up. Will you have a pinch of snuff, clever man?” he axed, houlding up the little box.</p>
|
||
<p>“Is it the same snuff you gave Barney McBride awhile ago?” axed Darby, sarcastic. “Lave off your foolishness,” says our hayro, growin’ fierce, “and grant me at once the favours of the three wishes, or I’ll have you smoking like a herring in my own chimney before nightfall,” says he.</p>
|
||
<p>At that the Leprechaun, seeing he but wasted time on so knowledgeable a man as Darby O’Gill, surrendhered and granted the favors of the three wishes.</p>
|
||
<p>“What is it you ask?” says the cobbler, himself turning on a sudden very sour an’ sullen.</p>
|
||
<p>“First an’ foremost,” says Darby, “I want a home of my ansisthers, an’ it must be a castle like Castle Brophy, with pictures of my kith an’ kin on the wall, and then facing them pictures of my wife Bridget’s kith an’ kin on the other wall.”</p>
|
||
<p>“That favour I give you; that wish I grant ye,” says the fairy, making the shape of a castle on the ground with his awl.</p>
|
||
<p>“What next?” he grunted.</p>
|
||
<p>“I want goold enough for me an’ my generations to enjoy in grandeur the place forever.”</p>
|
||
<p>“Always the goold,” sneered the little man, bending to dhraw with his awl on the turf the shape of a purse.</p>
|
||
<p>“Now for your third and last wish. Have a care!”</p>
|
||
<p>“I want the castle set on this hill—the Divil’s Pillow—where we two stand,” says Darby. Then sweeping with his arm, he says, “I want the land about to be my demesne.”</p>
|
||
<p>The Leprechaun struck his awl on the ground. “That wish I give you; that wish I grant you,” he says. With that he straightened himself up, and, grinning most aggravaytin’ the while, he looked Darby over from top to toe. “You’re a foine knowledgeable man, but have a care of the fourth wish,” says he.</p>
|
||
<p>Bekase there was more of a challenge than friendly warning in what the small lad said, Darby snapped his fingers at him an’ cried:</p>
|
||
<p>“Have no fear, little man! If I got all Ireland ground for making a fourth wish, however small, before midnight, I’d not make it. I’m going home now to fetch Bridget an’ the childher, and the only fear or unaisiness I have is that you’ll not keep your word, so as to have the castle here ready before us when I come back.”</p>
|
||
<p>“Oho! I’m not to be thrusted, amn’t I?” screeched the little lad, flaring into a blazing passion. He jumped upon the log that was betwixt them an’ with one fist behind his back, shook the other at Darby.</p>
|
||
<p>“You ignorant, auspicious-minded blaggard,” says he. “How dare the likes of you say the likes of that to the likes of me?” cried the cobbler. “I’d have you to know,” he says, “that I had a repitation for truth an’ voracity ayquil, if not shuperior to the best, before you were born,” he shouted. “I’ll take no high talk from a man that’s afraid to give words to his own wife whin she’s in a tantrum,” says the Leprechaun.</p>
|
||
<p>“It’s aisy to know you’re not a married man,” says Darby, mighty scornful, “bekase if you—”</p>
|
||
<p>The lad stopped short, forgetting what he was going to say in his surprise an’ aggaytation, for the far side of the mountain was waving up an’ down before his eyes like a great green blanket that is being shook by two women; while at the same time high spots of turf on the hillside toppled sidewise to level themselves up with the low places. The enchantment had already begun to make things ready for the castle. A dozen foine threes that stood in a little groove bent their heads quickly together, and thin by some inwisible hand they were plucked up by the roots an’ dhropped aside, much the same as a man might grasp a handful of weeds an’ fling them from his garden.</p>
|
||
<p>The ground under the knowledgeable man’s feet began to rumble an’ heave. He waited for no more. With a cry that was half of gladness an’ half of fear, he turned on his heel an’ started on a run down into the walley, leaving the little cobbler standing on the log, shouting abuse after him an’ ballyraggin’ him as he ran.</p>
|
||
<p>So excited was Darby that, going up the Pig’s Head, he was nearly run over by a crowd of great brown building stones which were moving down slow an’ ordherly like a flock of driven sheep—but they moved without so much as bruising a blade of grass or bendin’ a twig, as they came.</p>
|
||
<p>Only once, and that at the top of the Pig’s Head, he trew a look back.</p>
|
||
<p>The Divil’s Pillow was in a great commotion; a whirlwind was sweeping over it—whether of dust or of mist he couldn’t tell.</p>
|
||
<p>After this, Darby never looked back agin, or to the right or the left of him, but kept straight on till he found himself, panting and puffing, at his own kitchen door. ’Twas tin minutes before he could spake, but at last, whin he tould Bridget to make ready herself and the childher to go up to the Divil’s Pillow with him, for once in her life that raymarkable woman, without axing, How comes it so? What rayson have you, or Why should I do it, set to work washing the childher’s faces.</p>
|
||
<p>Maybe she dabbed a little more soap in their eyes than was needful, for ’twas a habit she had; though this time, if she did, not a whimper broke from the little hayros. For the matther of that, not one word, good, bad, or indifferent, did herself spake till the whole family were trudging down the lane two by two, marching like sojers.</p>
|
||
<p>As they came near the first hill, along its sides, the evening twilight turned from purple to brown, and at the top of the Pig’s Head the darkness of a black night swooped suddenly down on them. Darby hurried on a step or two ahead, an’ resting his hand upon the large rock that crowns the hill, looked anxiously over to the Divil’s Pillow. Although he was ready for something foine, yet the greatness of the foineness that met his gaze knocked the breath out of him.</p>
|
||
<p>Across the deep walley, and on top of the second mountain, he saw lined against the evening sky the roof of an imminse castle, with towers an’ parrypets an’ battlements. Undher the towers a thousand sullen windows glowed red in the black walls. Castle Brophy couldn’t hould a candle to it.</p>
|
||
<p>“Behold!” says Darby, flinging out his arms and turning to his wife, who had just come up—“Behold the castle of my ansisthers, who were my forefathers!”</p>
|
||
<p>“How,” says Bridget, quick and scornful—“How could your aunt’s sisters be your four fathers?”</p>
|
||
<p>What Darby was going to say to her he don’t just raymember, for at that instant, from the right hand side of the mountain, came a cracking of whips, a rattling of wheels, an’ the rush of horses, and, lo and behold! a great dark coach with flashing lamps, and drawn by four coal-black horses, dashed up the hill and stopped beside them. Two shadowy men were on the driver’s box.</p>
|
||
<p>“Is this Lord Darby O’Gill?” axed one of them in a deep, muffled voice. Before Darby could reply, Bridget took the words out of his mouth.</p>
|
||
<p>“It is,” she cried, in a kind of a half cheer, “an’ Lady O’Gill an’ the childher.”</p>
|
||
<p>“Then hurry up,” says the coachman, “your supper’s gettin’ cowld.”</p>
|
||
<p>Without waiting for anyone, Bridget flung open the carriage-door, an’ pushin’ Darby aside, jumped in among the cushins. Darby, his heart sizzlin’ with vexation at her audaciousness, lifted in one after another the childher, and then got in himself.</p>
|
||
<p>He couldn’t undherstand at all the change in his wife, for she had always been the odherliest, modestist woman in the parish.</p>
|
||
<p>Well, he’d no sooner shut the door than crack went the whip, the horses gave a spring, the carriage jumped, and down the hill they went. For fastness there was never another carriage-ride like that before nor since. Darby hildt tight with both hands to the window, his face pressed against the glass. He couldn’t tell whether the horses were only flying, or whether the coach was falling down the hill into the walley. By the hollow feeling in his stomach he thought they were falling. He was striving to think of some prayers when there came a terrible joult, which sint his two heels against the roof, an’ his head betwixt the cushions. As he righted himself the wheels began to grate on a graveled road, an’ plainly they were dashing up the side of the second mountain.</p>
|
||
<p>Even so, they couldn’t have gone far whin the carriage dhrew up in a flurry, an’ he saw through the gloom a high iron gate being slowly opened.</p>
|
||
<p>“Pass on,” said a woice from somewhere in the shadows, “their supper’s getting cowld.”</p>
|
||
<p>As they flew undher the great archway Darby had a glimpse of the thing which had opened the gate, and had said their supper was getting cowld. It was standing on its hind legs—in the darkness he couldn’t be quite sure as to its shape, but it was ayther a bear or a loin.</p>
|
||
<p>His mind was in a pondher about this when, with a swirl an’ a bump, the carriage stopped another time; an’ now it stood before a broad flight of stone steps which led up to the main door of the castle. Darby, half afraid, peering out through the darkness, saw a square of light high above him which came from the open hall door. Three sarvents in livery stood waiting on the thrashol.</p>
|
||
<p>“Make haste, make haste,” says one in a doleful voice, “their supper’s gettin’ cowld.”</p>
|
||
<p>Hearing these words, Bridget imagetly bounced out an’ was halfway up the steps before Darby could ketch her an’ hould her till the childher came on.</p>
|
||
<p>“I never in all my life saw her so owdacious,” he says, half cryin’ and linkin’ her arm to keep her back, an’ thin, with the childher follying, two by two, according to size, the whole family payraded up the steps till Darby, with a gasp of deloight, stopped on the thrashol of a splendid hall. From a high ceiling hung great flags from every nation an’ domination, which swung an’ swayed in the dazzlin’ light.</p>
|
||
<p>Two lines of men and maid servants, dhressed in silks an’ satins an’ brocades, stood facing aich other, bowing an’ smiling an’ wavin’ their hands in welcome. The two lines stretched down to the goold stairway at the far ind of the hall.</p>
|
||
<p>For half of one minute, Darby, every eye in his head as big as a tay-cup, stood hesitaytin’. Thin he said, “Why should it flutther me? Arrah, ain’t it all mine? Aren’t all these people in me pay? I’ll engage it’s a pritty penny all this grandeur is costing me to keep up this minute.” He trew out his chest. “Come on Bridget!” he says, “let’s go into the home of my ansisthers.”</p>
|
||
<p>Howandever, scarcely had he stepped into the beautiful place, whin two pipers with their pipes, two fiddlers with their fiddles, two flute-players with their flutes, an’ they dhressed in scarlet an’ goold, stepped out in front of him, and thus to maylodious music the family proudly marched down the hall, climbed up the goolden stairway at its ind, an’ thin turned to enter the biggest room Darby had ever seen.</p>
|
||
<p>Something in his sowl whuspered that this was the picture gallery.</p>
|
||
<p>“Be the powers of Pewther,” says the knowledgeable man to himself, “I wouldn’t be in Bridget’s place this minute for a hatful of money. Wait, oh just wait, till she has to compare her own relations with my own foine people! I know how she’ll feel, but I wondher what she’ll say,” he says.</p>
|
||
<p>The thought that all the unjust things, all the unraysonable things Bridget had said about his kith an’ kin were just going to be disproved and turned against herself made him proud an’ almost happy.</p>
|
||
<p>But wirrasthrue! He should have raymembered his own adwise not to make nor moil nor meddle with the fairies, for here he was to get the first hard welt from the little Leprechaun.</p>
|
||
<p>It was the picture-gallery sure enough, but how terribly different everything was from what the poor lad expected. There on the left wall, grand an’ noble, shone the pictures of Bridget’s people. Of all the well-dressed, handsome, proud-appearing persons in the whole worruld the O’Hagans an’ the O’Shaughnessys would compare with the best. This was a hard enough crack, though a crushinger knock was to come. Ferninst them, on the right wall, glowered the O’Gills and the O’Gradys, and of all the ragged, sheep-stealing, hangdog-looking villains one ever saw, in jail or out of jail, it was Darby’s kindred.</p>
|
||
<p>The place of honor on the right wall was given to Darby’s fourth cousin, Phelem McFadden, an’ he was painted with a pair of handcuffs on him. Wullum O’Gill had a squint in his right eye, and his thin legs bowed like hoops on a barrel.</p>
|
||
<p>If you have ever at night been groping your way through a dark room, and got a sudden hard bump on the forehead from the edge of the door, you can understand the feelings of the knowledgeable man.</p>
|
||
<p>“Take that picture out!” he said hoarsely, as soon as he could speak. “An’ will someone kindly inthrojuice me to the man who med it. Bekase,” he says, “I intend to take his life. There was never a crass-eyed O’Gill since the world began,” says he.</p>
|
||
<p>Think of his horror an’ surprise whin he saw the left eye of Wullum O’Gill twist itself slowly over toward his nose and squint worse than the right eye.</p>
|
||
<p>Purtending not to see this, an’ hoping no one else did, Darby fiercely led the way over to the other wall.</p>
|
||
<p>Fronting him stood the handsome picture of Honoria O’Shaughnessy, an’ she dhressed in a shuit of tin clothes, like the knights of ould used to wear—armour I think they calls it.</p>
|
||
<p>She hildt a spear in her hand, with a little flag on the blade, an’ her smile was proud and high.</p>
|
||
<p>“Take that likeness out too,” says Darby, very spiteful. “That’s not a dacint shuit of clothes for any woman to wear.”</p>
|
||
<p>The next minute you might have knocked him down with a feather, for the picture of Honoria O’Shaughnessy opened its mouth and stuck out its tongue at him.</p>
|
||
<p>“The supper’s getting cowld, the supper’s getting cowld,” someone cried at the other ind of the picture gallery Two big doors were swung open, an’ glad enough was our poor hayro to folly the musicianers down to the room where the ateing an’ drinking were to be thransacted.</p>
|
||
<p>This was a little room with lots of looking-glasses, and it was bright with a thousand candles, and white with the shiningest marble. On the table was biled beef an’ reddishes an’ carrots an’ roast mutton an’ all kinds of important ateing an’ drinking. Beside these stood fruits an’ sweets an’—but sure what is the use in talkin’?</p>
|
||
<p>A high-backed chair stood ready for aich of the family, an’ ’twas a lovely sight to see them all whin they were sitting there—Darby at the head, Bridget at the foot, the childher—the poor little paythriarchs—sitting bolt upright on aich side, with a bewigged and befrilled serving man standing haughty behind every chair.</p>
|
||
<p>The ating and dhrinkin’ would have begun at once—in troth there was already a bit of biled beef on Darby’s plate—only that he spied a little silver bell beside him. Sure, ’twas one like those the quality keep to ring whin they want more hot wather for their punch, but it puzzled the knowledeable man, and ’twas the beginning of his misfortune.</p>
|
||
<p>“I wondher,” he thought, “if ’tis here for the same raison as the bell is at the Curragh races—do they ring this one so that all at the table will start ating an’ drinking fair, an’ no one will have the advantage; or is it,” he says to himself agin, “to ring whin the head of the house thinks everyone has had enough? Haven’t the quality quare ways! I’ll be a long time learning them,” he says.</p>
|
||
<p>He sat silent and puzzling an’ staring at the biled beef on his plate, afeared to start in without ringing the bell, an’ dhreading to risk ringing it. The grand servants towered cowldly on every side, their chins tilted, but they kep’ throwing over their chowlders glances so scornful and haughty that Darby shivered at the thought of showing any uncultivaytion.</p>
|
||
<p>While our hayro sat thus in unaisy contimplaytion an’ smouldhering mortification an’ flurried hesitaytion, a powdhered head was poked over his chowlder, and a soft beguiling woice said, “Is there anything else you’d wish for?”</p>
|
||
<p>The foolish lad twisted in his chair, opened his mouth to spake, and gave a look at the bell; shame rushed to his, cheeks, he picked up a bit of the biled beef on his fork, an’ to consale his turpitaytion gave the misfortunit answer:</p>
|
||
<p>“I’d wish for a pinch of salt, if you plaze,” says he.</p>
|
||
<p>’Twas no sooner said than came the crash. Oh, tunderation an’ murdheration, what a roaring crash it was! The lights winked out together at a breath, an’ left a pitchy, throbbing darkness. Overhead and to the sides was a roaring, smashing, crunching noise, like the ocean’s madness when the winthry storm breaks agin the Kerry shore; an’ in that roar was mingled the tearing and the splitting of the walls and the falling of the chimneys. But through all this confusion could be heard the shrill laughing woice of the Leprechaun. “The clever man med his fourth grand wish,” it howled.</p>
|
||
<p>Darby—a thousand wild woices screaming an’ mocking above him—was on his back, kicking and squirming and striving to get up, but some load hilt him down an’ something bound his eyes shut.</p>
|
||
<p>“Are you kilt, Bridget asthore?” he cried; “where are the childher?” he says.</p>
|
||
<p>Instead of answer, there suddenly flashed a fierce an’ angry silence, an’ its quickness frightened the lad more than all the wild confusion before.</p>
|
||
<p>’Twas a full minute before he dared to open his eyes to face the horrors which he felt were standing about him; but when courage enough to look came, all he saw was the night-covered mountain, a purple sky, and a thin new moon, with one trembling goold star a hand’s space above its bosom.</p>
|
||
<p>Darby struggled to his feet. Not a stone of the castle was left, not a sod of turf but what was in its ould place; every sign of the little cobbler’s work had melted like April snow. The very threes Darby had seen pulled up by the roots that same afternoon now stood a waving blur below the new moon, an’ a nightingale was singing in their branches. A cricket chirped lonesomely on the same fallen log which had hidden the Leprechaun.</p>
|
||
<p>“Bridget! Bridget!” Darby called agin an’ agin. Only a sleepy owl on a distant hill answered.</p>
|
||
<p>A shivering thought jumped into the boy’s bewildered sowl—maybe the Leprechaun had stolen Bridget an’ the childher.</p>
|
||
<p>The poor man turned, and for the last time darted down into the night-filled walley.</p>
|
||
<p>Not a pool in the road he waited to go around, not a ditch in his path he didn’t leap over, but ran as he never ran before, till he raiched his own front door.</p>
|
||
<p>His heart stood still as he peeped through the window. There were the childher croodled around Bridget, who sat with the youngest asleep in her lap before the fire, rocking back an’ forth, an’ she crooning a happy, continted baby-song.</p>
|
||
<p>Tears of gladness crept into Darby’s eyes as he looked in upon her. “God bless her,” he says to himself. “She’s the flower of the O’Hagans and the O’Shaughnessys, and she’s a proud feather in the caps of the O’Gills an’ the O’Gradys.”</p>
|
||
<p>’Twas well he had this happy thought to cheer him as he lifted the door-latch, for the manest of all the little cobbler’s spiteful thricks waited in the house to meet Darby—nayther Bridget nor the childher raymembered a single thing of all that had happened to them during the day. They were willing to make their happydavitts that they had been no farther than their own petatie-patch since morning.</p>
|
||
</article>
|
||
<article id="the-convarsion-of-father-cassidy" epub:type="se:short-story bodymatter z3998:fiction">
|
||
<h2 epub:type="title">The Convarsion of Father Cassidy</h2>
|
||
<p>“I tould you how on cowld winther nights whin Bridget and the childher were in bed, ould Brian Connors, King of the Fairies, used to sit visitin’ at Darby O’Gill’s own fireside. But I never tould you of the wild night whin the King faced Father Cassidy there.</p>
|
||
<hr/>
|
||
<p>Darby O’Gill sat at his own kitchen fire the night afther <abbr epub:type="z3998:name-title">Mrs.</abbr> Morrisey’s burying, studyin’ over a gr‑r‑reat daybate that was heldt at her wake.</p>
|
||
<p>Half-witted Red Durgan begun it be asking loud an’ sudden of the whole company, “Who was the greatest man that ever lived in the whole worruld? I want to know purtic’lar, an’ I’d like to know at once,” he says.</p>
|
||
<p>At that the dayliberations started.</p>
|
||
<p>Big Joey Hooligan, the smith, hildt out for Julius Sayser, bekase Sayser had throunced the widdy woman Clayopathra.</p>
|
||
<p>Maurteen Cavanaugh, the little schoolmaster, stood up for Bonyparte, an’ wanted to fight Dinnis Moriarity for disputin’ agin the Frenchman.</p>
|
||
<p>Howsumever, the starter of the rale excitement was ould <abbr epub:type="z3998:name-title">Mrs.</abbr> Clancy. She was not what you’d call a great histhorian, but the parish thought her a foine, sinsible woman. She said that the greatest man was Nebbycodnazer, the King of the Jews, who ate grass like a cow and grew fat on it.</p>
|
||
<p>“Could Julius Sayser or Napoleon Bonyparte do as much?” she axed.</p>
|
||
<p>Well, purty soon everyone was talking at once, hurling at aich other, as they would pavin’-stones, the names of poets an’ warriors an’ scholars.</p>
|
||
<p>But afther all was said an’ done, the mourners wint away in the morning with nothing settled.</p>
|
||
<p>So the night afther, while Darby was warming his shins before his own turf fire in deep meditaytion and wise cogitaytion and ca’m contemplaytion over these high conversations, the Master of the Good People flew ragin’ into the kitchen.</p>
|
||
<p>“Darby O’Gill, what do you think of your wife Bridget?” says he, fiercely.</p>
|
||
<p>“Faix, I don’t know what particular thing she’s done,” says Darby, rubbing his shins and lookin’ troubled, “but I can guess it’s something mighty disagrayable. She wore her blue petticoat and her brown shawl whin she went away this morning, and I always expect ructions whin she puts on that shuit of clothes. Thin agin, she looked so sour and so satisfied whin she came back that I’m worried bad in my mind; you don’t know how uncomfortable she can make things sometimes, quiet as she looks,” says he.</p>
|
||
<p>“And well you may be worried, dacint man!” says the ruler of Sleive-na-mon; “you’ll rage and you’ll roar whin ye hear me. She wint this day to Father Cassidy and slandhered me outrageous,” he says. “She tould him that you and Maureen were colloguing with a little ould, wicked, thieving fairy-man, and that if something wasn’t done at once agin him the sowls of both of ye would be desthroyed entirely.”</p>
|
||
<p>Whin Darby found ’twas not himself that was being bothered, but only the King, he grew aisier in his feelings. “Sure you wouldn’t mind women’s talk,” says he, waving his hand in a lofty way. “Many a good man has been given a bad name by them before this, and will be agin—you’re not the first by any manes,” says he. “If Bridget makes you a bad repitation, think how many years you have to live it down in. Be sinsible, King!” he says.</p>
|
||
<p>“But I do mind, and I must mind!” bawled the little fairy-man, every hair and whusker bristling, “for this minute Father Cassidy is putting the bridle and saddle on his black hunter, Terror; he has a prayerbook in his pocket, and he’s coming to read prayers over me and to banish me into the say. Hark! listen to that,” he says.</p>
|
||
<p>As he spoke, a shrill little voice broke into singing outside the window.</p>
|
||
<blockquote epub:type="z3998:song">
|
||
<p>
|
||
<span>“Oh, what’ll you do if the kittle biles over,</span>
|
||
<br/>
|
||
<span class="i1">Sure, what’ll you do but fill it agin;</span>
|
||
<br/>
|
||
<span>Ah, what’ll you do if you marry a sojer,</span>
|
||
<br/>
|
||
<span class="i1">But pack up your clothes and go marchin’ with him.”</span>
|
||
</p>
|
||
</blockquote>
|
||
<p>“That’s the signal!” says the King, all excited; “he’s coming and I’ll face him here at this hearth, but sorrow foot he’ll put over that threshol’ till I give him lave. Then we’ll have it out face to face like men ferninst this fire!”</p>
|
||
<p>Whin Darby heard those words great fright struck him.</p>
|
||
<p>“If a hair of his Riverence’s head be harmed,” he says, “ ’tis not you but me and my generation’ll be blamed for it. Plaze go back to Sleive-na-mon this night, for pace and quietness sake!” he begged.</p>
|
||
<p>While Darby spoke, the fairy-man was fixing one stool on top of another undher the window.</p>
|
||
<p>“I’ll sit at this window,” says the Master of the Good People, wagging his head threateningly, “and from there I’ll give me ordhers. The throuble he’s thrying to bring on others is the throuble I’ll throuble him with. If he comes dacint, he’ll go dacint; if he comes bothering, he’ll go bothered,” says he.</p>
|
||
<p>Faith, thin, your Honour, the King spoke no less than the truth, for at that very minute Terror, as foine a horse as ever followed hounds, was galloping down the starlit road to Darby’s house, and over Terror’s mane bent as foine a horseman as ever took a six-bar gate—Father Cassidy.</p>
|
||
<p>On and on through the moonlight they clattered, till they came in sight of Darby’s gate, where, unseen and onwisible, a score of the Good People, with thorns in their fists, lay sniggering and laughing, waiting for the horse. Of course the fairies couldn’t harm the good man himself, but Terror was complately at their marcy.</p>
|
||
<p>“We’ll not stop to open the gate, Terror,” says his Riverence, patting the baste’s neck. “I’ll give you a bit of a lift with the bridle-rein, and a touch like that on the flank, and do you clear it, my swallow-bird.”</p>
|
||
<p>Well, sir, the priest riz in his stirrups, lifted the rein, and Terror crouched for the spring, whin, with a sudden snort of pain, the baste whirled round and started like the wind back up the road.</p>
|
||
<p>His Riverence pulled the horse to its haunches and swung him round once more facing the cottage. Up on his hind feet went Terror and stood crazy for a second, pawing the air, then with a cry of rage and pain in his throat, the baste turned, made a rush for the hedge at the roadside, and cleared it like an arrow.</p>
|
||
<p>Now, just beyant the hedge was a bog so thin that the geese wouldn’t walk on it, and so thick that the ducks couldn’t swim in it. Into the middle of that cowld pond Terror fell with a splash and a crash.</p>
|
||
<p>That minute the King climbed down from the window splitting with laughter. “Darby,” he says, slapping his knees, “Father Cassidy is floundhering about in the bog outside. He’s not hurt, but he’s mighty cowld and uncomfortable. Do you go and make him promise not to read any prayers this night, then bring him in. Tell him that if he don’t promise, by the piper that played before Moses, he may stay reading his prayers in the bog till morning, for he can’t get out unless some of my people go in and help him!” says the King.</p>
|
||
<p>Darby’s heart began hammerin’ agin his ribs as though it were making heavy horseshoes.</p>
|
||
<p>“If that’s so, I’m a ruined man!” he says. “I’d give tunty pounds rather than face him now!” says he.</p>
|
||
<p>The disthracted lad put his hat on to go out, an’ thin he took it off to stay in. He let a groan out of him that shook all his bones.</p>
|
||
<p>“You may save him or lave him,” says the King, turning to the window. “I’m going to lave the priest see in a minute what’s bothering him. If he’s not out of the bog be that time, I’d adwise you to lave the counthry. Maybe you’ll only have a pair of cow’s horns put on ye, but I think ye’ll be kilt,” he says. “My own mind’s aisy. I wash my hands of him!</p>
|
||
<p>“That’s the great comfort and adwantage of having your sowl’s salwation fixed and sartin one way or the other,” says the King, peering out. “Whin you do a thing, bad as it is or good as it may be, your mind is still aisy, bekase—” he turned from the window to look at Darby, but the lad was gone out into the moonlight, and was shrinkin’ an’ cringin’ up toward the bog, as though he were going to meet and talk with the ghost of a man he’d murdhered. ’Twas a harsher an’ angrier woice than that of any ghost that came out of a great flopping and splashin’ in the bog.</p>
|
||
<p>Father Cassidy sat with his feet dhrawn up on Terror, and the horse was half sunk in the mire. At times he urged Terror over to the bank, an’ just as the baste was raising to step out, with a snort, it’d whirl back agin.</p>
|
||
<p>He’d thry another side, but spur as he might, and whip as he would, the horse’d turn shivering back to the middle of the bog.</p>
|
||
<p>“Is that you, Darby O’Gill, you vagebone?” cried his Riverence. “Help me out of this to the dhry land so as I can take the life of you!” he cried.</p>
|
||
<p>“What right has anyone to go trespassin’ in my bog, mussing it all up an’ spiling it?” says Darby, purtendin’ not to raycognise the priest; “I keep it private for my ducks and geese, and I’ll have the law on you, so I will—Oh, be the powers of pewther, ’tis me own dear Father Cassidy!” he cried.</p>
|
||
<p>Father Cassidy, as an answer, raiched for a handful of mud, which he aimed and flung so fair an’ thrue that three days afther Darby was still pulling bits of it from his hair.</p>
|
||
<p>“I have a whip I’ll keep private for your own two foine legs!” cried his Riverence; “I’ll taich you to tell lies to the counthry-side about your being with the fairies, and for deludherin’ your own poor wife. I came down this night to eggspose you. But now that’s the laste I’ll do to you!”</p>
|
||
<p>“Faith,” says Darby, “if I was with the fairies, ’tis no less than you are this minute, an’ if you eggspose me, I’ll eggspose you!” With that Darby up and tould what was the cause of the whole botheration.</p>
|
||
<p>His Riverence, afther the telling, waited not a minute, but kicked the spurs into Terror, and the brave horse headed once more for shore. ’Twas no use. The poor baste turned at last with a cry and floundhered back agin into the mire.</p>
|
||
<p>“You’ll not be able to get out, Father acushla,” says Darby, “till you promise fair an’ firm not to read any prayers over the Good People this night, and never to hurt or molest meself on any account. About this last promise the King is very particular entirely.”</p>
|
||
<p>“You dundherheaded Booligadhaun!” says Father Cassidy, turning all the blame on Darby; “you mayandherin’ Mayrauder of the Sivin Says!” he says. “You big-headed scorpion of the worruld, with bowlegs!” cried he—an’ things like that.</p>
|
||
<p>“Oh, my! Oh, my! Oh, my!” says Darby, purtendin’ to be shocked, “to think that me own pasture should use sich terrible langwidge! That me own dear Father Cassidy could spake blaggard words like thim! Every dhrop of blood in me is biling with scandalation. Let me beg of you and implore your Riverence never agin to make use of talk like that. It breaks my heart to hear you!” says the villian.</p>
|
||
<p>For a few minutes afther that Darby was doin’ nothing but dodging handfuls of mud.</p>
|
||
<p>While this was going on, a soft red glow, like that which hangs above the lonely raths an’ forts at night when the fairies are dancin’ in thim, came over the fields. So whin Father Cassidy riz in his stirrups the soft glow was resting on the bog, and there he saw two score of little men in green jackets and brown caps waiting about the pond’s edge, and everyone houlding a switch in his hands.</p>
|
||
<p>The little lads knew well ’twas too dark for the clergyman to read from his book any banishing prayers, and barring having too much fun, the divil a thing they had to fear!</p>
|
||
<p>’Twas fresh anger that came to Father Cassidy afther the first rush of surprise and wondher. He thried now to get at the Good People, to lay his hands on thim. A dozen charges at the bank his Riverence made, and as many times a score of the Little People flew up to meet him and sthruck the poor baste over the soft nose with their wands till the horse was welted back.</p>
|
||
<p>Long afther the struggle was proved hopeless it wint on till at last the poor baste, thrembling and disheartened, rayfused to mind the spur.</p>
|
||
<p>At that Father Cassidy gave up. “I surrender,” he said, “an’ I promise for the sake of my horse,” said he.</p>
|
||
<p>The baste himself undherstood the worruds, for with that he waded ca’m an’ quiet to the dhry land and stood shaking himself there among the pack of fairies.</p>
|
||
<p>Mighty few words were passed betwixt Darby and Terror’s rider as the whole party went up to Darby’s stable, the little people follying behind quiet and ordherly.</p>
|
||
<p>It was not long till Terror was nibbling comfortably in a stall, Father Cassidy was dhrying himself before the kitchen fire, the King and Darby were sitting by the side of the hearth, and two score of the green-cloaked Little People were scatthered about the kitchen waiting for the great debate which was sure to come betwixt his Riverence and the head man of the Good People, now that the two had met.</p>
|
||
<p>So full was the room that some of the Good People sat on the shelves of the dhresser, others lay on the table, their chins in their fists, whilst little Phelim Beg was perching himself on a picture above the hearth. He’d no sooner touched the picture-frame than he let a howl out of him and jumped to the floor. “I’m burned to the bone!” says he.</p>
|
||
<p>“No wondher,” says the King, looking up; “ ’twas a picture of <abbr>St.</abbr> Patrick you were sitting on.”</p>
|
||
<p>Phadrig Oge, swinging his heels, balanced himself on the edge of a churn filled with buttermilk, but everyone of them kept wondhering eyes fastened on the priest.</p>
|
||
<p>And to tell the truth, Father Cassidy at first was more scornful and unpolite than he need be.</p>
|
||
<p>“I suppose,” says his Riverence, “you do be worrying a good deal about the place you’re going to afther the Day of Judgment?” he says, kind of mocking.</p>
|
||
<p>“Arrah, now,” says the King, taking the pipe from his mouth and staring hard at the clargyman, “there’s more than me ought to be studying that question. There’s a parish priest I knew, and he’s not far from here, who ate mate on a fast day, three years ago come next Michaelmas, who should be a good lot intherested in that same place,” says the King.</p>
|
||
<p>The laughing and tittering that follyed this hit lasted a minute.</p>
|
||
<p>Father Cassidy turned scarlet. “When I ate it I forgot the day!” he cried.</p>
|
||
<p>“That’s what you tould,” says the King, smiling sweet, “but that saying don’t help your chanst much. Maybe you failed to say your prayers a year ago last Ayster Monday night for the same rayson?” axed the King, very cool.</p>
|
||
<p>At this the laughing broke out agin, uproarious, some of the little men houlding their sides and tears rowling down their cheeks; two lads begun dancing together before the chiny dishes upon the dhresser. But at the height of the merriment there was a cry and a splash, for Phadrig Oge had fallen into the churn.</p>
|
||
<p>Before anyone could help him Phadrig had climbed bravely up the churn-dash, hand over hand like a sailor man, and clambered out all white and dripping. “Don’t mind me,” he says; “go on wid the discoorse!” he cried, shaking himself. The Ruler of the Good People looked vexed.</p>
|
||
<p>“I marvel at yez, an’ I am ashamed of yez!” he says. “If I’m not able alone for this dayludhered man, yer shoutin’ and your gallivantin’ll do me no good. Besides, fair play’s a jewel, even two agin one ain’t fair,” says the King. “If I hear another word from one of yez, back to Sleive-na-mon he’ll go, an’ lay there on the broad of his back, with his heels in the air, for a year and tin days!</p>
|
||
<p>“You were about to obsarve, Father Cassidy,” says his Majesty, bowing low—“your most obaydient sir!”</p>
|
||
<p>“I was about to say,” cried his Riverence, “that you’re a friend of Sattin!”</p>
|
||
<p>“I’ll not deny that,” says the King; “what have you to say agin him?”</p>
|
||
<p>“He’s a rogue and a rapscallion and the inemy of mankind!” tundered Father Cassidy.</p>
|
||
<p>“Prove he’s a rogue!” cries the King, slapping one hand on the other; “and why shouldn’t he be the inemy of mankind? What has mankind iver done for him except to lay the blame of every mane, cowardly thrick of its own on his chowlders. Wasn’t it on their account he was put inside of the swine and dhrove into the say? Wasn’t it bekase of them he spint sivin days and sivin nights in the belly of a whale, wasn’t it—”</p>
|
||
<p>“Stop there, now!” says Father Cassidy, pinting his finger; “hould where you are—that was Jonah.”</p>
|
||
<p>“You’re working meracles to make me forget!” shouted the King.</p>
|
||
<p>“I’m not!” cried the priest, “and what’s more, if you’ll agree not to use charms of the black art to help yourself, I’ll promise not to work meracles agin you.”</p>
|
||
<p>“Done! I’ll agree,” says the King, “and with that bargain I’ll go on first, and I’ll prove that mankind is the inemy of Sattin.”</p>
|
||
<p>“Who begun the inmity?” intherrupted his Riverence; “who started in be tempting our first parents?”</p>
|
||
<p>“Not wishing to make little of a man’s relaytions in his own house or to his own face, but your first parents were a poor lot,” said the King. “Didn’t your first parent turn quane’s evidence agin his own wife? Answer me that!”</p>
|
||
<p>“Undher the sarcumstances, would ye have him tell a lie whin he was asked?” says the priest right back.</p>
|
||
<p>Well, the argyment got hotter and hotter until Darby’s mind was in splinthers. Sometimes he sided with Ould Nick, sometimes he was agin him. Half of what they said he didn’t undherstand. They talked Tayology, Conchology, and Distrology, they hammered aich other with Jayography, Orthography, and Misnography, they welted aich other with Hylosophy, Philosophy, and Thrimosophy. They bounced up and down in their sates, they shouted and got purple in the face. But every argyment brought out another nearly as good and twict as loud.</p>
|
||
<p>Through all this time the follyers of the King sat upon their perches or lay upon the table motionless, like little wooden images with painted green cloaks and brown caps.</p>
|
||
<p>Darby, looking from one to the other of them for help to undherstand the thraymendous argyment that was goin’ on, felt his brain growin’ numb. At last it balked like Shamus Free’s donkey, and urge as he would, the divil a foot his mind’d stir afther the two hayros. It turned at last and galloped back to <abbr epub:type="z3998:name-title">Mrs.</abbr> Morrisey’s wake.</p>
|
||
<p>Now, thin, the thought that came into Darby’s head as he sat there ferninst Father Cassidy an’ the King was this:</p>
|
||
<p>“The two wisest persons in Ireland are this minute shouting and disputing before me own turf fire. If I ax them those questions, I’ll be wiser than Maurteen Cavanaugh, the schoolmaster, an’ twict as wise as any other man in this parish. I’ll do it,” he says to himself.</p>
|
||
<p>He raised the tongs and struck them so loud and quick against the hearth that the two daybaters stopped short in their talk to look at him.</p>
|
||
<p>“Tell me,” he says—“lave off and tell me who was the greatest man that ever lived?” says he.</p>
|
||
<p>At that a surprising thing happened. Brian Connors and Father Cassidy, aich striving to speak first, answered in the same breath and gave the same name.</p>
|
||
<p>“Dan’le O’Connell,” says they.</p>
|
||
<p>There was at that the instant’s silence an’ stillness which follys a great explosion of gunpowdher.</p>
|
||
<p>Thin every subject of the King started to his feet.</p>
|
||
<p>“Three cheers for Dan’le O’Connell!” cried little Roderick Dhue. Every brown cap was swung in the air. “Hooray! Hooray! Hooroo!” rang the cheers.</p>
|
||
<p>His Riverence and the fairy-chief turned sharp about and stared at each other, delighted and wondhering.</p>
|
||
<p>Darby sthruck agin with the tongs. “Who was the greatest poet?” says he.</p>
|
||
<p>Agin the two spoke together. “Tom Moore,” says they. The King rubbed his hands and gave a glad side look at the priest. Darby marked the friendly light that was stealing into Father Cassidy’s brown eyes. There was great excitement among the Good People up on the cupboard shelves.</p>
|
||
<p>On the table little Nial, the wise, was thrying to start three cheers for Father Cassidy, when Darby said agin: “Who was the greatest warrior?” he says.</p>
|
||
<p>The kitchen grew still as death, aich of the two hayros waiting for the other.</p>
|
||
<p>The King spoke first. “Brian Boru,” says he.</p>
|
||
<p>“No,” says Father Cassidy, half laughing; “Owen Roe O’Nale.”</p>
|
||
<p>Phadrig Oge jumped from the churn. “Owen Roe forever! I always said it!” cries he. “Look at this man, boys,” he says, pinting up to the priest. “There’s the making of the foinest bishop in Ireland!”</p>
|
||
<p>“The divil a much differ betwixt Owen Roe an’ Brian Boru! ’Tis one of them two, an’ I don’t care which!” says the King.</p>
|
||
<p>The priest and the King sank back in their chairs, eyeing aich other with admayration.</p>
|
||
<p>Darby powered something out of a jug into three brown stone noggins, and then turned hot wather from the kittle, on top of that agin.</p>
|
||
<p>Says the King to the clargyman, “You’re the cleverest and the knowingest man I’ve met in five thousand years. That joult you gave me about Jonah was a terror!”</p>
|
||
<p>“I never saw your ayquil! If we could only send you to Parliament, you’d free Ireland!” says Father Cassidy. “To think,” says he, “that once I used to believe there was no such thing as fairies!”</p>
|
||
<p>“That was bekase you were shuperstitious,” says the King. “Everyone is so, more or less. I am meself—a little,” says he.</p>
|
||
<p>Darby was stirrin’ spoons in the three steaming noggins and Father Cassidy was looking throubled.</p>
|
||
<p>What would his flock say to see him dhrinking punch with a little ould pagin, who was the friend of Ould Nick?</p>
|
||
<p>“Your health!” says the King, houlding up the cup.</p>
|
||
<p>His Riverence took a bowl of the punch, for daycency’s sake, and stood quiet a minute. At last he says, “Happiness to you and forgiveness to you, and my heart’s pity folly you!” says he, raising the noggin to his lips.</p>
|
||
<p>He dhrained the cup thoughtful and solemn, for he didn’t know rightly whether ’twas a vaynial sin or a mortial sin he’d committed by the bad example he was giving Darby.</p>
|
||
<p>“I wisht I could do something for yez,” he says, putting on his cloak, “but I have only pity and kind wishes to give you!”</p>
|
||
<p>He turned agin when his hand was on the doorknob, and was going to say something else, but changed his mind, and wint out to where Darby was houlding the horse.</p>
|
||
<p>Manewhile, the Little People were consultin’ eager in a knot beside the fireplace, until the King broke away an’ follyed Father Cassidy out.</p>
|
||
<p>“Wait a minute!” the fairy says. “There’s somethin’ important your Riverence should know about,” he says. “There’s two speckled hins that sthrayed away from your own door over to the black pond, an’ they’ve been there this twelvemonth. I’m loathe to say it, but in yer own mind your honour a‑ccused Bothered Bill Donahue, the tinker, with takin’ thim. Well, they’ve raised two great clutches of chickens an’ they’re all yours. We thought we’d tell ye,” he says.</p>
|
||
<p>“An’ last Chewsday night Nancy Burke bate her husband Dicky for being ’toxicated. I think she bate him too scan’lous,” says little Nial, the fiddler, comin’ out. “An’ Dicky is too proud to complain of her to your honour. He says ’twould be makin’ a kind of informer out of himself. But maybe she’ll bate him agin, so I thought to mintion it,” he says. With that Phadrig Oge broke in from where he stood on the thrashol’:</p>
|
||
<p>“Tom Healy’s family, up the mountainy way, is all down with the faver; they have no one to send worrud!” cried Phadrig; “your honour ought to know about it,” he says.</p>
|
||
<p>Be this time the Good People were all outside, crowded about the horse, an’ aich one excited, shouting up some friendly informaytion.</p>
|
||
<p>Father Cassidy, from Terror’s back, sat smilin’ down kind, first on this one, then on that, an’ then on the other.</p>
|
||
<p>“Wisha!” says he, “ain’t ye the kindly crachures! I’ve heard more news of me own parish in the last foive minutes than I’d have learned in a twelvemonth. But there’s one thing I’d liked mighty well to know. Maybe yez could tell me,” says he, “who committed the mystarious crime in this parish a year ago last Christmas? Who stole the six shillin’s from ould <abbr epub:type="z3998:name-title">Mrs.</abbr> Frawley? She counted them at <abbr epub:type="z3998:name-title">Mrs.</abbr> McGee’s, an’ she felt them in her pocket at <abbr epub:type="z3998:name-title">Mrs.</abbr> Donovan’s; the crowd jostled her at the chapel door, an’ afther that they were gone,” he says.</p>
|
||
<p>Well, the fairies were splittin’ with laughter as he spoke.</p>
|
||
<p>“No one stole thim at all,” says Shaun Rhue, the tears of merriment rollin’ down his face. “The disraymemberin’ woman only aymagins she counted thim at <abbr epub:type="z3998:name-title">Mrs.</abbr> McGee’s an’ felt thim at <abbr epub:type="z3998:name-title">Mrs.</abbr> Donovan’s. She was only thinkin’ about the money at thim places, an’ that’s how she got the ideeh. She hid the shillin’s in the blue taypot with the broken spout, that stands in the left-han’ corner of the mayhogany dhresser, an’ thin forgot it entirely,” he says.</p>
|
||
<p>“Well, look at that, now,” says the priest, “an’ all the turmile there’s been about that same six shillin’s, an’ she afther hidin’ them in the taypot herself. Now isn’t there something I can do in rayturn for all your kindness?” he says.</p>
|
||
<p>“There’s one thing,” says King Brian Connors, lookin’ a good dale confuged. “If your Riverence could just as well—if it’d be no positive inconvaynience—we’d like mightilly for ye not to be singin’ pious hymns as you go riding along the highway afther dark. If you’d sing ballads, now, or Tom Moore’s melodies. You mane no harrum, of course, as it is, but last week you broke up a dance we were having at Murray’s rath, an’ Saturday night you put a scatther on a crowd of us as we were coming by McGrath’s meadow,” he says, anxious.</p>
|
||
<p>’Twas a quare bargain for a clargyman to make, an’ faix it wint agin his conscience, but he hadn’t the heart to rayfuse. So he bint down an’ shook the King’s hand. “I promise,” he says.</p>
|
||
<p>A wild, shrill cheer broke from the throng of Little People.</p>
|
||
<p>“Now I’ll go home an’ lave yez in peace,” says Father Cassidy, grippin’ his bridle-rein. “I came yer inemy, but I’m convarted. I’ll go back yer friend,” he says.</p>
|
||
<p>“Ye won’t go home alone, we’ll escorch ye!” shouted Phadrig Oge.</p>
|
||
<hr/>
|
||
<p>Wullum Fagin, the poacher, was sneakin’ home that night about one o’clock, with a bag full of rabbits undher his arrum, whin hearing behind him the bate of horse’s hoofs and the sound of maylodious music, he jumped into the ditch and lay close within the shadow.</p>
|
||
<p>Who should come canthering up the starlit road but Father Cassidy, on his big black hunter, Terror.</p>
|
||
<p>Wullum looked for the musicianers who were singing and playing the enthrancing music, but sorra one could he see, and what was more, the sounds came from the air high above Father Cassidy’s head.</p>
|
||
<p>“ ’Tis the angels guarding the good man,” says Wullum.</p>
|
||
<p>Sure ’twas only the Good People escorching his Riverence from Darby O’Gill’s house, and to cheer him on his way, singing the while, “Believe me, if all those endearing young charms.”</p>
|
||
</article>
|
||
<article id="how-the-fairies-came-to-ireland" epub:type="se:short-story bodymatter z3998:fiction">
|
||
<h2 epub:type="title">How the Fairies Came to Ireland</h2>
|
||
<p>The most lonesome bridle-path in all Ireland leads from Tom Healy’s cottage down the sides of the hills, along the edge of the valley, till it raiches the high road that skirts the great mountain, Sleive-na-mon.</p>
|
||
<p>One blusthering, unaisy night, Father Cassidy, on his way home from a sick call, rode over that same path. It wasn’t strange that the priest, as his horse ambled along, should be thinking of that other night in Darby O’Gill’s kitchen—the night when he met with the Good People; for there, off to the left, towered and threatened Sleive-na-mon, the home of the fairies.</p>
|
||
<p>The dismal ould mountain glowered toward his Riverence, its dark look saying, plain as spoken words:</p>
|
||
<p>“How dare ye come here; how dare ye?”</p>
|
||
<p>“I wondher,” says Father Cassidy to himself, looking up at the black hill, “if the Good People are fallen angels, as some do be saying.</p>
|
||
<p>“Why were they banished from heaven? It must have been a great sin entirely they committed, at any rate, for at the same time they were banished the power to make a prayer was taken from them. That’s why to say a pious word to a fairy is like trowing scalding wather on him. ’Tis a hard pinnance that’s put on the poor crachures. I wisht I knew what ’twas for,” he says.</p>
|
||
<p>He was goin’ on pondherin’ in that way, while Terror was picking his steps, narvous, among the stones of the road, whin suddenly a frowning, ugly rock seemed to jump up and stand ferninst them at a turn of the path.</p>
|
||
<p>Terror shied at it, stumbled wild, and thin the most aggrewating of all bothersome things happened—the horse cast a shoe and wint stone lame.</p>
|
||
<p>In a second the priest had leaped to the ground and picked up the horseshoe.</p>
|
||
<p>“Wirra! Wirra!” says he, lifting the lame foot, “why did you do it, allannah? ’Tis five miles to a smith an’ seven miles to your own warm stable.”</p>
|
||
<p>The horse, for answer, raiched down an’ touched with his soft nose the priest’s cheek; but the good man looked rayproachful into the big brown eyes that turned sorrowful to his own.</p>
|
||
<p>With the shoe in his hand the priest was standin’ fretting and helpless on the lonesome hillside, wondhering what he’d do at all at all, whin a sudden voice spoke up from somewhere near Terror’s knees.</p>
|
||
<p>“The top of the avinin’ to your Riverence,” it said, “I’m sorry for your bad luck,” says the voice.</p>
|
||
<p>Looking down, Father Cassidy saw a little cloaked figure, and caught the glint of a goold crown. ’Twas Brian Connors, the King of the Fairies, himself, that was in it.</p>
|
||
<p>His words had so friendly a ring in them that the clargyman smiled in answering, “Why, thin, good fortune to you, King Brian Connors,” says the good man, “an’ save you kindly. What wind brought you here?” he says.</p>
|
||
<p>The king spoke back free an’ pleasant. “The boys told me you were comin’ down the mountainy way, and I came up just in time to see your misfortune. I’ve sent for Shaun Rhue, our own farrier—there’s no betther in Ireland; he’ll be here in a minute, so don’t worry,” says the King.</p>
|
||
<p>The priest came so near saying “God bless ye,” that the king’s hair riz on his head. But Father Cassidy stopped in the nick of time, changed his coorse, an’ steered as near a blessing as he could without hurting the Master of the Good People.</p>
|
||
<p>“Well, may you never hear of throuble,” he says, “till you’re wanted to its wake,” says he.</p>
|
||
<p>“There’s no throuble tonight at any rate,” says the king, “for while Shaun is fixing the baste we’ll sit in the shelter of that rock yonder; there we’ll light our pipes and divart our minds with pleasant discoorsin’ and wise convarsaytion.”</p>
|
||
<p>While the king spoke, two green-cloaked little men were making a fire for the smith out of twigs. So quick did they work, that by the time the priest and the fairy man could walk over to the stone and sit themselves in the shelther, a thousand goold sparks were dancin’ in the wind, and the glimmer of a foine blaze fought with the darkness.</p>
|
||
<p>Almost as soon, clear and purty, rang the cheerful sound of an anvil, and through the swaying shadows a dozen busy little figures were working about the horse. Some wore leather aprons and hilt up the horse’s hoof whilst Shaun fitted the red-hot shoe; others blew the bellows or piled fresh sticks on the fire; all joking, laughing, singing, or thrickin’; one couldn’t tell whether ’twas playing or workin’ they were.</p>
|
||
<p>Afther lighting their pipes and paying aich other an armful of complayments, the Master of Sleive-na-mon and the clargyman began a sayrious discoorse about the deloights of fox hunting, which led to the considheration of the wondherful wisdom of racing horses and the disgraceful day-ter-ray-roar-ation of the Skibberbeg hounds.</p>
|
||
<p>Father Cassidy related how whin Ned Blaze’s steeplechasin’ horse had been entered for the Connemarra Cup, an’ found out at the last minute that Ned feared to lay a bet on him, the horse felt himself so stabbed to the heart with shame by his master’s disthrust, that he trew his jockey, jumped the wall, an’, head in the air, galloped home.</p>
|
||
<p>The king then tould how at a great hunting meet, whin three magisthrates an’ two head excises officers were in the chase, that thief of the worruld, Let-Erin-Raymimber, the chief hound of the Skibberbeg pack, instead of follying the fox, led the whole hunt up over the mountain to Patrick McCaffrey’s private still. The entire counthry-side were dhry for a fortnit afther.</p>
|
||
<p>Their talk in that way dhrifted from one pleasant subject to another, till Father Cassidy, the sly man, says aisy ’an’ careless “I’ve been tould,” says he, “that before the Good People were banished from heaven yez were all angels,” he says.</p>
|
||
<p>The king blew a long thin cloud from betwixt his lips, felt his whuskers thoughtful for a minute, and said:</p>
|
||
<p>“No,” he says, “we were not exactly what you might call angels. A rale angel is taller nor your chapel.”</p>
|
||
<p>“Will you tell me what they’re like?” axed Father Cassidy, very curious.</p>
|
||
<p>“I’ll give you an idee be comparison what they’re like,” the king says. “They’re not like a chapel, and they’re not like a three, an’ they’re not like the ocean,” says he. “They’re different from a goint—a great dale different—and they’re dissembler to an aygle; in fact you’d not mistake one of them for anything you’d ever seen before in your whole life. Now you have a purty good ideeah what they’re like,” says he.</p>
|
||
<p>“While I think of it,” says the fairy man, a vexed frown wrinkling over his forehead, “there’s three young bachelors in your own parish that have a foolish habit of callin’ their colleens angels whin they’s not the laste likeness—not the laste. If I were you, I’d preach ag’in it,” says he.</p>
|
||
<p>“Oh, I dunno about that!” says Father Cassidy, fitting a live coal on his pipe. “The crachures must say thim things. If a young bachelor only talks sensible to a sensible colleen he has a good chanst to stay a bachelor. An thin ag’in, a gossoon who’ll talk to his sweetheart about the size of the petatie crop’ll maybe bate her whin they’re both married. But this has nothing to do with your historical obserwaytions. Go on, King,” he says.</p>
|
||
<p>“Well, I hate foolishness, wherever it is,” says the fairy. “Howsumever, as I was saying, up there in heaven they called us the Little People,” he says; “millions of us flocked together, and I was the King of them all. We were happy with one another as birds of the same nest, till the ruction came on betwixt the black and the white angels.</p>
|
||
<p>“How it all started I never rightly knew, nor wouldn’t ask for fear of getting implicayted. I bade all the Little People keep to themselves thin, because we had plenty of friends in both parties, and wanted throuble with nayther of them.</p>
|
||
<p>“I knew ould Nick well; a civiler, pleasanter spoken sowl you couldn’t wish to meet—a little too sweet in his ways, maybe. He gave a thousand favors and civilities to my subjects, and now that he’s down, the devil a word I’ll say agin him.”</p>
|
||
<p>“I’m agin him,” says Father Cassidy, looking very stern; “I’m agin him an’ all his pumps an’ worruks. I’ll go bail that in the ind he hurt yez more than he helped yez.”</p>
|
||
<p>“Only one thing I blame him for,” says the king; “he sajooced from the Little People my comrade and best friend, one Thaddeus Flynn be name. And the way that it was, was this. Thaddeus was a warmhearted little man, but monsthrous high-spirited as well as quick-tempered. I can shut me eyes now, and in me mind see him thripping along, his head bent, his pipe in his mouth, his hands behind his back. He never wore a waistcoat, but kept always his green body-coat buttoned. A tall caubeen was set on the back of his head, with a sprig of green shamrock in the band. There was a thin rim of black whiskers undher his chin.”</p>
|
||
<p>Father Cassidy, liftin’ both hands in wondher, said: “If I hadn’t baptized him, and buried his good father before him, I’d swear ’twas Michael Pether McGilligan of this parish you were dayscribin’,” says he.</p>
|
||
<p>“The McGilligans ain’t dacint enough, nor rayfined enough, nor proud enough to be fairies,” says the king, wavin’ his pipe scornful. “But to raysume and to continue,” he says.</p>
|
||
<p>“Thaddeus and I used to frayquint a place they called the battlements or parypets—which was a great goold wall about the edge of heaven, and which had wide steps down on the outside face, where one could sit, pleasant avenings, and hang his feet over, or where one’d stand before going to take a fly in the fresh air for himself.</p>
|
||
<p>“Well, agra, the night before the great battle, Thady and I were sitting on the lowest step, looking down into league upon league of nothing, and talking about the world, which was suxty thousand miles below, and hell, which was tunty thousand miles below that ag’in, when who should come blusthering over us, his black wings hiding the sky, and a long streak of lightning for a spear in his fist, but Ould Nick.</p>
|
||
<p>“ ‘Brian Connors, how long are you going to be downthrodden and thrajooced and looked down upon—you and your subjects?’ says he.</p>
|
||
<p>“ ‘Faix, thin, who’s doing that to us?’ asks Thady, standing up and growing excited.</p>
|
||
<p>“ ‘Why,’ says Ould Nick, ‘were you made little pygmies to be the laugh and the scorn and the mock of the whole world?’ he says, very mad; ‘why weren’t you made into angels, like the rest of us?’ he says.</p>
|
||
<p>“ ‘Musha,’ cries Thady, ‘I never thought of that.’</p>
|
||
<p>“ ‘Are you a man or a mouse; will you fight for your rights?’ says Sattin. ‘If so, come with me and be one of us. For we’ll bate them black and blue tomorrow,’ he says. Thady needed no second axing.</p>
|
||
<p>“ ‘I’ll go with ye, Sattin, me dacent man,’ cried he. ‘Wirra! Wirra! To think of how downthrodden we are!’ And with one spring Thady was on Ould Nick’s chowlders, and the two flew away like a hummingbird riding on the back of an aygle.</p>
|
||
<p>“ ‘Take care of yerself, Brian,’ says Thady, ‘and come over to see the fight; I’m to be in it. And I extind you the inwitation,’ he says.</p>
|
||
<p>“In the morning the battle opened; one line of black angels stretched clear across heaven, and faced another line of white angels, with a walley between.</p>
|
||
<p>“Everyone had a spaking trumpet in his hand, like you see in the pictures, and they called aich other hard names across the walley. As the white angels couldn’t swear or use bad langwidge, Ould Nick’s army had at first in that way a great adwantage. But when it came to hurling hills and shying tunderbolts at aich other, the black angels were bate from the first.</p>
|
||
<p>“Poor little Thaddeus Flynn stood amongst his own, in the dust and the crash and the roar, brave as a lion. He couldn’t hurl mountains, nor was he much at flinging lightning bolts, but at calling hard names he was aquil to the best.</p>
|
||
<p>“I saw him take off his coat, trow it on the ground, and shake his pipe at a thraymendous angel. ‘You owdacious villain,’ he cried. ‘I dare you to come halfway over!’ he says.”</p>
|
||
<p>“My, oh my, whin the armies met together in the rale handy grips, it must have been an illigent sight,” says Father Cassidy. “ ’Tis a wondher you kep’ out of it,” says he.</p>
|
||
<p>“I always belayved,” says the King, “that if he can help it, no one should fight whin he’s sure to get hurted, onless it’s his juty to fight. To fight for the mere sport of it, when a throuncin’ is sartin, is wasting your time and hurtin’ your repitation. I know there’s plenty thinks different,” he says, p’inting his pipe. “I may be wrong, an’ I won’t argyfy the matther. ’Twould have been betther for myself that day if I had acted on the other principle.</p>
|
||
<p>“Howsumever, be the time that everybody was sidestepping mountains and dodging tunderbolts, I says to myself, says I, ‘This is no place fer you or the likes of you.’ So I took all me own people out to the battlements and hid them out of the way on the lower steps. We’d no sooner got placed whin—whish! a black angel shot through the air over our heads, and began falling down, down, and down, till he was out of sight. Then a score of his friends came tumbling over the battlements; imagetly hundreds of others came whirling, and purty soon it was raining black wings down into the gulf.</p>
|
||
<p>“In the midst of the turmile, who should come jumping down to me, all out of breath, but Thady.</p>
|
||
<p>“ ‘It’s all over, Brian; we’re bate scandalous,’ he says, swinging his arms for a spring and balancing himself up and down on the edge of the steps. ‘Maybe you wouldn’t think it of me, Brian Connors; but I’m a fallen angel,’ says he.</p>
|
||
<p>“ ‘Wait a bit, Thaddeus Flynn!’ says I. ‘Don’t jump,’ I says.</p>
|
||
<p>“ ‘I must jump,’ he says, ‘or I’ll be trun,’ says he.</p>
|
||
<p>“The next thing I knew he was swirling and darting and shooting a mile below me.</p>
|
||
<p>“And I know,” says the King, wiping his eyes with his cloak, “that when the Day of Judgment comes I’ll have at laste one friend waiting for me below to show me the coolest spots and the pleasant places.</p>
|
||
<p>“The next minute up came the white army with presners—angels, black and white, who had taken no side in the battle, but had stood apart like ourselves.</p>
|
||
<p>“ ‘A man,’ says the Angel Gabriel, ‘who, for fear of his skin, won’t stand for the right when the right is in danger, may not desarve hell, but he’s not fit for heaven. Fill up the stars with these cowards and throw the lavin’s into the say,’ he ordhered.</p>
|
||
<p>“With that he swung a lad in the air, and gave him a fling that sent him ten miles out intil the sky. Every other good angel follyed shuit, and I watched thousands go, till they faded like a stretch of black smoke a hundred miles below.</p>
|
||
<p>“The Angel Gabriel turned and saw me, and I must confess I shivered.</p>
|
||
<p>“ ‘Well, King Brian Connors,’ says he, ‘I hope you see that there’s such a thing as being too wise and too cute and too ticklish of yourself. I can’t send you to the stars, bekase they’re fun, and I won’t send you to the bottomless pit so long as I can help it. I’ll send yez an down to the world. We’re going to put human beans on it purty soon, though they’re going to turn out to be blaggards, and at last we’ll have to burn the place up. Afther that, if you’re still there, you and yours must go to purdition, for it’s the only place left for you.</p>
|
||
<p>“ ‘You’re too hard on the little man,’ says the Angel Michael, coming up—<abbr>St.</abbr> Michael was ever the outspoken, friendly person—‘sure what harm, or what hurt, or what good could he have done us? And can you blame the poor little crachures for not interfering?’</p>
|
||
<p>“ ‘Maybe I was too harsh,’ says the Angel Gabriel, ‘but being saints, when we say a thing we must stick to it. Howsumever, I’ll let him settle in any part of the world he likes, and I’ll send there the kind of human beans he’d wish most for. Now, give your ordher,’ he says to me, taking out his book and pencil, ‘and I’ll make for you the kind of people you’d like to live among.’</p>
|
||
<p>“ ‘Well,’ says I, ‘I’d like the men honest and brave, and the women good.’</p>
|
||
<p>“ ‘Very well,’ he says, writing it down; ‘I’ve got that—go on.’</p>
|
||
<p>“ ‘And I’d like them fun of jollity and sport, fond of racing and singing and hunting and fighting, and all such innocent divarsions.’</p>
|
||
<p>“ ‘You’ll have no complaint about that,’ says he.</p>
|
||
<p>“ ‘And,’ says I, ‘I’d like them poor and parsecuted, bekase when a man gets rich, there’s no more fun in him.’</p>
|
||
<p>“ ‘Yes, I’ll fix that. Thrue for you,’ says the Angel Gabriel, writing.</p>
|
||
<p>“ ‘And I don’t want them to be Christians,’ says I; ‘make them Haythens or Pagans, for Christians are too much worried about the Day of Judgment.’</p>
|
||
<p>“ ‘Stop there! Say no more!’ says the saint. ‘If I make as fine a race of people as that I won’t send them to hell to plaze you, Brian Connors.’</p>
|
||
<p>“ ‘At laste,’ says I, ‘make them Jews.’</p>
|
||
<p>“ ‘If I made them Jews,’ he says, slowly screwing up one eye to think, ‘how could you keep them poor? No, no!’ he said, shutting up the book; ‘go your ways; you have enough.’</p>
|
||
<p>“I clapped me hands, and all the Little People stood up and bent over the edge, their fingers pointed like swimmers going to dive. ‘One, two, three,’ I shouted; and with that we took the leap.</p>
|
||
<p>“We were two years and tunty-six days falling before we raiched the world. On the morning of the next day we began our sarch for a place to live. We thraveled from north to south and from ayst to west. Some grew tired and dhropped off in Spain, some in France, and others ag’in in different parts of the world. But the most of us thraveled ever and ever till we came to a lovely island that glimmered and laughed and sparkled in the middle of the say.</p>
|
||
<p>“ ‘We’ll stop here,’ I says; ‘we needn’t sarch farther, and we needn’t go back to Italy or Swizzerland, for of all places on the earth, this island is the nearest like heaven; and in it the County Clare and the County Tipperary are the purtiest spots of all.’ So we hollowed out the great mountain Sleive-na-mon for our home, and there we are till this day.”</p>
|
||
<p>The king stopped a while, and sat houldin’ his chin in his hands. “That’s the thrue story,” he says, sighing pitiful. “We took sides with nobody, we minded our own business, and we got trun out for it,” says he.</p>
|
||
<p>So intherested was Father Cassidy in the talk of the king that the singing and hammering had died out without his knowing, and he hadn’t noticed at all how the darkness had thickened in the valley and how the stillness had spread over the hillside. But now, whin the chief of the fairies stopped, the good man, half frightened at the silence, jumped to his feet and turned to look for his horse.</p>
|
||
<p>Beyond the dull glow of the dying fire a crowd of Little People stood waiting, patient and quiet, houlding Terror, who champed restless at his bit, and bate impatient with his hoof on the hard ground.</p>
|
||
<p>As the priest looked toward them, two of the little men wearing leather aprons moved out from the others, leading the baste slow and careful over to where the good man stood beside the rock.</p>
|
||
<p>“You’ve done me a faver this night,” says the clargyman, gripping with his bridle hand the horse’s mane, “an’ all I have to pay it back with’d only harry you, an’ make you oncomfortable, so I’ll not say the words,” he says.</p>
|
||
<p>“No faver at all,” says the king, “but before an hour there’ll be lyin’ on your own threshold a faver in the shape of a bit of as fine bacon as ever laughed happy in the middle of biling turnips. We borryed it last night from a magisthrate named Blake; who lives up in the County Wexford,” he says.</p>
|
||
<p>The clargyman had swung himself into the saddle.</p>
|
||
<p>“I’d be loath to say anything disrayspectful,” he says quick, “or to hurt sensitive feelings, but on account of my soul’s sake I couldn’t ate anything that was come by dishonest,” he says.</p>
|
||
<p>“Bother and botheration, look at that now!” says the king. “Every thrade has its drawbacks, but I never rayalized before the hardship of being a parish priest. Can’t we manage it some way? Couldn’t I put it some place where you might find it, or give it to a friend who’d send it to you?”</p>
|
||
<p>“Stop a minute,” says Father Cassidy. “Up at Tim Healy’s I think there’s more hunger than sickness, more nade for petaties than for physic. Now, if you sent that same bit of bacon—”</p>
|
||
<p>“Oh, ho!” says the king, with a dhry cough, “the Healy’s have no sowls to save, the same as parish priests have.”</p>
|
||
<p>“I’m a poor, wake, miserable sinner,” says the priest, hanging his head; “I fall at the first temptation. Don’t send it,” says he.</p>
|
||
<p>“Since you forbid me, I’ll send it,” says the king, chucklin’. “I’ll not be ruled by you. Tomorrow the Healy’s’ll have five tinder-hearted heads of cabbage, makin’ love in a pot to the finest bit of bacon in Tipperary—that is, unless you do your juty an’ ride back to warn them. Raymember their poor sowls,” says he, “an’ don’t forget your own,” he says.</p>
|
||
<p>The priest sat unaisy in the saddle. “I’ll put all the raysponsibility on Terror,” he says. “The baste has no sowl to lose. I’ll just drop the reins on his neck; if he turns and goes back to Healy’s I’ll warn them; if he goes home let it be on his own conscience.”</p>
|
||
<p>He dhropped the reins, and the dishonest baste started for home imagetly.</p>
|
||
<p>But afther a few steps Father Cassidy dhrew up an’ turned in the saddle. Not a sowl was in sight; there was only the lonely road and the lonesome hillside; the last glimmer of the fairy fire was gone, and a curtain of soft blackness had fallen betwixt him an’ where the blaze had been.</p>
|
||
<p>“I bid you good night, Brian Connors,” the priest cried. From somewhere out of the darkness a woice called back to him, “Good night, your Riverence.”</p>
|
||
</article>
|
||
<article id="the-adventures-of-king-brian-connors" epub:type="se:short-story bodymatter z3998:fiction">
|
||
<h2 epub:type="title">The Adventures of King Brian Connors</h2>
|
||
<section id="the-king-and-the-omadhaun" epub:type="chapter">
|
||
<hgroup>
|
||
<h3 epub:type="ordinal z3998:roman">I</h3>
|
||
<p epub:type="title">The King and the Omadhaun</p>
|
||
</hgroup>
|
||
<p>Did your honour ever hear how Anthony Sullivan’s goat came to join the fairies?</p>
|
||
<p>Well, it’s a quare story and a wandhering, quarrelsome story, as a tale about a goat is sure to be. Howsumever, in the home of the Good People—which, as you know, is the hollow heart of the great mountain Sleive-na-mon—Anthony Sullivan’s goat lives and prospers to this day, a pet and a hayro among the fairies.</p>
|
||
<p>And this is the way it came about:</p>
|
||
<p>All the world knows how for months Darby O’Gill an’ his purty sister-in-law, Maureen McGibney, were kept presners by the Good People; an’ how, afther they were relaysed by the King, that same little fairy, King Brian Connors, used often to visit thim an’ sit with thim colloguin’ and debaytin’ an’ considherin’ in Darby O’Gill’s kitchen.</p>
|
||
<p>One lonesome Decimber night, when Bridget and the childher were away visiting Bridget’s father at Ballingher, and the angry blast was screaming and dhrifting the first white flakes of winther around Darby’s house, thin it was that Darby O’Gill, Brian Connors, the King of the Good People, and Maureen McGibney sat with their heads together before the blazing hearth. The King, being not much higher than your two hands, sat on the child’s stool betwixt the other two, his green cloak flung back from his chowlders, and the goold crown on his head glistening in the firelight.</p>
|
||
<p>It was a pleasant sight to watch them there in the flickering hearth glow. From time to time, as he talked, the ould King patted Maureen’s hands and looked smiling up into her purty gray eyes. They had been discoursing on the subject of Throubles and Thribulations.</p>
|
||
<p>“Arrah! You ought to be the happy man, King,” Darby says, sipping his noggin of punch, “with no silly woman to ordher you or to cross you or to belittle you. Look at meself. Afther all the rayspect I’ve climbed into from being with the fairies, and afther all the knowledge I’ve got from them, there’s one person in this parish who has no more riverence for me now than she had the first day she met me—sometimes not so much, I’m thinking,” he says, hurt-like.</p>
|
||
<p>“I’ve seen the workings of families during more than five thousand years,” says the little King, “so you needn’t tell me who that one person is, me poor man—’tis your own wife, Bridget.”</p>
|
||
<p>“Thrue for you! Whin it’s the proud woman she ought to be this day to have the likes of me for a husband,” says Darby. “Ah, then, you ought to be the happy man, whatever wind blows,” he sighed again; “when you see a fat pig you like, you take it without so much as saying by your lave; if you come upon a fine cow or a good horse, in a twinkling you have it in Sleive-na-mon. A girl has a good song with her, a boy has a nimble foot for a jig, or an ould woman a smooth tongue for a tale, and, whisk! they’re gone into the heart of the mountain to sing or dance for you, or to beguile you with ould tales until the Day of Judgment.”</p>
|
||
<p>The King shook his head slowly, and drew a long face.</p>
|
||
<p>“Maybe we ought to be happy,” says he. “ ’Tis thrue there’s no sickness in Sleive-na-mon, nor worry for tomorrow, nor fret for one’s childher, nor parting from friends, or things like that, but throuble is like the dhrifting snow outside, Darby; it falls on the cottage and it covers the castle with the same touch, and once in a while it sifts into Sleive-na-mon.”</p>
|
||
<p>“In the name of goodness!” cries Darby, surprised, “is there anything in the whole world you can’t have for the wishing it?”</p>
|
||
<p>The King took off his goold crown and began polishing it with his sleeve to hide his narvousness. “I’ll tell you a saycret,” he whuspered, bending over toward Darby, and speaking slow. “In Sleive-na-mon our hearts are just breaking for something we can’t get; but that’s one thing we’d give the worruld for.”</p>
|
||
<p>“Oh, King, what in the livin’ worruld can it be?” cried Maureen.</p>
|
||
<p>“I’d give the teeth out of me head if I could only own a goat,” says the King, looking as though he were going to cry.</p>
|
||
<p>“Man alive!” says Darby, dhropping the poker, “the counthry-side is full of goats, and all you have to do is to take your pick and help yourself. You’re making game of us, King.”</p>
|
||
<p>The King shook his head. “The Good People have been thrying for years to capture one,” says he. “I’ve been bunted into ditches by the villains; I’ve been trun over hedges by them; I had to leap on the back of Anthony Sullivan’s goat, and with two hundred of me subjects in full cry behind, ride him all night long, houlding by his horns to kape him from getting at me and disthroying me entirely. The jumps he took with me that night were thraymendous. It was from the cowshed to the sthraw-stack, from the sthraw-stack to the housetop, and from there down to the ground agin, and then hooraying an’ hoorooing, a race up the mountainside. But,” says the King, kind o’ sniffling an’ turning to the fire, “we love the ground he walks upon,” says he.</p>
|
||
<p>“Tare an’ ouns!” says Darby, “why don’t you put your spell on one of them?”</p>
|
||
<p>“You don’t know them,” says the King. “We can’t put the black spell on thim—they’re not Christian bastes, like pigs or cows. Whin it comes to animals, we can only put our come ’ither on cattle and horses, and such as are Christian animals, ye know. In his mind and in his heart a goat is a pagen. He wouldn’t ask any betther divarsion than for me to thry and lay me hands on him,” says the King, wiping his eyes.</p>
|
||
<p>“But,” says he agin, standing up on the stool and houlding his pipe over his head, “Anthony Sullivan’s goat is the gallusest baste that roams the fields! There’s more fun in him, and no more fear in him, than in a yallow lion. He’d do anything for sport; he’d bunt the King of Russia, he’d ba-a at a parish priest, out of pure, rollicking divilment,” says the King. “If the Good People had a friend, a rale friend,” says he, looking hard at Darby, “that wouldn’t be afeard to go into our home within the mountain once more, just once, and bring with him that goat—”</p>
|
||
<p>“Say no more,” says Darby, hoarsely, and turning white with fear—“say no more, Brian Connors! Not all the goold in Sleive-na-mon would tempt me there agin! It’s make a presner of me forever you would. I know your thricks.”</p>
|
||
<p>The look of scorn the little man flung at Darby would have withered the threes.</p>
|
||
<p>“I might have known it,” he says, sitting down disgusted. “I was a fool for hoping you would,” says he. “There’s no more spirit in ye nor sinse of gratichude than in a hin. Wait till!—” and he shook his fist.</p>
|
||
<p>“Don’t blame the lad,” cried Maureen, patting the King’s head, sootheringly; “sure, why should the like of a wondherful man, such as you, who has lived five thousand years, and knows everything, compare your wit or your spirit or your sinse with the likes of us poor crachures that only stay here a few hours and thin are gone forever?” This she cried, craftily, flatthering the ould man. “Be aisy on him, King, acushla!” says she, coaxing.</p>
|
||
<p>Well, the little man, being soothered, sat down agin. “Maybe I was too hard,” he says, “but to tell the truth, the life is just bothered out of me, and my temper is runed these days with an omadhaun we’ve taken lately; I don’t know what to do with him. Talk of throuble! He mopes and mourns and moothers in spite of all we can do. I’ve even tould him where the crocks of goold are hid—”</p>
|
||
<p>“You haven’t tould me that,” cries Darby, quickly.</p>
|
||
<p>“No,” says the King, looking at him sideways.</p>
|
||
<p>“At laste not yit,” says Darby, looking sideways at the King.</p>
|
||
<p>“Not yit, nor will I fer a long time yitter, you covetous, ungrateful spalpeen!” snapped the fairy.</p>
|
||
<p>“Well,” said he, paying no more attention to Darby, “this young omadhaun is six feet high in his stockings, and as foine a looking lad as you’ll see in a day’s walk. Now what do you think he’s mourning and crooning for?”</p>
|
||
<p>“Faix, I dunno,” answered Darby. “Maybe it’s a horse or a dog or a cow, or maybe a pair of pigs.”</p>
|
||
<p>“You’ve not hit it,” said the Ruler of the Good People; “it’s a colleen. And him having a college education, too.”</p>
|
||
<p>“Troth, thin,” said Darby, with a knowledgeable wag of his head, “some of them larned students are as foolish in that way as ignorant people. I once met a tinker named Larry McManus, who knew the jography from cover to cover, and still he had been married three times.”</p>
|
||
<p>“Poor gossoon! Who is the omadhaun?” asked Maureen, not minding Darby.</p>
|
||
<p>“He’s no less,” said the King, “than Roger O’Brien, a son of ould Bob O’Brien, who was the richest and proudest man in the County Tipperary. Ould Bob thraces his ancestors for five hundhred years, and he owns a mile of land and has forty tenants. He had no child but this omadhaun.”</p>
|
||
<p>“And who is the colleen? Some grand Princess, I suppose,” said Maureen.</p>
|
||
<p>“There was the whole throuble,” answered the little man. “Why, she’s no one at all, but a little white-cheeked, brown-eyed, black-haired girl named Norah Costello, belonging to one of his own tenants on the domain. It all came from eddicatin’ people above their station.”</p>
|
||
<p>“Faix,” Darby says, “there’s Phelem Brady, the stonecutter, a fine, dacint man he was till he made up his mind to larn the history of Ireland from ind to ind. When he got so far as where the Danes killed Brian Boru he took to dhrink, and the divil a ha’porth’s good he’s been ever since. But lade on with your discoorse, King,” says he, waving his noggin of punch.</p>
|
||
<p>At this the King filled his pipe, Maureen threw fresh turf on the fire, and the wind dhrew the sparks dancing up the chimney. Now and thin while the King talked, some of the fairies outside rapped on the windowpanes and pressed their little faces against the glass to smile and nod at those within, thin scurried busily off agin intil the darkness. Once the wail of a child rose above the cry of the storm, and Maureen caught the flash of a white robe against the windowpane.</p>
|
||
<p>“It’s a child we’ve taken this night from one Jude Casey down in Mayo,” says King Brian Connors. “But fill my noggin with fresh punch, Maureen, and dhraw closter till I tell you about the omadhaun.” And the Master of the Good People crossed his legs and settled into telling the story, comfortable as comfortable could be.</p>
|
||
<p>“The way the throuble began was foine and innocent as the day is long,” said the King. “Five or six years ago—it was on the day Roger was first sent to college at Dublin—Misther and Misthress O’Brien, mighty lonesome an’ downhearted, were dhriving over the estate whin who should they spy standing, modest and timid, at her own gate, but purty little Norah Costello. Though the child was only fourteen years old, Misthress O’Brien was so taken with her wise, gentle ways that Norah next day was sint for to come up to the big house to spind an hour amusing the Misthress. There was the rock they all split on.</p>
|
||
<p>“Every day afther for a month the little girl went visiting there. At the end of that time Misthress O’Brien grew so fond of her that Norah was brought to the big house to live. Ould Bob liked the little girl monsthrous well, so they put fine clothes on her until in a couple of years one couldn’t tell her from a rale lady, whether he met her in the house or at the crossroad.</p>
|
||
<p>“Only every Saturday night she’d put on a little brown poplin dhress and go to her father’s cottage, and stay there helping her mother till Monday or maybe Chewsday. ‘For I mustn’t get proud-hearted,’ she’d say, ’or lose the love I was born to, for who can tell whin I’ll need it,’ says she.”</p>
|
||
<p>“A wise girl,” says Darby.</p>
|
||
<p>“A dear colleen,” says Maureen.</p>
|
||
<p>“Well, every summer me brave Roger came home from college, and the two rode together afther the hounds, or sailed his boat or roved the woods, and the longest summer days were too short entirely to suit the both of them.</p>
|
||
<p>“Although she had a dozen young fellows courting her—some of them gentlemen’s sons—the divil an eye she had for anyone except Roger; and although he might pick from twinty of the bluest-blooded ladies in Ireland any day he liked, Norah was his one delight.</p>
|
||
<p>“Every servant on the place knew how things were going, but the ould man was so blind with pride that he saw nothing at all; stranger than all, the two childher believed that ould Bob guessed the way things were with them an’ was plazed with them. A worse mistake was never made. He never dhramed that his son Roger would think of any girl without a fortune or a title.</p>
|
||
<p>“Misthress O’Brien must have known, but, being tendher-hearted and loving and, like all women, a trifle weak-minded, hoped, in spite of rayson, that her husband would consint to let the childher marry. Knowing ould Bob as she knew him, that was a wild thought for Misthress O’Brien to have; for if ever there was a stiffer, bittherer, prouder, more unforgiving, boistherous man I haven’t seen him, and I’ve lived five thousand years.”</p>
|
||
<p>Darby, scowling mighty important, raised his hand. “Whist a bit,” he says; “you raymind me of the ballad about Lord Skipperbeg’s lovely daughter and the farmer’s only son.” Stretching his legs an’ wagging his head, he sang:</p>
|
||
<blockquote epub:type="z3998:song">
|
||
<p>
|
||
<span>“Her cheeks were like the lily white,</span>
|
||
<br/>
|
||
<span class="i1">Her neck was like the rose.”</span>
|
||
</p>
|
||
</blockquote>
|
||
<p>“Oh, my! oh, my!” said the King, surprised, “was her neck as red as that?”</p>
|
||
<p>“By no manes,” said Darby. “I med a mistake; ’twas this away:</p>
|
||
<blockquote epub:type="z3998:song">
|
||
<p>
|
||
<span>“Her neck was like the lily white,</span>
|
||
<br/>
|
||
<span class="i1">Her cheeks were like the rose,</span>
|
||
<br/>
|
||
<span>She quickly doffed her silk attire</span>
|
||
<br/>
|
||
<span class="i1">And donned a yeoman’s clothes.</span>
|
||
</p>
|
||
<p>
|
||
<span>“ ‘Rise up, rise up, my farmer’s son,</span>
|
||
<br/>
|
||
<span class="i1">Rise up thrue love,’ says she,</span>
|
||
<br/>
|
||
<span>‘We’ll fly acrost the ragin’ main</span>
|
||
<br/>
|
||
<span class="i1">Unto Amer-i—’ ”</span>
|
||
</p>
|
||
</blockquote>
|
||
<p>“Have done you’re fooling, Darby,” says Maureen; “you have the King bothered.”</p>
|
||
<p>“I wisht you hadn’t shtopped him, agra,” says the King. “I niver heard that song before, an’ it promised well. I’m fond of love songs,” he says.</p>
|
||
<p>“But the omadhaun,” coaxed the colleen.</p>
|
||
<p>“I forgot where I was,” the King says, scratching his head. “But, spaking of ould Bob,” he wint on, “no one ever thought how evil and bitther he could be, until his son, the foolish lad, a few days before the ind of his schooling, wrote to the father that he wanted to marry Norah whin he came home, and that he would be home in a few days, he thought. He was breaking the news aisy to the family, d’ye see!</p>
|
||
<p>“ ‘Whew! Hullabaloo! Out of the house with her—the sly, conniving hussy!’ shouted ould Bob, whin he read the letter. ‘Into the road with all we’ve given her! Pull the roof off Costello’s house and dhrive off the place his whole brood of outraygeous villians!’</p>
|
||
<p>“So they packed Norah’s boxes—faix, an’ many a fine dhress was in them, too—and bade her begone. The Misthress slipped a bag of goold sovereigns with a letther into one of the chests. Norah took the letther, but she forbade them sending so much as a handkerchief afther her.</p>
|
||
<p>“She wouldn’t even ride in the coach that the Misthress had waiting for her outside the grand gate; and all alone, in her brown poplin dhress, she marched down the gravel path, proud, like a queen going to be crowned. Nor did she turn her head when the servants called blessings afther her; but oh, asthore, her face was marble white; and whin she was on her way down the lonely high road how she cried!</p>
|
||
<p>“ ’Twas a bitther time entirely, the night young Roger came home, and, hearing of all this, rushed up the stairs to face his father. What happened betwixt them there no one knows, only they never passed aich other a friendly look nor gave one to the other a pleasant word from that good hour to this.</p>
|
||
<p>“To make matthers worse, that same night young Roger wint and axed Norah Costello to marry him. But all the counthry-side knows how the girl rayfused him, saying she wouldn’t beggar and rune the man she loved.</p>
|
||
<p>“Well, he took her at her word, but disbelieved and mocked at the raysons she gave—the omadhaun!</p>
|
||
<p>“He wasn’t much good afther that, only for galloping his horse over the counthry like a madman, so I said to meself, says I, that we might as well take him with us into the Sleive-na-mon. I gave the ordhers, and there he is.”</p>
|
||
<p>“Oh, the poor lad!” says Maureen; “does ould Bob suspect the boy is with the fairies?”</p>
|
||
<p>“Not in the laste,” says the King. “You know how it is with us; whinever we take a person we lave one of our own in his place, who looks and acts and talks in a way that the presner’s own mother can’t tell the differ. By-and-by the fairy sickens and purtends to die, and has his wake and his burial. When the funeral’s over he comes back to us hale and spiling for more sport. So the lad the O’Briens put into their tomb was one of our own—Phadrig Oge be name.</p>
|
||
<p>“Many a time Phadrig has taken the place of the genthry and quality in every county of Ireland, and has been buried more than a hundhred times, but he swears he never before had a dacinter funeral nor a rattliner wake.”</p>
|
||
<p>“And the girl!” cried Maureen—“Norah, where is she?”</p>
|
||
<p>“Faith, that’s strange, too,” says the King. “She was the first person ould Bob axed for afther the funeral. He begged her to come back to them and forgive him, and the poor girl went agin to live at the big house.”</p>
|
||
<p>“He’ll get her another good husband yet,” said Darby.</p>
|
||
<p>“Oh, never!” says Maureen, crying like a child. “She’ll die of a broken heart.”</p>
|
||
<p>“I’ve seen in me time,” says the King, “people die from being pushed off houses, from falling in wells, and every manner of death you can mention, and I saw one ould woman die from ating too much treacle,” he says, “but never a person die from a broken heart.”</p>
|
||
<p>This he said to make light of what he had been telling, because he saw by Maureen’s face that she was growing sick with pity. For Maureen was thinking of the black days when she herself was a presner in Sleive-na-mon.</p>
|
||
<p>For an answer to the jest, the girl, with her clasped hands held up to the King, moaned, “Oh, King, King, lave the poor lad go! lave him go. Take the black spell off him and send him home. I beg you lave him go!”</p>
|
||
<p>“Don’t bother him,” says Darby; “what right have we to interfere with the Good People?” Though at the same time he took the pipe from his mouth and looked kind of wistful at the little man.</p>
|
||
<p>But Maureen’s tears only fell faster and faster.</p>
|
||
<p>“I can’t do what you ask, avick,” says the King, very kindly. “That day I let you and Darby go from us the power to free anyone was taken away from me by my people. Now every fairy in Sleive-na-mon must give his consent before the spell can be taken away entirely from anyone; and, well, you know they’ll never consent to that,” he says.</p>
|
||
<p>“But what I can do, I will do. I can lift the spell from the omadhaun for one hour, and that hour must be just before cockcrow.”</p>
|
||
<p>“Is that the law now?” asked Darby, curiously. Maureen was sobbing, so she couldn’t spake.</p>
|
||
<p>“It is,” says the Master of the Good People. “And tonight I’ll sind our spy, Sheelah Maguire, to Norah Costello with the message that if Norah has love enough and courage enough in her heart to stand alone at her thrue lover’s grave in Kilmartin churchyard, tomorrow night an hour before cockcrow, she’ll see him plain and talk with him. And let you two be there,” he says, “to know that I keep me word.”</p>
|
||
<p>At that he vanished and they saw him no more that night, nor until two hours afther the next midnight, whin as they were tying the ould horse and cart to the fence outside Kilmartin church, thin they heard him singing. He was sitting on the wall, chanting at the top of his woice a sthrange, wild song, and houlding in his hand a silver-covered noggin. On a fallen tombstone near by lay a white cloth, glimmering in the moonlight, and on the cloth was spread as fine a supper as heart could wish.</p>
|
||
<p>So beside the white rows of silent tombs, under the elm-trees and willows, they ate their fill, and Darby would have ate more if close to them they hadn’t heard a long, deep sigh, and caught a glimpse of a tall man, gliding like a shadow into the shadows that hung around the O’Briens’ family vault.</p>
|
||
<p>At the same time, standing on the top of the stile which led into the graveyard, a woman’s form was seen wavering in the moonlight.</p>
|
||
<p>They watched her coming down the walk betwixt the tombs, her hand on her breast, clutching tight the cloak. Now and thin she’d stand, looking about the while, and shivering in mortal terror at the cry of the owls, and thin she’d flit on and be lost in the shadows; and thin they’d see her run out into the moonlight, where she’d wait agin, gathering courage. At last she came to a strip of soft light before the tomb she knew. Her strength failed her there, and she went down on her knees.</p>
|
||
<p>Out of the darkness before her a low, pleading woice called, “Norah! Norah! Don’t be frightened, acushla machree!”</p>
|
||
<p>Slowly, slowly, with its arm spread, the dim shape of a man glided out of the shadows. At the same instant the girl rose and gave one cry, as she flung herself on his breast. They could see him bending over her, thin, pouring words like rain into her ears, but what he said they couldn’t hear—Darby thinks he whuspered.</p>
|
||
<p>“I wondher, oh, I wondher what he’s telling her in this last hour!” says Maureen.</p>
|
||
<p>“It’s aisy to know that,” says Darby; “what should he be telling her but where the crocks of goold are hid.”</p>
|
||
<p>“Don’t be watching them, it ain’t dacint,” says the King; “uncultayvation or unpoliteness is ojus; come over here; I’ve a pack of cayrds, Darby,” says he, “and as we have nearly an hour to wait, I challenge you to a game of forty-five.”</p>
|
||
<p>“Sure we may as well,” says Darby. “What can’t be cured must be endured.”</p>
|
||
<p>With that, me two bould hayroes sat asthride the fallen stone, and hammering the rock hard with their knuckles, played the game. Maureen went and, houlding on to the ivy, knelt at the church wall—it’s praying an’ cryin’, too, I think she was. Small blame to her if she was. All through that hour she imagined the wild promisings of the two poor crachures over be the tomb, and this kept burning the heart out of her.</p>
|
||
<p>Just as the first glow of gray broke behind the hills the King stood up and said: “It’s your game, Darby, more be good luck than be good shooting; ’tis time to lave. You know if I’m caught out afther cockcrow I lose all me spells for the day, and besides I’m wisible to any mortal eye. I’m helpless as a baby then. So I think I’ll take the omadhaun and go. The roosthers may crow now any minute,” says he.</p>
|
||
<p>The omadhaun, although he couldn’t hear, he felt the charm dhrawing him. He trew a frightened look at the east and held the girl closer. ’Twas their last minute.</p>
|
||
<p>“King! King!” says Maureen, running up, “if I brought Sullivan’s goat into Sleive-na-mon, would ye swear to let me out safe agin?”</p>
|
||
<p>“Troth, I would indade, I swear be Child Nick!” (’Tis be him the Good People swear.) “I’ll do that same.”</p>
|
||
<p>“Then let the omadhaun go home. Get the Good People’s consent and I’ll bring you the goat,” says Maureen.</p>
|
||
<p>The King thrembled all over with anxiety and excitement. “Why didn’t you spake sooner? I’m afeard I haven’t time to go to Sleive-na-mon and back before cockcrow,” he stutthered, “and at cockcrow, if the lad was undher the say or in the stars, that spell’d bring him to us, and then he could never agin come out till the Day of Judgment. Howsumever, I’ll go and thry,” he says, houlding tight on to his crown with both hands; and with thim words he vanished.</p>
|
||
<p>Be this and be that, it wasn’t two minutes till he was back and wid not a second to spare, ayther.</p>
|
||
<p>“Phadrig Oge wants <abbr epub:type="z3998:name-title">Mrs.</abbr> Nancy Clancy’s nanny-goat, too. Will ye bring the both of them, Maureen?” he screamed.</p>
|
||
<p>“You’re dhriving a hard bargain, King,” cried Darby. “Don’t promise him, Maureen.”</p>
|
||
<p>“I will!” cried she.</p>
|
||
<p>“Then it’s a bargain!” the fairy shouted, jumping to the top of a headstone. “We all consent,” he says, waving the noggin.</p>
|
||
<p>He yelled to the omadhaun. “Go home, Roger O’Brien! Go back to your father’s house and live your life out to its natural ind. The curse is lifted from you, the black spell is spint and gone. Pick up the girl, ye spalpeen; don’t ye see she’s fainted?”</p>
|
||
<p>When O’Brien looked up and saw the Master of the Fairies he staggered like a man that had been sthruck a powerful blow. Thin he caught up the girl in his arms and ran with her down the gravelled path and over the stile.</p>
|
||
<p>At that minute the sorest misfortune that can happen to one of the Good People came to pass. As the lad left the churchyard every cock in the parish crowed, and, tare and ’ounds! there on a tombstone, caught by the cockcrow, stood the poor, frightened little King! His goold crown was far back on his head, and his green cloak was twisted behind his back. All the power for spells and charms was gone from him until the next sunset.</p>
|
||
<p>“I’m runed entirely, Darby!” he says. “Trow your shawl about me, Maureen alannah, and carry me in your arms, purtending I’m an infant. What’ll I do at all at all?” says he, weakly.</p>
|
||
<p>Taking him at his word, Maureen wrapped the King in her shawl, and carrying him in her arms to the cart, laid him in the sthraw at the bottom, where he curled up, still and frightened, till they were on their way home.</p>
|
||
<p>Omadhaun, a foolish fellow.</p>
|
||
</section>
|
||
<section id="the-couple-without-childher" epub:type="chapter">
|
||
<hgroup>
|
||
<h3 epub:type="ordinal z3998:roman">II</h3>
|
||
<p epub:type="title">The Couple Without Childher</p>
|
||
</hgroup>
|
||
<p>Five miles down the road from Kilmartin churchyard, and thin two miles across, lived Barney Casey with Judy, his wife—known far and wide as the Couple without Childher.</p>
|
||
<p>Some foolish people whuspered that this lack of family was a punishment for an ould saycret crime. But that saying was nonsense, for an honester couple the sun didn’t shine on. It was only a pinance sint from Heaven as any other pinance is sint; ’twas—like poverty, sickness, or as being born a Connaught man—just to keep them humble-hearted.</p>
|
||
<p>But, oh, it was the sore pinance!</p>
|
||
<p>Many an envious look they gave their neighbour, Tom Mulligan, the one-legged ballad-maker, who lived half a mile up the road, for, twelve purty, red-haired innocents sported and fought before Tom’s door. The couple took to going through the fields to avoid passing the house, for the sight of the childher gave them the heartache.</p>
|
||
<p>By-and-by the two began conniving how on-beknownst they might buy a child, or beg or even steal one—they were that lonesome-hearted.</p>
|
||
<p>Howsumever, the plan at last they settled on was for Judy to slip away to a far part—Mayo, I think—where she would go through the alms-houses till she found a gossoon that suited her. And they had the cute plan laid by which it was to pass before the neighbours as their own—a Casey of the Caseys. “Lave it to me, Barney darling,” said Judy, with tears in her eyes, “and if the neighbours wondher where I am, tell them I’ve gone to spind a few months with my ould mother,” says she.</p>
|
||
<p>Well, Judy stole off sly enough, and ’twas well intil the cowld weather when Barney got word that she had found a parfect angel, that it was the picture of himself, and that she would be home in a few days.</p>
|
||
<p>With a mind like thistledown he ran to Father Scanlan to arrange for the christening. On his way to the priest’s house he inwited the first woman he met, Ann Mulligan, the ballad-maker’s wife, to be godmother; he picked bashful Ted Murphy, the bachelor, to be godfather; and on his way home he was that excited and elayted that he also inwited big <abbr epub:type="z3998:name-title">Mrs.</abbr> Brophy, the proud woman, to be the boy’s godmother, forgetting altogether there was sich a parson in the world as Ann Mulligan. The next day the neighbours made ready a great bonfire to celebrayte the dispositious occasion.</p>
|
||
<p>But ochone! Midnight before the day of the christening poor Judy came home with empty arms and a breaking heart. The little lad had died suddenly and was buried. Maybe the Good People had taken him—’twas hard to tell which.</p>
|
||
<p>Tare and ages, there was the throuble! For two hours the couple sat in their desolate kitchen houlding hands and crying and bawling together till Barney could stand it no longer. Snatching his caubeen, he fled from the coming disgrace and eggsposure out into the fields, where he wandhered aimless till after dawn, stamping his feet at times and wagging his head, or shaking his fist at the stars.</p>
|
||
<p>At that same unlucky hour who should be joulting in their cart along the high road, two miles across, on their way home from Kilmartin churchyard, but our three hayroes, Maureen, the King, and Darby O’Gill!</p>
|
||
<p>Their ould white horse bobbed up and down through the sticky morning fog, Darby and Maureen shivering on the front sate. The Ruler of the Fairies, Maureen’s shawl folded about him, was lying cuddled below in the sthraw. When they saw anyone coming, the fairy-chief would climb into Maureen’s lap, and she’d hould him as though he were a baby.</p>
|
||
<p>Small blame to him to be sour and sullen!</p>
|
||
<p>“Here I am,” he says to himself, “his Majesty, Brian Connors, King of all the Good People in Ireland, the Master of the Night Time, and having been King for more than five thousand years, with more power after sunset than the Emperor of Greeze or the Grand Turkey of barbayrious parts—here am I,” he says, “disguised as a baby, wrapped in a woman’s shawl, and depending for my safety on two simple counthry people—” Then he groaned aloud, “Bad luck to the day I first saw the omadhaun!”</p>
|
||
<p>Those were the first words he spoke. But it wasn’t in the little man to stay long ill-natured. At the first shebeen house that they found open Maureen bought for him a bottle of spirits, and this cheered him greatly. The first dhrink warmed him, the second softened him, the third put a chune to the ind of his tongue, and by the time they raiched Tom Grogan’s public-house, which was straight two miles across from Barney Casey’s, the liquor set him singing like a nightingale.</p>
|
||
<p>Maureen and Darby slipped into Grogan’s for a bit of warmth and a mouthful to ate, laving the Master of Sleive-na-mon well wrapped up at the bottom of the cart—his head on a sack of oats and his feet against the cart-side—and as I said, him singing.</p>
|
||
<p>He had the finest, liftenest way for a ballad you ever heard! At the end of every verse he eleywated the last word and hildt it high, and put a lonesome wobble into his woice that would make you cry.</p>
|
||
<p>Peggy Collins, the tall, thieving ould beggar-woman who used to wear the dirty red cloak, an’ looked like a sojer in it, was sleeping inside the hedge as the cart came along; but when it stopped she peeped out to see who had the good song with him.</p>
|
||
<p>When she saw it was an infant not much longer than your two hands, “God presarve us and save us!” she gasped, and began to say her prayers. The King went on singing, clear and doleful and beautiful, the ballad of Donnelly and Cooper.</p>
|
||
<blockquote epub:type="z3998:song">
|
||
<p>
|
||
<span>“Come all ye thrue-born Irishmen wherever you may be,</span>
|
||
<br/>
|
||
<span>I hope you’ll pay attintion and listen unto me‑e‑e,</span>
|
||
<br/>
|
||
<span>And if you’ll pay attintion the truth I will declare</span>
|
||
<br/>
|
||
<span>How Donnelly fought Cooper on the Curraah of Kildare”</span>
|
||
</p>
|
||
</blockquote>
|
||
<p>Prayers were never from Peggy’s heart, so as she listened to the enthrancing song she turned from praying to plotting.</p>
|
||
<p>“If I had that child,” she says, “I could go from fair to fair and from pathron to pathron, and his singing’d fill my apron with silver.”</p>
|
||
<p>The King turned to another ditty, and you’d think he was a thrush.</p>
|
||
<blockquote epub:type="z3998:song">
|
||
<p>
|
||
<span>“They’ll kiss you, they’ll car‑r‑ress you,” he sang.</span>
|
||
<br/>
|
||
<span>“They’ll spind your money free,</span>
|
||
<br/>
|
||
<span>But of all the towns in Ire-eland Kilkenny for me‑e‑e‑e.”</span>
|
||
</p>
|
||
</blockquote>
|
||
<p>The gray-haired ould rascal, Peggy, by this was creeping ever and ever till she raiched the cart. Up then she popped, and the first thing me poor Captain knew the shawl was slapped fast on his face, and two long, thin arms were dragging him out over the wheel. He thried to cry out, but the shawl choked him, and scrambling and kicking did him no good.</p>
|
||
<p>Over the nearest stile bounced Peggy, and into the nearest field she flew, her petticoat lifted, her white hair streaming, and her red cloak fluttering behind. She crunched the chief man of the fairies undher her left elbow, his head hanging behind, with as little riverence as if, saving your presence, he were a sthray gander.</p>
|
||
<p>Well, your honour, Peggy ran till there wasn’t a breath in her before she slowed down to a walk, and then she flung the King over her right chowldher, his face on her back in that way some careless women carry childher. This set his head free.</p>
|
||
<p>When he saw who it was had stolen him, oh, but he was vexed; for all that he didn’t say a word as they went, but lay there on her collarbone, bobbing up and down, blinking his eyes, and thinking what he should do to her. At last he quietly raiched over with his teeth and took a bite at the back of her neck that she felt to her toes. Wow! Your honour should have heard the screech Peggy let out of her!</p>
|
||
<p>Well, as she gave that screech she gave a jerk at the King’s legs, pulling him down. As he flopped intil her arms he took a wisp of her hair with him. For a second’s time the spiteful little eyes in the ould weazened face, looking up at her own from undher the goold crown, froze her stiff with terror, and then, giving a yell that was ten times louder than the first screech, she flung his Majesty from her down upon the hard ground. Leaping a ditch, she went galloping wildly across the meadow. The King fell flat on his back with an unraysonable joult.</p>
|
||
<p>That wasn’t the worst of his bad luck. If Peggy had dhropped him at any other place in the field he might have crawled off into the ditch and hid till sunset, but oh, asthore, there not ten rods away, with eyes bulging and mouth gaping, stood Barney Casey, the Man without Childher!</p>
|
||
<p>Barney looked from the little bundle on the ground to Peggy as she went skimming, like a big red bird, over the low-lying morning fog. Through his surprise a foine hope slowly dawned for him.</p>
|
||
<p>He said: “Good fortune folly you, and my blessing rest on you wherever you go, Peggy Bawn, for the throuble you’ve lifted this day; you’ve given me a Moses in the bull rushers or a Pharyoah’s daughter, but I disremember which, God forgive me for forgetting my rayligion!”</p>
|
||
<p>He stood for a minute slyly looking to the north, and the south and the ayst and the west. But what he saw, when he turned to look again for the baby, would have made any other man than one in Barney Casey’s mind say his prayers and go on his way.</p>
|
||
<p>The baby was gone, but in its place was a little ould man with a goold crown on his head, a silver-covered noggin in his hand, and the most vexed expression in the world on his face, and he thrailing a shawl and throtting toward the ditch.</p>
|
||
<p>’Twas a hard fall for the Man without Childher, and hard he took it.</p>
|
||
<p>When Barney was done with bad langwidge, he says: “A second ago, me ould lad, you were, or you purtended to be, an innocent child. Well, then, you’ll turn back again every hair and every look of you; you’ll be a smiling, harmless, purty baby agin, or I’ll know the rayson why,” he says, gritting his teeth.</p>
|
||
<p>With that he crept over and scooped up the King. There was the struggling and wiggling!</p>
|
||
<p>“Lave me down! Lave me down! You murthering spalpeen!” shouted the King, kicking vicious at Barney’s chist. “I’m Brian Connors, the King of the Good People, and I’ll make you sup sorrow in tay-cups for this!” cries he.</p>
|
||
<p>Well, Casey, his lips shut tight and his eyes grim and cowld, hildt in his two hands, out at arm’s-length, the little man, who was kicking furious. For a minute Barney studied him.</p>
|
||
<p>“I believe in my sowl,” says the Man without Childher, mighty rayproachful, “you’re only a fairy! But if that’s what you are, you must have charms and spells. Now, turn yourself into a purty, harmless infant this minute—have red hair, like the Mulligan childher at that—or I’ll break every bone in your body!”</p>
|
||
<p>There was blazing anger in the King’s eye and withering scorn in his woice.</p>
|
||
<p>“Ignorant man,” he cried, “don’t you know that betwixt cockcrow in the morning and sunset the Good People can work no spell or charm. If you don’t lave me down I’ll have a mark on you and on all your relaytions the world’ll wondher at!”</p>
|
||
<p>But the divil a bit frightened was Casey.</p>
|
||
<p>He started in to help the charm along as one would thry to make a watch go. He shook the King slowly from side to side, thin joggled him softly up and down, mutthering earnestly betwixt his teeth, “Go on, now, you little haythen, change this minute, you scorpion of the world; come, come, twisht yourself!”</p>
|
||
<p>What the little King was saying all this time you must guess at, for I’m not bitther-tongued enough to repayt it.</p>
|
||
<p>Seeing that not a hair changed for all his work, Barney wrapped Maureen’s shawl about the King and started for home, saying: “Hould your whist! It’s a child I must have to be baptised this day. It’ll be hard to manage, but I have a plan! You came as a child, and you’ll be thrated as such—and look, if you don’t quit kicking me in the stomach, I’ll strangle you!”</p>
|
||
<p>As you know, to say pious words to one of the Good People is worse than cutting him with a knife, to show him pious pictures is like burning him, but to baptise a fairy is the most turrible punishment in the whole worruld.</p>
|
||
<p>As they went along, the King argyed, besought and threatened, but he talked to stone.</p>
|
||
<p>At last, although he had but the strength of a six-year-old child, the Captain of the Good People showed what high spirit was in him.</p>
|
||
<p>“Set me down, you thief,” he says. “I challenge you! If you have a dhrop of your mother’s blood in you, set me ferninst you with sticks in our hands, so we can fight it out like men!”</p>
|
||
<p>“No, it’s not needful,” says Barney, cool as ice; “but in a few minutes I’ll shave every hair from your head, and afther that make a fine Christian out of you. It’s glad and thankful for it you ought to be, you wicious, ugly little pagan scoundhrel!”</p>
|
||
<p>Well, the King let a roar out of him: “You bandy-legged villain!” he cried—and then whirled in to abuse the Man without Childher. He insulted him in English, he jeered him in Irish, he thrajooced him in Latin and Roosian, but the most awful crash of blaggarding that was known in Ireland since the world began was when the King used the Chinayse.</p>
|
||
<p>Casey looked wonder and admiraytion, but made no answer till the little man was out of breath, when he spoke up like a judge.</p>
|
||
<p>“Well, if there’s any crather within the earth’s four corners that needs baptising it’s you, little man. But I’ll not thrajooce you any more, for you’re me own little Romulus or Raymus,” he says, scratching his head. Then of a sudden he broke out excitedly, “Now may four kinds of bad luck fall on your proud head this day, <abbr epub:type="z3998:name-title">Mrs.</abbr> Brophy, and four times heavier ones on you, Ann Mulligan, and may the curse of Cromwell light on you now and forever, Ted Murphy, the bachelor, for pushing yerselves here at this early hour in the morning!”</p>
|
||
<p>For the sight that met his eyes knocked every plan out of his head.</p>
|
||
<p>Long before the time she was expected, sailing down the road to his own house, happy and slow, came Ann Mulligan, carrying in her arms her two-weeks-old baby, Patsy Mulligan. With motion like a two-masted schooner, tacking in her pride from side to side, up the road came big <abbr epub:type="z3998:name-title">Mrs.</abbr> Brophy, the proud woman, carrying her little Cornaylius; behind <abbr epub:type="z3998:name-title">Mrs.</abbr> Brophy marched bashful Ted Murphy, the bachelor, his hands behind his back, his head bent like a captive, but stepping high. Not with the sheep-stealing air men are used to wear at christenings and weddings did Ted Murphy hop along, but with the look on his face of a man who had just been thried, convicted, sentenced, and who expects in few minutes to be hung for sheep-stealing.</p>
|
||
<p>They were come an hour before the time to bring the child to the church.</p>
|
||
<p>Beside the door stood Judy, straining her eyes to know what Barney had hiding in the bundle, and with an awful fear in her heart that he had robbed some near neighbour’s cradle.</p>
|
||
<p>Well, Barney at once broke into a run so as to get inside the house with the King, and to close the door before the others got there, but as luck would have it, the whole party met upon the threshold and crowded in with him.</p>
|
||
<p>“Oh, the little darling; give us a sight of the poor crachure,” says <abbr epub:type="z3998:name-title">Mrs.</abbr> Mulligan, laying Patsy on the bed.</p>
|
||
<p>“He’s mine first, if you plaze,” says <abbr epub:type="z3998:name-title">Mrs.</abbr> Brophy, the proud woman.</p>
|
||
<p>“He’s sick,” says Barney—“too sick to be uncovered.”</p>
|
||
<p>“Is he too sick to go to church?” broke in Ted Murphy, eagerly, hoping to get rid of his job.</p>
|
||
<p>“He is,” says Barney, catching at a chance for delay.</p>
|
||
<p>“Then,” says Ted, with joy in his woice, “I’ll run and bring Father Scanlan to the house. I’ll be back with him in tunty minutes,” says he.</p>
|
||
<p>Before anyone could stop the gawk, he was flying down the road to the village. Casey felt his bundle shiver.</p>
|
||
<p>“I’ll have your life’s blood for this!” the King whuspered, as Barney laid him on the bed betwixt the two childher.</p>
|
||
<p>“Come out! come out!” cries Casey, spreading his arms and pushing the three women over the threshold before they knew it.</p>
|
||
<p>Then he stood outside, holding the door shut against the three women, thrying to think of a plan, and listening to more blisthering talk than he ever heard on any day before that day, for the three women talked at the same time, aich striving to be more disagreeable than the other. What dhrove him crazy was that his own wife, Judy, was the worst. They threatened him, they wheedled, and they stormed. The priest might ride up at any minute. The sweat rained from Barney’s forehead.</p>
|
||
<p>Once in desperaytion he opened the door to let the women pass, but shut it quick agin whin he saw the King standin’ up on the bed and him changing his own clothes for those of little Patsy Mulligan.</p>
|
||
<p>Well, the women coaxed till <abbr epub:type="z3998:name-title">Mrs.</abbr> Mulligan lost all patience and went and sat sullen on the bench. At that <abbr epub:type="z3998:name-title">Mrs.</abbr> Brophy suddenly caught Barney around the waist, and whirling him aside, she and Judy rushed in. Barney, with the fierceness of a tiger, swung shut the door to keep <abbr epub:type="z3998:name-title">Mrs.</abbr> Mulligan at bay.</p>
|
||
<p>The other women inside were hopping with joy. Dhressed in Maureen’s shawl, but divil a thing else, lay on the outside edge of the bed poor little Patsy Mulligan. The King, almost smothered, dhressed in Patsy’s clothes, was scrooged in to the wall with a cloth about his head wrapped round and round.</p>
|
||
<p>“Oh, the little jewel,” says <abbr epub:type="z3998:name-title">Mrs.</abbr> Brophy, picking up little Patsy Mulligan, and setting herself on the bed; “he’s the dead cut of his father.”</p>
|
||
<p>In that quare way women have Judy already had half a feeling that the child by some kind of magic was her own. So she spoke up sharp and said that the child was the image of her brother Mike.</p>
|
||
<p>While they were disputing, <abbr epub:type="z3998:name-title">Mrs.</abbr> Brophy turned her head and saw the legs of the King below the edge of little Patsy’s dhress—the dhress that he’d stole an’ put on.</p>
|
||
<p>“For the love of God, <abbr epub:type="z3998:name-title">Mrs.</abbr> Casey!” says she, laying her hand on Judy’s chowlder, “did you ever before see feet on a child of two weeks old like them on Patsy Mulligan?”</p>
|
||
<p>Well, at this they laughed and titthered and doubled backward and forward on the bed, sniggering at the King and saying funny things about him, till, mad with the shame of the women looking at his bare knees, and stung be the provoking things they said, he did a very foolish thing;—he took a pin from his clothes and gave <abbr epub:type="z3998:name-title">Mrs.</abbr> Brophy so cruel a prod that, big as she was, and proud as she was, it lifted her in three leaps across the floor. “Whoop! whoop!” she says, as she was going. Now, though heavy and haughty, <abbr epub:type="z3998:name-title">Mrs.</abbr> Brophy was purty nimble on her feet, for, red and indignant, she whirled in a twinkling. “Judy Casey,” says she, glowering and squaring off, “if that’s your ideeah of a good, funny joke, I’ll taiche you a betther!” she says.</p>
|
||
<p>When Barney, outside listening with his heart in his mouth, heard the angry woices within, a great wakeness came into his chist, for he thought everything was over. <abbr epub:type="z3998:name-title">Mrs.</abbr> Mulligan pushed past him—he lost the power to prevent her—and he follyed her into the house with quaking knees. There was the uproar!</p>
|
||
<p>While the three was persuading the furious <abbr epub:type="z3998:name-title">Mrs.</abbr> Brophy that it must have been a pin in the bedclothes, Ted Murphy, breathless, flung open the door.</p>
|
||
<p>“Father Scanlan wants to know,” he cried, “what ails the baby that you can’t bring it to church,” he says.</p>
|
||
<p>All turned questioning eyes to Barney, till his mind flutthered like a wounded parthridge. Only two disayses could the unfortunate man on the suddint raymember.</p>
|
||
<p>“It’s half maysles and a thrifle of scarlet faver,” he says. He couldn’t aisily have said anything worse. Seeing a turrible look on <abbr epub:type="z3998:name-title">Mrs.</abbr> Mulligan’s face, he says agin, “But I don’t think it’s ketching, ma’am.”</p>
|
||
<p>The fright was on. With a great cry, <abbr epub:type="z3998:name-title">Mrs.</abbr> Brophy dived for and picked up little Cornaylius and rushed with him out of the door and down the road; <abbr epub:type="z3998:name-title">Mrs.</abbr> Mulligan, thinking she had little Patsy, bekase of the clothes, snatched up the King—his head still rowled in the cloth—and darted up the road. She was clucking curses like an angry hen as she went, and hugging the King and coddling him, and crying over him and saying foolish baby langwidge, till he was so disgusted that he daytermined to give her a shock.</p>
|
||
<p>“Oh, me poor little darling!” she sobbed, pressing the King’s head to her bosom—“oh, Patsy, me jewel, have they kilt you entirely?”</p>
|
||
<p>At that the King spoke up in a clear, cowld woice.</p>
|
||
<p>Misdoubting her ears, <abbr epub:type="z3998:name-title">Mrs.</abbr> Mulligan stopped and bent her head, listening to her baby.</p>
|
||
<p>“Don’t worry for me, ma’am, thank you kindly,” says the baby, polite and sthrong. “Don’t throuble yourself about the general state of my robustness,” it says, “it’s thraymendous,” says the child—“in fact, I never was betther.”</p>
|
||
<p>As cautiously as if she was unwrapping a rowl of butther <abbr epub:type="z3998:name-title">Mrs.</abbr> Mulligan began to unwind the cloth from about the King’s head.</p>
|
||
<p>When this was done she flung up her face an’ yelled, “Ow! ow! ow!” and then came right up from the ground the second hard joult the King got that day.</p>
|
||
<p>As he lay on his back fastening his strange clothes and thinking what he would do next, he could hear <abbr epub:type="z3998:name-title">Mrs.</abbr> Mulligan going down the road. She was making a noise something like a steam whustle.</p>
|
||
<p>“Be-gorr,” says the King, sitting up and feeling of his back, “today, with the women, I’m playing the divil entirely!”</p>
|
||
</section>
|
||
<section id="the-luck-of-the-mulligans" epub:type="chapter">
|
||
<hgroup>
|
||
<h3 epub:type="ordinal z3998:roman">III</h3>
|
||
<p epub:type="title">The Luck of the Mulligans</p>
|
||
</hgroup>
|
||
<p>The wee King of the Fairies sat in the dust of the road where Ann Mulligan had dhropped him. There were dents in his goold crown, and the baby’s dhress he still wore was soiled and tore.</p>
|
||
<p>Ow! Ow! Ow! What a terrible joult agin the ground Ann Mulligan gave him when she took the covering from his head and found his own face gazing up at her instead of her baby Patsy’s. He turned to shake his fist up the road, and twishted once more to shake his fist down the road.</p>
|
||
<p>“Be the bones of Pether White,” he says, “what me and me subjects’ll do tonight to this parish’ll make the big wind seem like a cock’s breath!”</p>
|
||
<p>“But,” he says, again, “how’ll I hide meself till dark? Wirra! Wirra! if it were only sunset—the sun has melted every power and charm and spell out of me—the power has left my four bones. I can be seen and molested by any spalpeen that comes along; what’ll I do at all at all! I think I had best be getting through the fields back to Barney Casey’s. It’s little welcome they have for me there, but they must keep me saycret now for their own sakes.”</p>
|
||
<p>With that he got upon his legs, and houldin’ up his white dhress, climbed through the stile into Casey’s field.</p>
|
||
<p>The first thing he saw there was a thin but jolly-minded looking pig, pushing up roots with her nose and tossing them into the air through sheer divilment.</p>
|
||
<p>Dark-eyed Susan was she called, and she belonged to Tom Mulligan, the one-legged ballad-maker, who had named her after the famous ballad.</p>
|
||
<p>Mulligan was too tindher-hearted to sell her to be kilt, and too poor to keep her in victuals, so she roamed the fields, a shameless marauder and a nimble-footed freebooter.</p>
|
||
<p>“Be-gorr, here’s luck!” said the little King; “since ’tis in Casey’s field, this must be Casey’s baste. I couldn’t ask betther; whinever a pig is frightened it runs to its own house; so I’ll just get on her back and ride down to Casey’s cabin.”</p>
|
||
<p>The King looked inquirin’ at Susan, and Susan looked impident suspicion at the King.</p>
|
||
<p>“Oh, ho, ye beauty, you know what’s in me mind!” says he, whistlin’ and coaxin’ and sidlin’ up to her. A pig likes a compliment if it’s well tould, so Susan hung her head, grunted coquettish, and looked away. Taking adwantage of her head being turned, without another word, his Rile Highness ran over, laid hould of her ear, and with one graceful jump took an aisy saddle-sate on her back.</p>
|
||
<p>This was the last thing the pig expected, so with one frightened squeal from Susan both of them were off like the wind through the fields toward Mulligan’s house, taking stones, ridges, and ditches like hurdle jumpers till they came in sight of a mud-plasthered cabin which stood on the hillside. A second afther the King’s hair stood straight up and his heart grew cowld, for there, sitting on the thrashold, with her family in a little crowd about her, was the woman who, misconsthruing him for her own child, had fled with him from Barney Casey’s, and, finding her mistake, had trun him into the high road.</p>
|
||
<p>About the ballad-maker’s door was gathered his whole family, listening to the wondherful tale being tould by Ann Mulligan. A frightened woman she was.</p>
|
||
<p>Indade, whin Ann Mulligan, afther dhropping the King in the road, raiched home she fell unconscionable in the door before her husband and her frightened childher, an’ she never come to till little Pether sprinkled a noggin of wather on her; thin she opened her eyes and began telling how Ould Nick had stole the baby and had taken little Patsy’s place in her own two arms.</p>
|
||
<p>There she sat wringing her hands and waving back and forth. The fairy-man could aisily guess the story she was telling, and his flying steed was hurrying straight toward the house and nothing could stop it. They’d both be there in tin seconds.</p>
|
||
<p>“Well, this time, anyhow, I’ll be kilt intirely,” says the King.</p>
|
||
<p><abbr epub:type="z3998:name-title">Mrs.</abbr> Mulligan turned to pint down the road to the place where she had dhropped the King, when, lo and behold, up the boreen and through the field they saw, coming at a thraymendous pace, Dark-eyed Susan and the King, riding her like a dhragoon.</p>
|
||
<p><abbr epub:type="z3998:name-title">Mrs.</abbr> Mulligan gave one screech and, lifting her petticoats, flew; the childher scurried off afther her like young rabbits.</p>
|
||
<p>Tom, not being able to run bekase of his wooden leg, stood his ground, but at the same time raymembering more prayers an’ raypentin’ of more mane things he’d done than ever before since he was born.</p>
|
||
<p>He was sure it was Ould Nick himself that was in it.</p>
|
||
<p>And now a new danger jumped suddenly before the King. The pig headed for her favourite hole through the hedge, and whin the King saw the size of the hole he let a howl out of him, for he knew he’d be trun. He scrooched close to the baste’s back and dhrew up his legs. Sure enough he was slithered off her back and left sitting on the hard ground, half the clothes torn from his rile back.</p>
|
||
<p>That howl finished Tom entirely, so that whin his Majesty crawled through the hole afther the pig and came over to him, the ballad-maker wouldn’t have given tuppence for his sowl’s salvation. Howsumever, he put on the best and friendliest face he could undher the sarcumstances. Scraping with his wooden leg and pulling at a tuft of carroty hair on his forehead, Tom said, mighty wheedling:</p>
|
||
<p>“The top o’ the day to your Honour. Sure, how’s <abbr epub:type="z3998:name-title">Mrs.</abbr> Balzebub and the childher. I hear it’s a fine, bright family your Lordship has. Arrah, it isn’t the likes of me, poor Tom Mulligan, the ballad-maker, that your riverence’d be wanting.”</p>
|
||
<p>Hearing them words, the King looked mighty plazed. “If you’re Tom Mulligan, the ballad-maker,” he says, coming over smiling, “it’s proud and happy I am to meet you! I’m no less than Brian Connors, the King of the Good People,” he says, dhrawing himself up and trying to look grand. “It’s many’s the fine ballad of yours we sing in Sleive-na-mon.”</p>
|
||
<p>“But little Patsy,” stammered Tom; “sure your Majesty wouldn’t take him from us; he’s our twelfth and rounds out the dozen, you know.”</p>
|
||
<p>“Have no fear,” says the fairy; “Patsy’ll be here safe and sound at nightfall. If you stand friend to me this day the divil a friend you’ll ever need agin as long as you live!” With that the King up and tould him all the day’s happenin’s and misfortunes. Tom could hardly belave his eyes or his ears. He was so happy he begun in his mind making a ballad about himself and the King that minute.</p>
|
||
<p>“Ow!” says the King, bending his back and houlding his head, “whin I think of the ondacencies I wint true this day!”</p>
|
||
<p>“Your Majesty’ll go through no more,” says Tom. With that he went stumping away to call back the wife and childher.</p>
|
||
<p>In a few minutes the ruler of the nighttime was sitting on Mulligan’s table ating the last petatie and dhrinking the last sup of new milk that was in the house. The King dhrained the cup an’ smacked his lips. “Now sing us a ballad, Tom Mulligan, my lad,” says he, leaning back against the empty milk-crock and crossing his legs like a tailor. Ann Mulligan nodded approvin’ from where she sat, proud and contented on the bed, the childher smiled up from the mud floor. So Tom, who was a most maylodious man, just as his wife was a most harmonious woman, up and sang the ballad of Hugh Reynolds:</p>
|
||
<blockquote epub:type="z3998:song">
|
||
<p>
|
||
<span>“Me name is Hugh Reynolds, I came of dacint parents;</span>
|
||
<br/>
|
||
<span class="i1">I was born in County Cavin, as you may plainly see.</span>
|
||
<br/>
|
||
<span>Be lovin’ of a maid named Catherine McCabe,</span>
|
||
<br/>
|
||
<span class="i1">My love has been bethrayed, she’s a sore loss to me.”</span>
|
||
</p>
|
||
</blockquote>
|
||
<p>There’s most of the time thirty-two varses to that song, and Tom sang them all without skippin’ a word.</p>
|
||
<p>“Bate that, King Brian Connors,” he says at last. “I challenge you!”</p>
|
||
<p>Then King Brian trew back his head and, shutting his eyes, sung another ballad of forty-seven varses, which was Catherine McCabe’s answer to Hugh Reynolds, and which begins this away:</p>
|
||
<blockquote epub:type="z3998:song">
|
||
<p>
|
||
<span>“Come all ye purty fair maids wherever you may be,</span>
|
||
<br/>
|
||
<span>And if you’ll pay attention and listen unto me,</span>
|
||
<br/>
|
||
<span>I’ll tell of a desayver that you may beware of the same,</span>
|
||
<br/>
|
||
<span>He comes from the town of Drumscullen in the County Cavan,</span>
|
||
<br/>
|
||
<span class="i2">an’ Hugh Reynolds is his name.”</span>
|
||
</p>
|
||
</blockquote>
|
||
<p>One song brought out another finer than the first, until the whole family, childher and all, jined in singing “Willie Reilly and His Dear Colleen Bawn.”</p>
|
||
<p>’Twould make your heart young agin to hear them. At the ind of aich varse all the Mulligans’d stop quick to let the King wobble his woice alone. Dark-eyed Susan was standing scratching herself inside the closed door, plazed but wondherin’; so, with sweet songs and ould tales, the hours flew like minutes till at last the ballad-maker pushed back the table and tuned his fiddle, while the whole family—at laste all of them ould enough to stand—smiling, faced one another for a dance.</p>
|
||
<p>The King chose <abbr epub:type="z3998:name-title">Mrs.</abbr> Ann Mulligan for a partner.</p>
|
||
<p>The fiddle struck a note, the bare, nimble feet raised. “Rocky Roads to Dublin” was the tune.</p>
|
||
<blockquote epub:type="z3998:song">
|
||
<p>
|
||
<span>“Deedle, deedle, dee; deedle, deedle, diddle um.</span>
|
||
<br/>
|
||
<span>Deedle, deedle, dee, rocky roads to Dubalin.”</span>
|
||
</p>
|
||
</blockquote>
|
||
<p>The twinkling feet fell together. Smiles and laughter and jostling and jollity broke like a summer storm through the room. And singing and pattherin’ and jiggering, rose and swirled to the mad music, till suddenly—“knock, knock, knock!”—the blows of a whip-handle fell upon the door and every leg stopped stiff.</p>
|
||
<p>“Murther in Irish,” whispered little Mickey Mulligan, “ ’tis Father Scanlan himself that’s in it!”</p>
|
||
<p>Ochone mavrone! what a change from merrymaking and happiness to fright and scandalation was there! The Master of the Fairies, sure that Father Scanlan had the scent of him, tried to climb up on to the settle-bed, but was too wake from fear, so <abbr epub:type="z3998:name-title">Mrs.</abbr> Mulligan histed him and piled three childher on top of the King to hide him just as Father Scanlan pushed open the door.</p>
|
||
<p>The priest stood outside, houlding his horse with one hand and pintin’ his whip with the other.</p>
|
||
<p>“What are you hiding on that bed, you vagabone?” he says.</p>
|
||
<p>“Whist!” says Tom Mulligan, hobblin’ over and going outside, with the fiddle undher his arrum, “ ’tis little Patsy, the baby, and he ain’t dressed dacint enough for your riverence to see,” whuspered the villain.</p>
|
||
<p>“Tom Mulligan,” says the priest, shaking his whip, “you’re an idle, shiftless, thriftless man, and a cryin’ shame and a disgrace to my flock; if you had two legs I’d bate you within an inch of your life!” he says, lookin’ stern at the fiddler.</p>
|
||
<p>“Faith, and it’s sorry I am now for my other leg,” says Tom, “for it’s well I know that whin your riverence scolds and berates a man you only give him half a shilling or so, but if you bate him as well, your riverence sometimes empties your pockets to him.”</p>
|
||
<p>’Twas hard for the priest to keep an ill-natured face, so he smiled; but as he did, without knowing it, he let fly a shot that brought terror to the heart of the ballad-maker.</p>
|
||
<p>“God help me with you and the likes of you,” says the priest, thrying to look savare; “you keep me from morning till night robbing Pether to pay Paul. Barney Casey, the honest man, gives me a crown for baptising his child, and tin minutes afther I must give that same money to a blaggard!”</p>
|
||
<p>Well, whin Mulligan heard that his own little Patsy had been baptised agin at the instigation of that owdacious imposthure, Barney Casey, the ballad-maker’s neck swelled with rage. But worse was to come. Gulping a great lump down his throat he axed:</p>
|
||
<p>“What name did your riverence give the baby?”</p>
|
||
<p>There was a thremble in the poor man’s woice.</p>
|
||
<p>“Bonyface,” says the priest, his toe in the stirrup. “Today is the feast of <abbr>St.</abbr> Bonyface, a gr‑r‑reat bishop. He was a German man,” says Father Scanlan.</p>
|
||
<p>The groan Tom Mulligan let out of him was heart-rendering. “Bonyface! Oh, my poor little Patsy; bad scran to you, Barney Casey! My own child turned into a German man—oh, Bonyface!”</p>
|
||
<p>The priest was too busy mounting his horse to hear what the ballad-maker said, but just before starting the good man turned in his saddle.</p>
|
||
<p>“I came near forgetting my errant,” he says. “There’s a little ould man—dwarves they call the likes of thim—who has been lost from some thravelling show or carawan, or was stole by ould Peggy Collins this morning from some place—I don’t rightly know which. Sind the childher looking for him and use him kind. I’m going up the road spreading the news. Ignorant people might misthrate him,” says his riverence, moving off.</p>
|
||
<p>“You’ll find no ignorant person up this road,” called Tom, in a broken woice, “but Felix O’Shaughnessy, and he’s not so bad, only he don’t belave in ghosts,” cried Mulligan.</p>
|
||
<p>Even as the ballad-maker turned to go in the door the sun, shooting one red, angry look at the world, dhropped below the western mountains. The King jumped from the bed.</p>
|
||
<p>“The charms have come back to me. I feel in my four bones the power, for ’tis sunset. I’m a greater man now than any king on his trone,” says he. “Do you sind word to Barney and Judy Casey that if they don’t bring little Patsy and my green velvet cloak and the silver-topped noggin and stand ferninst me on this floor within half an hour, I’ll have the both of thim presners in Sleive-na-mon before midnight, to walk on all-fours the rest of their lives. As for you, my rayspected people,” he says, “a pleasanter afthernoon I seldom spint, and be ready to get your reward.”</p>
|
||
<p>With thim words he vanished. Their surprise at his disappearance was no sooner over than the Mulligans began hunting vessels in which to put the goold the fairy was going to give them.</p>
|
||
<p>Ann Mulligan was dragging in from outside an empty tub when shamefaced Judy Casey passed in, carrying little Patsy Mulligan. Behind her slunk Barney, her husband, houlding the green cloak and the silver-topped noggin.</p>
|
||
<p>“I had him for one day, Ann Mulligan,” says Judy, handing little Patsy to his mother, “and though it breaks my poor, withered heart to give him up, he’s yours by right, and here he is.”</p>
|
||
<p>Whilst she was speaking those words the ruler of the fairies sprung over the threshold and laid a white bundle on the table. The household crowded up close around.</p>
|
||
<p>Without a word the fairy dhrew the cover from the white bundle, an’ there, like a sweet, pink rose, lay sleepin’ on its white pillow the purtiest baby you ever set your two livin’ eyes on.</p>
|
||
<p>Judy gave a great gasp, for it was the identical child the fairies stole from her down in the County Mayo.</p>
|
||
<p>“You don’t desarve much from me,” says the King, “but because Ann Mulligan—fine woman—asked it, I’ll do you a favour. You may take back the baby or I’ll give you a hundhred pounds. Take your choice, Barney Casey.”</p>
|
||
<p>Barney stood a long time with bowed head, looking at the child and thinking hard. You can surely see what a saryous question he had. One’s own child is worth more than a hundred pounds, but other people’s childhren are plenty and full of failings. Mulligan’s family peered up into his face, and his wife Judy sarched him with hungry eyes. At last he said, very slow:</p>
|
||
<p>“My mind has changed,” says he. “Though people always tould me that childher were a throuble, a worry and a care, yesterday I’d give the County Clare for that little one. After this day’s work I know that sayin’s thrue, so I’ll take the hundhred pounds,” he says.</p>
|
||
<p>“Divil a fear of you takin’ the hundhred pounds!” snapped his wife, Judy, grabbing up the child. An’ thin the two women, turning on him, fell to abusin’ and ballyraggin’ the Man without Childher, till sorra bit of courage was left in his heart.</p>
|
||
<p>“I promised you yer choice, and they’ll lave you no choice,” says the King, looking vexed. “Well, here’s the hundhred pounds, and let Judy keep the child.”</p>
|
||
<p>Whin the fairy turned to the ballad-maker the hearts of all the Mulligans stopped still.</p>
|
||
<p>“Now, my grand fellow, me one-legged jaynious,” he says, “you’re goin’ to be disappinted. You think I’ll give you riches, but I won’t.” At that Tom’s jaw dhropped to his chist, and the littlest Mulligans began to cry.</p>
|
||
<p>“I’ll not make you rich bekase you’re a born ballad-maker, and a weaver of fine tales, and a jaynious—if you make a jaynious rich you take all the songs out of him and you spile him. A man’s heart-sthrings must be often stretched almost to the breaking to get good music from him. I’ll not spile you, Tom Mulligan.</p>
|
||
<p>“Besides,” he says, “as you are a natural-born ballad-maker, you’d kill yourself the first year thryin’ to spind all your money at wanst. But I’ll do betther for you than to make you rich. Ann Mulligan, do you clear the table an’ put my silver-topped noggin on the edge of it,” says he.</p>
|
||
<p>When Ann Mulligan did as she was bid the King put the green cloak on his chowlders and, raising his hand, pointed to the silver-covered noggin. Everyone grew still and frightened.</p>
|
||
<p>“Noggin, noggin, where’s your manners?” he says, very solemn.</p>
|
||
<p>At the last word the silver lid flew open, and out of the cup hopped two little men dhressed all in black, dhragging something afther them that began to grow and grow amazing. So quickly did they work, and so swiftly did this thing they brought twirl and change and turn into different articles that the people hadn’t time to mark what form it was at first, only they saw grow before their astonished eyes tay-cups and dishes and great bowls, an’ things like that.</p>
|
||
<p>In a minute the table was laid with a white cloth like the quality have, and chiny dishes and knives and forks.</p>
|
||
<p>“Noggin, noggin, where’s your manners?” says the King again. The little men dhragged from the noggin other things that grew into a roast of mutton and biled turnips, and white bread an’ butther, and petaties, and pots of tay.</p>
|
||
<p>“Noggin, noggin, where’s your manners?” says the King, for the last time.</p>
|
||
<p>At that the little black men, afther puttin’ a silver shillin’ beside every plate at the table, jumped into the noggin an’ pulled down its lid.</p>
|
||
<p>Whin the ating and drinking and jollity were at their hoight the King arose, drew tight his crown on his head, and pointing once more to the silver-covered noggin, said:</p>
|
||
<p>“This is my gift to you and your reward, Tom Mulligan, maker of ballads and journeyman worker in fine tales. ’Tis more than your wish was. Nayther you nor anyone who sits at your table, through all your life, will ever want a bite to ate or a sup to dhrink, nor yet a silver shilling to cheer him on his way. Good luck to all here and goodbye!” Even as they looked at the King he was gone, vanished like a light that’s blown out—and they never saw him more.</p>
|
||
<p>But the news spread. Musicianers, poets, and storytellers, and jayniouses flocked to the ballad-maker’s cabin from all over Ireland. Any fine day in the year one might see them gather in a dozen knots before his door and into as many little crowds about the stable. In each crowd, from morning till night, there was a chune being played, a ballad sung, or a story being tould. Always one could find there blacksmiths, schoolmasters, and tinkers, and all trades, but the greater number be far, av coorse, were beggarmen.</p>
|
||
<p>Nor is that same to be wondhered at, bekase every jaynious, if he had his own way and could folly his own heart’s desire’d start tomorrow at daybreak with the beggarman’s staff and bag.</p>
|
||
<p>But wherever they came from, and whatever their station, Tom Mulligan stumped on his wooden leg from crowd to crowd, the jovial, happy master of them all.</p>
|
||
</section>
|
||
</article>
|
||
<article id="the-banshees-comb" epub:type="se:novella bodymatter z3998:fiction">
|
||
<h2 epub:type="title">The Banshee’s Comb</h2>
|
||
<section id="the-diplomacy-of-bridget" epub:type="chapter">
|
||
<hgroup>
|
||
<h3 epub:type="ordinal z3998:roman">I</h3>
|
||
<p epub:type="title">The Diplomacy of Bridget</p>
|
||
</hgroup>
|
||
<section id="the-diplomacy-of-bridget-1" epub:type="z3998:subchapter">
|
||
<h4 epub:type="ordinal z3998:roman">I</h4>
|
||
<p>’Twas the mendin’ of clothes that All Sowls’ afthernoon in Elizabeth Ann Egan’s kitchen that naturally brought up the subject of husbands an’ the best ways to manage them. An’ if there’s one thing more than another that makes me take me hat off to the women, ’tis the owdacious way the most downthrodden of their sex will brag about her blaggard husband.</p>
|
||
<p>Not that ayther one or the other of the foive busy-tongued and busy-fingered neighbour women who bint above their sewing or knitting that afthernoon were downthrodden; be no manner of manes; far, far from it. They were so filled with matrimonial contintedness that they fairly thrampled down one another to be first in praising the wondherful men of their choice. Every woman proudly claimed to own an’ conthrol the handsomest, loikeliest man that ever throd in brogues.</p>
|
||
<p>They talked so fast an’ they talked so loud that ’twas a thryin’ long while before meek-woiced little Margit Doyle could squeege her husband, Dan’l John, sideways into the argyment. An’ even when she did get him to the fore, the other women had appropryated all the hayroic qualifications for their own men, so that there was nothing left for Dan’l but the common lavings; an’ that dayprivation nettled Margit an’ vexed her sore. But she took her chanst when it came, poor as it was, an’ boulted in.</p>
|
||
<p>Jabbing the air as though her needle were a dagger, she broke into the discoorse.</p>
|
||
<p>“I wouldn’t thrade my Dan for the King of Rooshia or the Imperor of Chiney,” says she, peering dayfiant around the room. No one sided with that raymark, an’ no one argyed agin it, an’ this vexed her the more.</p>
|
||
<p>“The Kingdom of Chiney is where the most supharior tay comes from,” says Caycelia Crow. She was a large, solemn woman, was Misthress Crow, an a gr‑r‑reat histhorian.</p>
|
||
<p>“No,” says Margit, scorning the intherruption, “not if the two men were rowled into one,” says she.</p>
|
||
<p>“Why,” says Caycelia Crow, an’ her deep woice tolled like a passing bell—“why,” says she, “should any dacint woman be wantin’ to marry one of thim haythen Imperors? Sure they’re all ambiguious,” she says, looking around proud of the grand worrud.</p>
|
||
<p>Elizabeth Ann sthopped the spinning-wheel the betther to listen, while the others turned bothered faces to the histhorian.</p>
|
||
<p>“Ambiguious,” says Misthress Crow, raisin’ her woice in the middle part of the worrud; “ambiguious,” she says again, “manes that accordin’ to the laygal laws of some furrin parts, a man may marry four or five wives if he has a mind to.”</p>
|
||
<p>At this Margit bristled up like a bantam-hin.</p>
|
||
<p>“Do you mane to say, Caycelia Crow,” says she, dhroppin’ in her lap the weskit she was mendin’, “do you intind to substantiate that I’m wishin’ to marry the Imperor of Chiney, or,” she says, her woice growin’ high an’ cutting as an east wind, “do you wish to inferentiate that if my Dan’l had the lave he’d be ambiguious? Will you plaze tell these friends an’ neighbours,” she says, wavin’ a hand, “which of the two of us you was minded to insinuate against?”</p>
|
||
<p>The attackt was so sudden an’ so unexpected that Misthress Crow was too bewildhered to dayfind herself. The poor woman only sat starin’ stupid at Margit.</p>
|
||
<p>The others sunk back in their chairs spacheless with consternaytion till Mollie Scanlan, wishin’ to pacificate the sitiwation, an’ winkin’ friendly at Caycelia, spoke up sootherin’.</p>
|
||
<p>“Thrue for ye, Margit Doyle,” says she. “What kind of talk is that for ye to be talkin’, Caycelia?” says she. “Sure if Dan’l John were to be med the Imperor of Chiney tomorrow he’d hesitate an’ dayliberate a long time before bringin’ in one of them ambiguious women to you an’ the childher. I’d like to see him thry it. It’ud be a sore an’ a sorrowful day for him, I’m thinkin’.”</p>
|
||
<p>At thim worruds, Margit, in her mind’s eye, saw Dan’l John standin’ ferninst her with an ambiguious haythen woman on aich side of him, an’ the picture riled the blood in her heart.</p>
|
||
<p>“Oh, ho!” says she, turning on poor, shrinkin’ Mollie with a smile, an’ that same smile had loaded guns an’ pistols in it. “An’ will you plaze be so kind an’ condesinden’, Misthress Scanlan,” says she, “to explain what you ever saw or heerd tell of in my Dan’l John’s actions, that’ud make you think he’d contimplate such schoundrel endayvours,” says she, thrimblin’.</p>
|
||
<p>The only answer to the question was from the tay-kettle. It was singin’ high an’ impident on the hob.</p>
|
||
<p>Now, Bridget O’Gill, knowin’ woman that she was, had wisely kept out of the discoorse. She sat apart, calmly knittin’ one of Darby’s winther stockings. As she listened, howsumever, she couldn’t keep back a sly smile that lifted one corner of her mouth.</p>
|
||
<p>“Isn’t it a poor an’ a pittiful case,” said Misthress Doyle, glaring savage from one to the other, “that a dacint man, the father of noine childher, eight of them livin’, an’ one gone for a sojer—isn’t it a burnin’ shame,” she says, whumperin’, “that such a daycint man must have his char-ack-ther thrajuiced before his own wife—Will you be so good as to tell me what you’re laughing at, Bridget O’Gill, ma’am?” she blazed.</p>
|
||
<p>Bridget, flutthering guilty, thried to hide the misfortunate smile, but ’twas too late.</p>
|
||
<p>“Bekase, if it is my husband you’re mocking at,” says Margit, “let me tell you, fair an’ plain, his ayquils don’t live in the County of Tipperary, let alone this parish! ’Tis thrue,” she says, tossin’ her head, “he hasn’t spint six months with the Good People—he knows nothin’ of the fairies—but he has more sinse than those that have. At any rate, he isn’t afeard of ghosts like a knowledgeable man that I could mintion.”</p>
|
||
<p>That last thrust touched a sore spot in the heart of Bridget. Although Darby O’Gill would fight a dozen livin’ men, if needful, ’twas well known he had an unraysonable fear of ghosts. So, Bridget said never a worrud, but her brown eyes began to sparkle, an’ her red lips were dhrawn up to the size of a button.</p>
|
||
<p>Margit saw how hard she’d hit, an’ she wint on thriumphant.</p>
|
||
<p>“My Dan’l John’ud sleep in a churchyard. He’s done it,” says she, crowin’.</p>
|
||
<p>Bridget could hould in no longer. “I’d be sore an’ sorry,” she says, “if a husband of mine were druv to do such a thing as that for the sake of a little pace and quiet,” says she, turnin’ her chowlder.</p>
|
||
<p>Tare an’ ’ounds, but that was the sthroke! “The Lord bless us!” mutthered Mollie Scanlan. Margit’s mind wint up in the air an’ stayed there whirlin’, whilst she herself sat gasping an’ panting for a rayply. ’Twas a thrilling, suspenseful minute.</p>
|
||
<p>The chiney shepherd and shepherdess on the mantel sthopped ogling their eyes an’ looked shocked at aich other; at the same time Bob, the linnet, in his wooden cage at the door, quit his singin’ an’ cocked his head the betther to listen; the surprised tay-kettle gave a gasp an’ a gurgle, an’ splutthered over the fire. In the turrible silence Elizabeth Egan got up to wet the tay. Settin’ the taypot in the fender she spoke, an’ she spoke raysentful.</p>
|
||
<p>“Any sinsible man is afeard of ghosts,” says she.</p>
|
||
<p>“Oh, indade,” says Margit, ketching her breath. “Is that so? Well, sinsible or onsinsible,” says she, “this will be Halloween, an’ there’s not a man in the parish who would walk past the churchyard up to Cormac McCarthy’s house, where the Banshee keened last night, except my Dan’l!” says she, thriumphant.</p>
|
||
<p>The hurt pride in Bridget rose at that an’ forced from her angry lips a foolish promise.</p>
|
||
<p>“Huh! we hear ducks talkin’,” she says, coolly rowling up Darby’s stocking, an’ sticking the needle in the ball of yarn. “This afthernoon I was at Cormac McCarthy’s,” she says, “an’ there wasn’t a bit of tay in the house for poor Eileen, so I promised Cormac I’d send him up a handful. Now, be the same token, I promise you my Darby will make no bones of going on that errant this night.”</p>
|
||
<p>“Ho! ho! ho!” laughed Margit. “If he has the courage to do it bid him sthop in to me on his way back, an’ I’ll send to you a fine settin’ of eggs from my black Spanish hin.”</p>
|
||
<p>What sharp worrud Misthress O’Gill would have flung back in answer no one knows, bekase whin once purvoked she has few ayquils for sarcastic langwidge, but just then Elizabeth Ann put in Bridget’s hand a steaming cup of good, sthrong tay. Now, whusky, ale, an’ porther are all good enough in their places, yer honour—I’ve nothing to intimidate aginst them—but for a comforting, soothering, edayfing buverage give me a cup of foine black tay. So this day the cups were filled only the second time, when the subject of husbands was complately dhropped, an’ the conwersation wandhered to the misdajmeanours of Anthony Sullivan’s goat.</p>
|
||
<p>All this time the women had been so busy with their talkin’ an’ argyfyin’ that the creeping darkness of a coming storm had stolen unnoticed into the room, making the fire glow brighter and redder on the hearth. A faint flare of lightning, follyed be a low grumble of thunder, brought the women to their feet.</p>
|
||
<p>“Marcy on us!” says Caycelia Crow, glad of an excuse to be gone, “do you hear that? We’ll all be dhrownded before we raich home,” says she.</p>
|
||
<p>In a minute the wisitors, afther dhraining their cups, were out in the road, aich hurryin’ on her separate way, an’ tying her bonnet-sthrings as she wint.</p>
|
||
<p>’Twas a heavy an’ a guilty heart that Bridget carried home with her through the gathering storm. Although Darby was a nuntimate friend of the fairies, yet, as Margit Doyle said, he had such a black dhread of all other kinds of ghosts that to get him out on this threatening Halloween night, to walk past the churchyard, as he must do on his way to Cormac McCarthy’s cottage, was a job ayquil to liftin’ the Shannon bridge. How she was to manage it she couldn’t for the life of her tell; but if the errant was left undone she would be the laughin’-stock of every woman in the parish.</p>
|
||
<p>But worst of all, an’ what cut her heart the sorest, was that she had turned an act of neighbourly kindness into a wainglorious boast; an’ that, she doubted not, was a mortal sin.</p>
|
||
<p>She had promised Cormac in the afthernoon that as soon as she got home she would send Darby over with some tay for poor little Eileen, an’ now a big storm was gathering, an’ before she could have supper ready, thry as hard as she could, black night might be upon them.</p>
|
||
<p>“To bring aise to the dying is the comfortingist privilege a man or woman can have, an’ I’ve thraded it for a miserable settin’ of eggs,” she says. “Amn’t I the unfortunit crachure,” she thought, “to have let me pride rune me this away. What’ll I do at all at all?” she cried. “Bad luck to the thought that took me out of me way to Elizabeth Egan’s house!”</p>
|
||
<p>Then she med a wish that she might be able to get home in time to send Darby on his errant before the night came on. “If they laugh at me, that’ll be my punishment, an’ maybe it’ll clane my sin,” says she.</p>
|
||
<p>But the wish was in wain. For just as she crossed the stile to her own field the sun dhropped behind the hills as though he had been shot, an’ the east wind swept up, carrying with it a sky full of black clouds an’ rain.</p>
|
||
</section>
|
||
<section id="the-diplomacy-of-bridget-2" epub:type="z3998:subchapter">
|
||
<h4 epub:type="ordinal z3998:roman">II</h4>
|
||
<p>That same All Sowls’ night Darby O’Gill, the friend of the fairies, sat, as he had often sat before, amidst the dancin’ shadows, ferninst his own crackling turf and wood fire, listening to the storm beat against his cottage windows. Little Mickey, his six-year-ould, cuddled asleep on his daddy’s lap, whilst Bridget sat beside thim, the other childher cruedled around her. My, oh my, how the rain powered and hammered an’ swirled!</p>
|
||
<p>Out in the highway the big dhrops smashed agin wayfarers’ faces like blows from a fist, and once in a while, over the flooded moors and the far row of lonesome hills, the sullen lightning spurted red and angry, like the wicious flare of a wolcano.</p>
|
||
<p>You may well say ’twas perfect weather for Halloween—tonight whin the spirits of the dayparted dead visit once again their homes, and sit unseen, listening an’ yearnin’ about the ould hearthstones.</p>
|
||
<p>More than once that avenin’ Darby’d shivered and shuddered at the wild shrieks and wails that swept over the chimney-tops; he bein’ sartin sure that it wasn’t the wind at all, but despairing woices that cried out to him from the could lips of the dead.</p>
|
||
<p>At last, afther one purticular doleful cry that rose and fell and lingered around the roof, the knowledgeable man raised his head and fetched a deep breath, and said to his wife Bridget:</p>
|
||
<p>“Do you hear that cry, avourneen? The dear Lord be marciful to the souls of the dayparted!” sighed he.</p>
|
||
<p>Bridget turned a throubled face toward him. “Amen,” she says, speakin’ softly; “and may He presarve them who are dying this night. Poor Eileen McCarthy—an’ she the purty, light-footed colleen only married the few months! Haven’t we the raysons to be thankul and grateful. We can never pray enough, Darby,” says she.</p>
|
||
<p>Now the family had just got off their knees from night prayers, that had lasted half an hour, so thim last worruds worried Darby greatly.</p>
|
||
<p>“That woman,” he says to himself, mighty sour, “is this minute contimplaytin’ an’ insinuatin’ that we haven’t said prayers enough for Eileen, when as it is, me two poor knees have blisters on thim as big as hin’s eggs from kneelin’. An’ if I don’t look out,” he says to himself again, “she’ll put the childher to bed and then she’s down on her knees for another hour, and me wid her; I’d never advise anyone to marry such a pious woman. I’m fairly kilt with rayligion, so I am. I must disthract her mind an’ prevent her intintions,” he says to himself.</p>
|
||
<p>“Maybe, Bridget,” he says, out loud, as he was readying his pipe, “it ain’t so bad afther all for Eileen. If we keep hoping for the best, we’ll chate the worst out of a few good hours at any rate,” says the knowledgeable man.</p>
|
||
<p>But Bridget only rowled the apron about her folded arms and shook her head sorrowful at the fire. Darby squinted carefully down the stem of his pipe, blew in it, took a sly glance at his wife, and wint on:</p>
|
||
<p>“Don’t you raymember, Bridget,” he says, “whin ould <abbr epub:type="z3998:name-title">Mrs.</abbr> Rafferty lay sick of a bad informaytion of the stomick; well, the banshee sat for a full hour keening an’ cryin’ before their house—just as it did last night outside Cormac McCarthy’s. An’ you know the banshee cried but once at Rafferty’s, but never rayturned the second time. The informaytion left Julia, and all the wide worruld knows, even the King of Spain might know if he’d send to ax, that Julia Rafferty, as strong as a horse, was diggin’ petaties in her own field as late as yesterday.”</p>
|
||
<p>“The banshee comes three nights before anyone dies, doesn’t it, daddy?” says little Mickey, waking up, all excited.</p>
|
||
<p>“It does that,” says Darby, smilin’ proud at the child’s knowledgeableness; “and it’s come but once to Eileen McCarthy.”</p>
|
||
<p>“An’ while the banshee cries, she sits combing her hair with a comb of goold, don’t she, daddy?”</p>
|
||
<p>Bridget sat onaisy, bitin’ her lips. Always an’ ever she had sthrove to keep from the childher tidings of fairies and of banshees an’ ghosts an’ other onnatural people. Twice she trun a warning look at Darby, but he, not noticin’, wint on, strokin’ the little lad’s hair, an’ sayin’ to him:</p>
|
||
<p>“It does, indade, avick; an’ as she came but once to <abbr epub:type="z3998:name-title">Mrs.</abbr> Rafferty’s, so we have rayson to hope she’ll come no more to Cormac McCarthy’s.”</p>
|
||
<p>“Hush that nonsinse!” says Bridget, lookin’ daggers; “sure Jack Doolan says that ’twas no banshee at all that come to Rafferty’s, but only himself who had taken a drop too much at the fair, an’ on his way home sat down to rest himself by Rafferty’s door. He says that he stharted singin’ pious hymns to kape off the evil spirits, and everyone knows that the same Jack Doolan has as turrible a woice for singin’ as any banshee that ever twishted a lip,” she says.</p>
|
||
<p>The woman’s conthrayriness vexed Darby so he pounded his knee with his fist as he answered her: “You’ll not deny, maybe,” he says, “that the Costa Bower sthopped one night at the Hall, and—”</p>
|
||
<p>“Whist!” cried Bridget; “lave off,” she says; “sure that’s no kind of talk to be talkin’ this night before the childher,” says she.</p>
|
||
<p>“But mammy, I know what the Costa Bower is,” cried little Mickey, sitting up straight in Darby’s lap an’ pinting his finger at his mother; “ ’tis I that knows well. The Costa Bower is a gr‑r‑reat black coach that comes in the night to carry down to Croagmah the dead people the banshee keened for.”</p>
|
||
<p>The other childher by now were sitting boult upright, stiff as ramrods, and staring wild-eyed at Mickey.</p>
|
||
<p>“The coachman’s head is cut off an’ he houlds the reins this away,” says the child, lettin’ his hands fall limp an’ open at his side. “Sometimes it’s all wisable, an’ then agin it’s unwisable, but always whin it comes one can hear the turrible rumble of its wheels.” Mickey’s woice fell and, spreading out his hands, he spoke slow an’ solemn. “One Halloween night in the woods down at the black pond, Danny Hogan heard it coming an’ he jumped behind a stone. The threes couldn’t sthop it, they wint right through it, an’ as it passed Danny Hogan says he saw one white, dead face laned back agin the dark cushions, an’ this is the night—All Sowls’ night—whin it’s sure to be out; now don’t I know?” he says, thriumphant.</p>
|
||
<p>At that Bridget started to her feet. For a minute she stood spacheless with vexation at the wild, frighting notions that had got into the heads of her childher; then “Glory be!” she says, looking hard at Darby. You could have heard a pin dhrop in the room. Ould Malachi, the big yellow cat, who until this time lay coiled asleep on a stool, was the best judge of Bridget’s charack-ter in that house. So, no sooner did he hear the worruds an’ see Bridget start up, than he was on his own four feet, his back arched, his tail straight up, an’ his two goolden eyes searchin’ her face. One look was enough for him. The next instant he lept to the ground an’ started for the far room. As he scampered through the door, he trew a swift look back at his comerades, the childher, an’ that look said plain as any worruds could say:</p>
|
||
<p>“Run for it while you’ve time! Folly me; some one of us vagebones has done something murtherin’!”</p>
|
||
<p>Malachi was right; there would have been sayrious throuble for all hands, only that a softening thought was on Bridget that night which sobered her temper. She stopped a bit, the frown on her face clearing as she looked at the childher, an’ she only said: “Come out of this! To bed with yez! I’m raising a pack of owdacious young romancers, an’ I didn’t know it. Mickey sthop that whimpering an’ make haste with your clothes. The Lord help us, he’s broke off another button. Look at that, now!” she says.</p>
|
||
<p>There was no help for thim. So, with longin’ looks trun back at their father, sittin’ cosy before the fire, an’ with consolin’ winks an’ nods from him, the childher followed their mother to the bedroom.</p>
|
||
<p>Thin, whilst Bridget was tucking the covers about them, an’ hushing their complainings, Darby sat with his elbows on his knees, doing in his head a sum in figures; an’ that sum was this:</p>
|
||
<p>“How much would it be worth this All Sowls’ night for a man to go out that door and walk past the churchyard up to Cormac McCarthy, the stonecutter’s house?” One time he made the answer as low as tin pounds two shillings and thruppence, but as he did so a purticular loud blast went shrieking past outside, an’ he raised the answer to one thousand five hundred an’ tunty pounds sterling. “And cheap at that,” he said aloud.</p>
|
||
<p>While he was studyin’ thim saygacious questions, Bridget stole quietly behind and put a light hand on his chowlder. For a minute, thin, nayther of thim said a worrud.</p>
|
||
<p>Surprised at the silence, an’ puzzled that little Mickey had escaped a larruping, Malachi crept from the far room an’ stood still in the doorway judging his misthress. An’ expression was on her face the cat couldn’t quite make out. ’Twas an elevayted, pitying, good-hearted, daytermined look, such as a man wears when he goes into the sty to kill one of his own pigs for Christmas.</p>
|
||
<p>Malachi, being a wise an’ expayieranced baste, daycided to take no chances, so he backed through the door again an’ hid undher the dhresser to listen.</p>
|
||
<p>“I was just thinking, Darby avourneen,” says the woman, half whuspering, “how we might this blessed night earn great credit for our two sowls.”</p>
|
||
<p>“Wait!” says the sly man, straightening himself, an’ raising a hand. “The very thing you’re going to spake was in my own mind. I was just dayliberatin’ that I hadn’t done justice tonight to poor Eileen. I haven’t said me prayers farvint enough. I niver can whin we’re praying together, or whin I’m kneeling down. Thin, like every way else, there’s something quare about me. The foinest prayers I ever say is whin I’m be myself alone in the fields,” says the conniving villyan. “So, do you, Bridget, go in an’ kneel down by the childher for a half hour or so, an’ I’ll sit here doing my best. If you should happen to look out at me ye might aisily think,” he says, “that I was only sittin’ here comfortably smoking my pipe, but at the same time prayers’ll be whirlin’ inside of me like a windmill,” says he.</p>
|
||
<p>“Oh, thin, ain’t I glad an’ happy to hear you say thim worruds,” says his wife, puttin’ one foine arrum about his neck; “you’ve taken a load off my heart that’s been weighing heavy on it all night, for I thought maybe you’d be afeard.”</p>
|
||
<p>“Afeard of what?” axed Darby, liftin’ his eyebrows. Malachi throtted bouldly in an’ jumped up on the stool.</p>
|
||
<p>“You know Father Cassidy says,” whuspered Bridget, “that a loving deed of the hands done for the disthressed is itself a prayer worth a week of common prayers.”</p>
|
||
<p>“I have nothin’ agin that sayin’,” says Darby, his head cocked, an’ he growin’ suspicious.</p>
|
||
<p>Bridget wiped her forehead with her apron. “Well, this afthernoon I was at McCarthy’s house,” she wint on, soothering his hair with one hand, “an’, oh, but the poor child was disthressed! Her cheeks were flaming with the faver. An’, Darby, the thirst, the awful thirst! I looked about for a pinch of tay—there’s nothing so coolin’ for one in the faver as a cup of wake tay—an’ the sorra scrap of it was in the house, so I tould Cormac that tonight, as soon as the childher were in bed, I’d send you over with a pinch.”</p>
|
||
<p>Every one of Darby’s four bones stiffened an’ a mortial chill sthruck into his heart.</p>
|
||
<p>“Listen, darlint,” she says, “the storm’s dying down, so while you’re putting on your greatcoat I’ll wrap up the bit of tay.” He shook her hand from his chowldhers.</p>
|
||
<p>“Woman,” he says, with bitther politeness, “I think you said that we had a great chanst to get credit for our two sowls. That’s what I think you raymarked and stibulated,” says he.</p>
|
||
<p>“Arrah, shouldn’t a woman have great praise an’ credit who’ll send her husband out on such a night as this,” his wife says. “The worse the con‑ditions, the more credit she’ll get. If a ghost were to jump at ye as you go past the churchyard, oughtn’t I be the happy woman entirely?” says Bridget.</p>
|
||
<p>There was a kind of a tinkle in her woice, such as comes when Bridget is telling jokes, so Darby, with a sudden hope in his mind, turned quick to look at her. But there she stood grim, unfeeling, an’ daytermined as a pinted gun.</p>
|
||
<p>“Oh, ho! is that the way it is?” he says. “Well, here’s luck an’ good fortune to the ghost or skellington that lays his hand on me this blessed night!” He stuck his two hands deep in his pockets and whirled one leg across the other—the most aggrawating thing a man can do. But Bridget was not the laste discouraged; she only made up her mind to come at him on his soft side, so she spoke up an’ said:</p>
|
||
<p>“Suppose I was dying of the faver, Darby O’Gill, an’ Cormac rayfused to bring over a pinch of tay to me. What, then, would ye think of the stonecutter?”</p>
|
||
<p>Malachi, the cat, stopped licking his paws, an’ trun a sharp, inquiring eye at his master.</p>
|
||
<p>“Bridget,” says the knowledgeable man, giving his hand an argifying wave. “We have two separate ways of being good. Your way is to scurry round an’ do good acts. My way is to keep from doing bad ones. An’ who knows,” he says, with a pious sigh, “which way is the betther one. It isn’t for us to judge,” says he, shakin’ his head solemn at the fire.</p>
|
||
<p>Bridget walked out in front of him an’ fowlded her arms tight.</p>
|
||
<p>“So you won’t go,” she says, sharp an’ suddin’.</p>
|
||
<p>“The divil a foot!” says he, beginnin’ to whustle.</p>
|
||
<p>You’d think, now, Bridget was bate, but she still hildt her trump card, an’ until that was played an’ lost the lad wasn’t safe. “All right, me brave hayro,” says she; “do you sit there be the fire; I’ll go meself,” she says. With that she bounced into the childher’s room an’ began to get ready her cloak an’ hood.</p>
|
||
<p>For a minute Darby sat pokin’ the fire, muttherin’ to himself an’ feeling very discommodious. Thin, just to show he wasn’t the laste bit onaisy, the lad cleared his throat, and waggin’ his head at the fire, began to sing:</p>
|
||
<blockquote epub:type="z3998:song">
|
||
<p>
|
||
<span>“Yarra! as I walked out one mor‑r‑nin’ all in the month of June</span>
|
||
<br/>
|
||
<span>The primrosies and daisies o’ cowslips were in bloom,</span>
|
||
<br/>
|
||
<span>I spied a purty fair maid a-sthrollin’ on the lea,</span>
|
||
<br/>
|
||
<span>An’ Rory Bory Alice, nor any other ould ancient haythan goddess</span>
|
||
<br/>
|
||
<span class="i2">was not half so fair as she.</span>
|
||
<br/>
|
||
<span>Says I, ‘Me purty fair maid, I’ll take you for me bride.</span>
|
||
<br/>
|
||
<span>An’ if you’ll pay no at-<strong>tin</strong>-tion—’ ”</span>
|
||
</p>
|
||
</blockquote>
|
||
<p>Glancing up sudden, he saw Malachi’s eye on him, and if ever the faytures of a cat spoke silent but plain langwidge Malachi’s face talked that minute to its master, and this is what it said:</p>
|
||
<p>“Well, of all the cowardly, creaking bostheens I ever see in all me born days you are the worst, Darby O’Gill. You’ve not only guve impidence to your wife—an’ she’s worth four of you—but you’ve gone back on the friends you purtended to—”</p>
|
||
<p>Malachi’s faytures got no further in their insultin’ raymarks, for at that Darby swooped up a big sod of turf an’ let it fly at the owdacious baste.</p>
|
||
<p>Now it is well known that be a spontaneous trow like that no one ever yet hit a sinsible cat, but always an’ ever in that unlucky endayvour he strikes a damaginger blow where it’s not intinded. So it was this time.</p>
|
||
<p>Bridget, wearing her red cloak an’ hood, was just coming through the door, an’ that misfortunate sod of turf caught her fair an’ square, right below the chist, an’ she staggered back agin the wall.</p>
|
||
<p>Darby’s consthernaytion an’ complycation an’ turpitaytion were beyant imaginaytion.</p>
|
||
<p>Bridget laned there gasping. If she felt as bad as she looked, four Dublint surgunts with their saws an’ knives couldn’t have done her a ha-porth of good. Howsumever, for all that, the sly woman had seen Malachi dodge an’ go gallopin’ away, but she purtendid to think ’twas at herself the turf was trun. Not that she scolded, or anything so common as that, but she went on like an early Christian marthyer who was just goin’ to be inthrojuiced to the roaring loins.</p>
|
||
<p>Well, as you may aisy see, the poor man, her husband, hadn’t a chanst in the worruld afther that. Of course, to rightify himself, he’d face all the ghosts in Croaghmah. So, in a minute, he was standing in his greatcoat with his hand on the latch. There was a packet of tay in his pocket, an’ he was a subdued an’ conquered man.</p>
|
||
<p>He looked so woeful that Bridget raypented an’ almost raylinted.</p>
|
||
<p>“Raymember,” he says, mournful, “if I’m caught this night be the Costa Bower, or be the banshee, take good care of the childher, an’ raymember what I say—I didn’t mane, Bridget, to hit ye with that sod of turf.”</p>
|
||
<p>“Oh, ain’t ye the foolish darlin’ to be afeared,” smiled Bridget back at him, but she was sayrious, too. “Don’t you know that when one goes on an errant of marcy a score of God’s white angels with swoords in their hands march before an’ beside an’ afther him, keeping his path free from danger?” With that she pulled his face down to hers, an’ kissed him as she used in the ould courtin’ days.</p>
|
||
<p>There’s nothing puts so much high courage an’ clear, steadfast purpose in a man’s heart, if it be properly given, as a kiss from the woman he loves. So, with the warmth of that kiss to cheer him, Darby set his face agin the storm.</p>
|
||
</section>
|
||
</section>
|
||
<section id="the-banshees-halloween" epub:type="chapter">
|
||
<hgroup>
|
||
<h3 epub:type="ordinal z3998:roman">II</h3>
|
||
<p epub:type="title">The Banshee’s Halloween</p>
|
||
</hgroup>
|
||
<section id="the-banshees-halloween-1" epub:type="z3998:subchapter">
|
||
<h4 epub:type="ordinal z3998:roman">I</h4>
|
||
<p>Halloween night, to all unhappy ghosts, is about the same as <abbr>St.</abbr> Patrick’s Day is to you or to me—’tis a great holiday in every churchyard. An’ no one knew this betther or felt it keener than did Darby O’Gill, that same Halloween night, as he stood on his own doorstep with the paper of black tay for Eileen McCarthy safely stowed away in the crown of his top-hat.</p>
|
||
<p>No one in that barony was quicker than he at an act of neighbourly kindness, but now, as he huddled himself together in the shelter of his own eaves, and thought of the dangers before, an’ of the cheerful fire an’ comfortable bed he was leaving behint, black raybellion rushed shouting across his heart.</p>
|
||
<p>“Oh, my, oh, my, what a perishin’ night to turn a man out into!” he says. “It’d be half a comfort to know I was goin’ to be kilt before I got back, just as a warnin’ to Bridget,” says he.</p>
|
||
<p>The misthrayted lad turned a sour eye on the chumultuous weather, an’ groaned deep as he pulled closer about his chowldhers the cape of his greatcoat an’ plunged into the daysarted an’ flooded roadway.</p>
|
||
<p>Howsumever, ’twas not the pelting rain, nor the lashing wind, nor yet the pitchy darkness that bothered the heart out of him as he wint splashin’ an’ stumbling along the road. A thought of something more raylentless than the storm, more mystarious than the night’s blackness put pounds of lead into the lad’s unwilling brogues; for somewhere in the shrouding darkness that covered McCarthy’s house the banshee was waiting this minute, purhaps, ready to jump out at him as soon as he came near her.</p>
|
||
<p>And, oh, if the banshee nabbed him there, what in the worruld would the poor lad do to save himself?</p>
|
||
<p>At the raylisation of this sitiwation, the gooseflesh crept up his back an’ settled on his neck an’ chowldhers. He began to cast about in his mind for a bit of cheer or a scrap of comfort, as a man in such sarcumstances will do. So, grumblin’ an’ sore-hearted, he turned over Bridget’s parting words. “If one goes on an errant of marcy,” Bridget had said, “a score of God’s white angels with swoords in their hands march before an’ beside an’ afther him, keeping his path free from danger.”</p>
|
||
<p>He felt anxious in his hat for the bit of charitable tay he was bringin’, and was glad to find it there safe an’ dhry enough, though the rest of him was drenched through an’ through.</p>
|
||
<p>“Isn’t this an act of charity I’m doin’, to be bringin’ a cooling drink to a dyin’ woman?” he axed himself aloud. “To be sure it is. Well, then, what rayson have I to be afeared?” says he, pokin’ his two hands into his pockets. “Arrah, it’s aisy enough to bolsther up one’s heart with wise sayin’ an’ hayroic praycepts when sitting comodious by one’s own fire; but talkin’ wise words to one’s self is mighty poor comfort when you’re on the lonely high road of a Halloween night, with a churchyard waitin’ for ye on the top of the hill not two hundred yards away. If there was only one star to break through the thick sky an’ shine for him, if there was but one friendly cow to low or a distant cock to break the teeming silence, ’twould put some heart into the man. But not a sound was there only the swish and wailing of the wind through the inwisible hedges.</p>
|
||
<p>“What’s the matther with the whole worruld? Where is it wanished to?” says Darby. “If a ghost were to jump at me from the churchyard wall, where would I look for help? To run is no use,” he says, “an’ to face it is—”</p>
|
||
<p>Just then the current of his misdoubtings ran whack up against a sayin’ of ould Peggy O’Callaghan. <abbr epub:type="z3998:name-title">Mrs.</abbr> O’Callaghan’s repitation for truth and voracity, whin it come to fairy tales or ghost stories, be it known, was ayquil if not shuparior to the best in Tipperary. Now, Peggy had towld Ned Mullin, an’ Ned Mullin had towld Bill Donahue, the tinker, an’ the tinker had adwised Darby that no one need ever be afeared of ghosts if he only had the courage to face them.</p>
|
||
<p>Peggy said, “The poor crachures ain’t roamin’ about shakin’ chains an’ moanin’ an’ groanin’, just for the sport of scarin’ people, nor yet out of maneness. ’Tis always a throuble that’s on their minds—a message they want sint, a saycret they’re endayvouring to unload. So instead of flyin’ from the onhappy things, as most people generally do,” she said, “one should walk up bowld to the apparraytion, be it gentle or common, male or faymale, an’ say, ‘What throubles ye, sir?’ or ‘What’s amiss with ye, ma’am?’ An’ take my worrud for it,” says she, “ye’ll find yourself a boneyfactor to them when you laste expect it,” she says.</p>
|
||
<p>’Twas a quare idee, but not so onraysonable afther all whin one comes to think of it; an’ the knowledgeable man fell to dayliberatin’ whether he’d have the hardness to folly it out if the chanst came. Sometimes he thought he would, then agin he was sure he wouldn’t. For Darby O’Gill was one who bint quick undher trouble like a young three before a hurrycane, but he only bint—the throuble never broke him. So, at times his courage wint down to a spark like the light of a candle in a gust of wind, but before you could turn on your heel ’twas blazing up sthrong and fiercer than before.</p>
|
||
<p>Whilst thus contimplatin’ an’ meditaytin’, his foot sthruck the bridge in the hollow just below the berrin’-ground, an’ there as the boy paused a minute, churning up bravery enough to carry him up the hill an’ past the mystarious gravestones, there came a short quiver of lightning, an’ in its sudden flare he was sure he saw not tin yards away, an’ comin’ down the hill toward him, a dim shape that took the breath out of his body.</p>
|
||
<p>“Oh, be the powers!” he gasped, his courage emptying out like wather from a spilt pail.</p>
|
||
<p>It moved, a slow, grey, formless thing without a head, an’ so far as he was able to judge it might be about the size of an ulephant. The parsecuted lad swung himself sideways in the road, one arrum over his eyes an’ the other stretched out at full length, as if to ward off the turrible wisitor.</p>
|
||
<p>The first thing that began to take any shape in his bewildhered brain was Peggy O’Callaghan’s adwice. He thried to folly it out, but a chatterin’ of teeth was the only sound he made. An’ all this time a thraymendous splashin’, like the floppin’ of whales, was coming nearer an’ nearer.</p>
|
||
<p>The splashin’ stopped not three feet away, an’ the ha’nted man felt in the spine of his back an’ in the calves of his legs that a powerful, unhowly monsther towered over him.</p>
|
||
<p>Why he didn’t swoonge in his tracks is the wondher. He says he would have dhropped at last if it weren’t for the distant bark of his own good dog, Sayser, that put a throb of courage intil his bones. At that friendly sound he opened his two dhry lips an’ stutthered this sayin’:</p>
|
||
<p>“Whoever you are, an’ whatever shape ye come in, take heed that I’m not afeared,” he says. “I command ye to tell me your throubles an’ I’ll be your boneyfactor. Then go back dacint an’ rayspectable where you’re buried. Spake an’ I’ll listen,” says he.</p>
|
||
<p>He waited for a reply, an’ getting none, a hot splinther of shame at bein’ so badly frightened turned his sowl into wexation. “Spake up,” he says, “but come no furder, for if you do, be the hokey I’ll take one thry at ye, ghost or no ghost!” he says. Once more he waited, an’ as he was lowering the arrum from his eyes for a peek, the ghost spoke up, an’ its answer came in two pitiful, disthressed roars. A damp breath puffed acrost his face, an’ openin’ his eyes, what should the lad see but the two dhroopin’ ears of Solomon, <abbr epub:type="z3998:name-title">Mrs.</abbr> Kilcannon’s grey donkey. Foive different kinds of disgust biled up into Darby’s throat an’ almost sthrangled him. “Ye murdherin’, big-headed imposture!” he gasped.</p>
|
||
<p>Half a minute afther a brown hoot-owl, which was shelthered in a nearby blackthorn three, called out to his brother’s fambly which inhabited the belfry of the chapel above on the hill that some black-minded spalpeen had hoult of Solomon Kilcannon be the two ears an’ was kickin’ the ribs out of him, an’ that the langwidge the man was usin’ to the poor baste was worse than scan’lous.</p>
|
||
<p>Although Darby couldn’t undherstand what the owl was sayin’, he was startled be the blood-curdlin’ hoot, an’ that same hoot saved Solomon from any further exthrayornery throuncin’, bekase as the angry man sthopped to hearken there flashed on him the rayilisation that he was bating an’ crool maulthraytin’ a blessing in dishguise. For this same Solomon had the repitation of being the knowingest, sensiblist thing which walked on four legs in that parish. He was a fayvourite with young an’ old, especially with childher, an’ <abbr epub:type="z3998:name-title">Mrs.</abbr> Kilcannon said she could talk to him as if he were a human, an’ she was sure he understhood. In the face of thim facts the knowledgeable man changed his chune, an’ puttin’ his arrum friendly around the disthressed animal’s neck, he said:</p>
|
||
<p>“Aren’t ye ashamed of yerself, Solomon, to be payradin’ an’ mayandherin’ around the churchyard Halloween night, dishguisin’ yerself this away as an outlandish ghost, an’ you havin’ the foine repitation for daciency an’ good manners?” he says, excusin’ himself. “I’m ashamed of you, so I am, Solomon,” says he, hauling the baste about in the road, an’ turning him till his head faced once more the hillside. “Come back with me now to Cormac McCarthy’s, avourneen. We’ve aich been in worse company, I’m thinkin’; at laste you have, Solomon,” says he.</p>
|
||
<p>At that, kind an’ friendly enough, the forgivin’ baste turned with him, an’ the two keeping aich other slitherin’ company, went stumblin’ an’ scramblin’ up the hill toward the chapel. On the way Darby kept up a one-sided conwersation about all manner of things, just so that the ring of a human woice, even if ’twas only his own, would take a bit of the crool lonesomeness out of the dark hedges.</p>
|
||
<p>“Did you notice McDonald’s sthrame as you came along the night, Solomon? It must be a roarin’ torrent be this, with the pourin’ rains, an’ we’ll have to cross it,” says he. “We could go over McDonald’s stone bridge that stands ferninst McCarthy’s house, with only Nolan’s meadow betwixt the two, but,” says Darby, laying a hand, confaydential on the ass’s wet back, “ ’tis only a fortnit since long Faylix, the blind beggarman, fell from the same bridge and broke his neck, an’ what more natural,” he axed, “than that the ghost of Faylix would be celebraytin’ its first Halloween, as a ghost, at the spot where he was kilt?”</p>
|
||
<p>You may believe me or believe me not, but at thim worruds Solomon sthopped dead still in his thracks an’ rayfused to go another step till Darby coaxed him on be sayin’:</p>
|
||
<p>“Oh, thin, we won’t cross it if you’re afeared, little man,” says he, “but we’ll take the path through the fields on this side of it, and we’ll cross the sthrame by McCarthy’s own wooden footbridge. ’Tis within tunty feet of the house. Oh, ye needn’t be afeared,” he says agin; “I’ve seen the cows cross it, so it’ll surely hould the both of us.”</p>
|
||
<p>A sudden raymembrance whipped into his mind of how tall the stile was, ladin’ into Nolan’s meadow, an’ the boy was puzzling deep in his mind to know how was Solomon to climb acrost that stile, whin all at once the gloomy western gate of the graveyard rose quick be their side.</p>
|
||
<p>The two shied to the opposite hedge, an’ no wondher they did.</p>
|
||
<p>Fufty ghosts, all in their shrouds, sat cheek be jowl along the churchyard wall, never caring a ha’porth for the wind or the rain.</p>
|
||
<p>There was little Ted Rogers, the humpback, who was dhrownded in Mullin’s well four years come Michaelmas; there was black Mulligan, the gamekeeper, who shot Ryan, the poacher, sittin’ with a gun on his lap, an’ he glowerin’; beside the gamekeeper sat the poacher, with a jagged black hole in his forehead; there was Thady Finnegan, the scholar, who was disappointed in love an’ died of a daycline; furder on sat <abbr epub:type="z3998:name-title">Mrs.</abbr> Houlihan, who dayparted this life from ating of pizen musherooms; next to her sat—oh, a hundhred others!</p>
|
||
<p>Not that Darby saw thim, do ye mind. He had too good sinse to look that way at all. He walked with his head turned out to the open fields, an’ his eyes squeeged shut. But something in his mind toult him they were there, an’ he felt in the marrow of his bones that if he gave them the encouragement of one glance two or three’d slip off the wall an’ come moanin’ over to tell him their throubles.</p>
|
||
<p>What Solomon saw an’ what Solomon heard, as the two wint shrinkin’ along’ll never be known to living man, but once he gave a jump, an’ twice Darby felt him thrimblin’, an’ whin they raiched at last the chapel wall the baste broke into a swift throt. Purty soon he galloped, an’ Darby wint gallopin’ with him, till two yallow blurs of light across in a field to the left marked the windys of the stonecutter’s cottage.</p>
|
||
<p>’Twas a few steps only, thin, to the stile over into Nolan’s meadow, an’ there the two stopped, lookin’ helpless at aich other. Solomon had to be lifted, and there was the throuble. Three times Darby thried be main strength to hist his compagnen up the steps, but in vain, an’ Solomon was clane dishgusted.</p>
|
||
<p>Only for the tendher corn on our hayro’s left little toe, I think maybe that at length an’ at last the pair would have got safe over. The kindhearted lad had the donkey’s two little hoofs planted on the top step, an’ whilst he himself was liftin’ the rest of the baste in his arrums, Solomon got onaisy that he was goin’ to be trun, an’ so began to twisht an’ squirm; of course, as he did, Darby slipped an’ wint thump on his back agin the stile, with Solomon sittin’ comfortable on top of the lad’s chist. But that wasn’t the worst of it, for as the baste scrambled up he planted one hard little hoof on Darby’s left foot, an’ the knowledgeable man let a yowl out of him that must have frightened all the ghosts within miles.</p>
|
||
<p>Seein’ he’d done wrong, Solomon boulted for the middle of the road an’ stood there wiry an’ attentive, listening to the names flung at him from where his late comerade sat on the lowest step of the stile nursin’ the hurted foot.</p>
|
||
<p>’Twas an excited owl in the belfry that this time spoke up an’ shouted to his brother down in the blackthorn:</p>
|
||
<p>“Come up, come up quick!” it says. “Darby O’Gill is just afther calling Solomon Kilcannon a malayfactor.”</p>
|
||
<p>Darby rose at last, an’ as he climbed over the stile he turned to shake his fist toward the middle of the road.</p>
|
||
<p>“Bad luck to ye for a thickheaded, ongrateful informer!” he says; “you go your way an’ I’ll go mine—we’re sundhers,” says he. So sayin’, the crippled man wint limpin’ an’ grumplin’ down the boreen, through the meadow, whilst his desarted friend sint rayproachf ul brays afther him that would go to your heart.</p>
|
||
<p>The throbbin’ of our hayro’s toe banished all pity for the baste, an’ even all thoughts of the banshee, till a long, gurgling, swooping sound in front toult him that his fears about the rise in McDonald’s sthrame were undher rather than over the actwil conditions.</p>
|
||
<p>Fearin’ that the wooden footbridge might be swept away, as it had been the year purvious, he hurried on.</p>
|
||
<p>Most times this sthrame was only a quiet little brook that ran betwixt purty green banks, with hardly enough wather in it to turn the broken wheel in Chartres’ runed mill; but tonight it swept along an angry, snarlin’, growlin’ river that overlept its banks an’ dhragged wildly at the swaying willows.</p>
|
||
<p>Be a narrow throw of light from McCarthy’s side windy our thraveller could see the maddened wather sthrivin’ an’ tearing to pull with it the props of the little footbridge; an’ the boards shook an’ the centre swayed undher his feet as he passed over. “Bedad, I’ll not cross this way goin’ home, at any rate,” he says, looking back at it.</p>
|
||
<p>The worruds were no sooner out of his mouth than there was a crack, an’ the middle of the footbridge lifted in the air, twishted round for a second, an then hurled itself into the sthrame, laving the two inds still standing in their place on the banks.</p>
|
||
<p>“Tunder an’ turf!” he cried, “I mustn’t forget to tell the people within of this, for if ever there was a thrap set by evil spirits to drownd a poor, unwary mortial, there it stands. Oh, ain’t the ghosts turrible wicious on Halloween!”</p>
|
||
<p>He stood dhrippin’ a minute on the threshold, listening; thin, without knockin’, lifted the latch an’ stepped softly into the house.</p>
|
||
</section>
|
||
<section id="the-banshees-halloween-2" epub:type="z3998:subchapter">
|
||
<h4 epub:type="ordinal z3998:roman">II</h4>
|
||
<p>Two candles burned above the blue and white chiney dishes on the table, a bright fire blazed on the hearth, an’ over in the corner where the low bed was set the stonecutter was on his knees beside it.</p>
|
||
<p>Eileen lay on her side, her shining hair sthrealed out on the pillow. Her purty, flushed face was turned to Cormac, who knelt with his forehead hid on the bedcovers. The colleen’s two little hands were clasped about the great fist of her husband, an’ she was talking low, but so airnest that her whole life was in every worrud.</p>
|
||
<p>“God save all here!” said Darby, takin’ off his hat, but there was no answer. So deep were Cormac an’ Eileen in some conwersation they were having together that they didn’t hear his coming. The knowledgeable man didn’t know what to do. He raylised that a husband and wife about to part forever were lookin’ into aich other’s hearts, for maybe the last time. So he just sthood shifting from one foot to the other, watching thim, unable to daypart, an’ not wishin’ to obtrude.</p>
|
||
<p>“Oh, it isn’t death at all that I fear,” Eileen was saying. “No, no, Cormac asthore, ’tis not that I’m misdoubtful of; but, ochone mavrone, ’tis you I fear!”</p>
|
||
<p>The kneelin’ man gave one swift upward glance, and dhrew his face nearer to the sick wife. She wint on, thin, spakin’ tindher an’ half smiling an’ sthrckin’ his hand:</p>
|
||
<p>“I know, darlint, I know well, so you needn’t tell me, that if I were to live with you a thousand years you’d never sthray in mind or thought to any other woman, but it’s when I’m gone—when the lonesome avenings folly aich other through days an’ months, an’ maybe years, an’ you sitting here at this fireside without one to speak to, an’ you so handsome an’ gran’, an’ with the penny or two we’ve put away—”</p>
|
||
<p>“Oh, asthore machree, why can’t ye banish thim black thoughts!” says the stonecutter. “Maybe,” he says, “the banshee will not come again. Ain’t all the counthry-side prayin’ for ye this night, an’ didn’t Father Cassidy himself bid you to hope? The saints in Heaven couldn’t be so crool!” says he.</p>
|
||
<p>But the colleen wint on as though she hadn’t heard him, or as if he hadn’t intherrupted her:</p>
|
||
<p>“An’ listen,” says she; “they’ll come urging ye, the neighbours, an’ raysonin’ with you. You’re own flesh an’ blood’ll come, an’, no doubt, me own with them, an’ they all sthriving to push me out of your heart, an’ to put another woman there in my place. I’ll know it all, but I won’t be able to call to you, Cormac machree, for I’ll be lying silent undher the grass, or undher the snow up behind the church.”</p>
|
||
<p>While she was sayin’ thim last worruds, although Darby’s heart was meltin’ for Eileen, his mind began running over the colleens of that townland to pick out the one who’d be most likely to marry Cormac in the ind. You know how farseeing an’ quick-minded was the knowledgeable man. He settled sudden on the Hanlon girl, an’ daycided at once that she’d have Cormac before the year was out. The ondaycency of such a thing made him furious at her.</p>
|
||
<p>He says to himself, half crying, “Why, then, bad cess to you for a shameless, red-haired, forward baggage, Bridget Hanlon, to be runnin’ afther the man, an’ throwing yourself in his way, an’ Eileen not yet cowld in her grave!” he says.</p>
|
||
<p>While he was saying them things to himself, McCarthy had been whuspering fierce to his wife, but what it was the stonecutter said the friend of the fairies couldn’t hear. Eileen herself spoke clean enough in answer, for the faver gave her onnatural strength.</p>
|
||
<p>“Don’t think,” she says, “that it’s the first time this thought has come to me. Two months ago, whin I was sthrong an’ well an’ sittin’ happy as a meadowlark at your side, the same black shadow dhrifted over me heart. The worst of it an’ the hardest to bear of all is that they’ll be in the right, for what good can I do for you when I’m undher the clay,” says she.</p>
|
||
<p>“It’s different with a woman. If you were taken an’ I left I’d wear your face in my heart through all me life, an’ ax for no sweeter company.”</p>
|
||
<p>“Eileen,” says Cormac, liftin’ his hand, an’ his woice was hoarse as the roar of the say, “I swear to you on me bendid knees—”</p>
|
||
<p>With her hand on his lips, she sthopped him. “There’ll come on ye by daygrees a great cravin’ for sympathy, a hunger an’ a longing for affection, an’ you’ll have only the shadow of my poor, wanished face to comfort you, an’ a recollection of a woice that is gone forever. A new, warm face’ll keep pushin’ itself betwixt us—”</p>
|
||
<p>“Bad luck to that redheaded hussy!” mutthered Darby, looking around disthressed. “I’ll warn father Cassidy of her an’ of her intintions the day afther the funeral.”</p>
|
||
<p>There was silence for a minute; Cormac, the poor lad, was sobbing like a child. By-and-by Eileen wint on again, but her woice was failing an’ Darby could see that her cheeks were wet.</p>
|
||
<p>“The day’ll come when you’ll give over,” she says. “Ah, I see how it’ll all ind. Afther that you’ll visit the churchyard be stealth, so as not to make the other woman sore-hearted.”</p>
|
||
<p>“My, oh, my, isn’t she the far-seein’ woman?” thought Darby.</p>
|
||
<p>“Little childher’ll come,” she says, “an’ their soft, warm arrums will hould you away. By-and-by you’ll not go where I’m laid at all, an’ all thoughts of these few happy months we’ve spent together—Oh! Mother in Heaven, how happy they were—”</p>
|
||
<p>The girl started to her elbow, for, sharp an’ sudden, a wild, wailing cry just outside the windy startled the shuddering darkness. ’Twas a long cry of terror and of grief, not shrill, but piercing as a knife-thrust. Every hair on Darby’s head stood up an’ pricked him like a needle. ’Twas the banshee!</p>
|
||
<p>“Whist, listen!” says Eileen. “Oh, Cormac asthore, it’s come for me again!” With that, stiff with terror, she buried herself undher the pillows.</p>
|
||
<p>A second cry follyed the first, only this time it was longer, and rose an’ swelled into a kind of a song that broke at last into the heart-breakingest moan that ever fell on mortial ears. “Ochone!” it sobbed.</p>
|
||
<p>The knowledgeable man, his blood turned to ice, his legs thremblin’ like a hare’s, stood looking in spite of himself at the black windy-panes, expecting some frightful wision.</p>
|
||
<p>Afther that second cry the woice balanced itself up an’ down into the awful death keen. One word made the whole song, and that was the turruble worrud, “Forever!”</p>
|
||
<p>“Forever an’ forever, oh, forever!” swung the wild keen, until all the deep meaning of the worrud burned itself into Darby’s sowl, thin the heart-breakin’ sob, “Ochone!” inded always the varse.</p>
|
||
<p>Darby was just wondherin’ whether he himself wouldn’t go mad with fright, whin he gave a sudden jump at a hard, sthrained woice which spoke up at his very elbow.</p>
|
||
<p>“Darby O’Gill,” it said, and it was the stonecutter who spoke, “do you hear the death keen? It came last night; it’ll come tomorrow night at this same hour, and thin—oh, my God!”</p>
|
||
<p>Darby tried to answer, but he could only stare at the white, set face an’ the sunken eyes of the man before him.</p>
|
||
<p>There was, too, a kind of fierce quiet in the way McCarthy spoke that made Darby shiver.</p>
|
||
<p>The stonecutter wint on talkin’ the same as though he was goin’ to dhrive a bargain. “They say you’re a knowledgeable man, Darby O’Gill,” he says, “an’ that on a time you spint six months with the fairies. Now I make you this fair, square offer,” he says, laying a forefinger in the palm of the other hand. “I have fifty-three pounds that Father Cassidy’s keeping for me. Fifty-three pounds,” he says agin. “An’ I have this good bit of a farm that me father was born on, an’ his father was born on, too, and the grandfather of him. An’ I have the grass of seven cows. You know that. Well, I’ll give it all to you, all, every stiver of it, if you’ll only go outside an’ dhrive away that cursed singer.” He trew his head to one side an’ looked anxious up at Darby.</p>
|
||
<p>The knowledgeable man racked his brains for something to speak, but all he could say was, “I’ve brought you a bit of tay from the wife, Cormac.”</p>
|
||
<p>McCarthy took the tay with unfeeling hands, an’ wint on talking in the same dull way. Only this time there came a hard lump in his throat now and then that he stopped to swally.</p>
|
||
<p>“The three cows I have go, of course, with the farm,” says he. “So does the pony an’ the five pigs. I have a good plough an’ a foine harrow; but you must lave my stone-cutting tools, so little Eileen an’ I can earn our way wherever we go, an’ it’s little the crachure ates the best of times.”</p>
|
||
<p>The man’s eyes were dhry an’ blazin’; no doubt his mind was cracked with grief. There was a lump in Darby’s throat, too, but for all that he spoke up scolding-like.</p>
|
||
<p>“Arrah, talk rayson, man,” he says, putting two hands on Cormac’s chowlders; “if I had the wit or the art to banish the banshee, wouldn’t I be happy to do it an’ not a fardin’ to pay?”</p>
|
||
<p>“Well, then,” says Cormac, scowling, an’ pushin’ Darby to one side, “I’ll face her myself—I’ll face her an’ choke that song in her throat if Sattin himself stood at her side.”</p>
|
||
<p>With those words, an’ before Darby could sthop him, the stonecutter flung open the door an’ plunged out into the night. As he did so the song outside sthopped. Suddenly a quick splashing of feet, hoarse cries, and shouts gave tidings of a chase. The half-crazed gossoon had stharted the banshee—of that there could be no manner of doubt. A raymembrance of the awful things that she might do to his friend paythrefied the heart of Darby.</p>
|
||
<p>Even afther these cries died away he stood listenling a full minute, the sowls of his two brogues glued to the floor. The only sounds he heard now were the deep ticking of a clock and a cricket that chirped slow an’ solemn on the hearth, an’ from somewhere outside came the sorrowful cry of a whipperwill. All at once a thought of the broken bridge an’ of the black, treacherous waters caught him like the blow of a whip, an’ for a second drove from his mind even the fear of the banshee.</p>
|
||
<p>In that one second, an’ before he rayalised it, the lad was out undher the dhripping trees, and running for his life toward the broken footbridge. The night was whirling an’ beating above him like the flapping of thraymendous wings, but as he ran Darby thought he heard above the rush of the water and through, the swish of the wind Cormac’s woice calling him.</p>
|
||
<p>The friend of the fairies stopped at the edge of the footbridge to listen. Although the storm had almost passed, a spiteful flare of lightning lept up now an’ agin out of the western hills, an’ afther it came the dull rumble of distant thunder; the water splashed spiteful against the bank, and Darby saw that seven good feet of the bridge had been torn out of its centre, laving uncovered that much of the black, deep flood.</p>
|
||
<p>He stood sthraining his eyes an’ ears in wondheration, for now the woice of Cormac sounded from the other side of the sthrame, and seemed to be floating toward him through the field over the path Darby himself had just thravelled. At first he was mightily bewildhered at what might bring Cormac on the other side of the brook, till all at once the murdhering scheme of the banshee burst in his mind like a gunpowdher explosion.</p>
|
||
<p>Her plan was as plain as day—she meant to dhrown the stonecutter. She had led the poor, daysthracted man straight from his own door down to and over the new stone bridge, an’ was now dayludherin’ him on the other side of the sthrame, back agin up the path that led to the broken footbridge.</p>
|
||
<p>In the glare of a sudden blinding flash from the middle of the sky Darby saw a sight he’ll never forget till the day he dies. Cormac, the stonecutter, was running toward the deathtrap, his bare head trun back, an’ his two arrums stretched out in front of him. A little above an’ just out of raich of them, plain an’ clear as Darby ever saw his wife Bridget, was the misty white figure of a woman. Her long, waving hair sthrealed back from her face, an’ her face was the face of the dead.</p>
|
||
<p>At the sight of her Darby thried to call out a warning, but the words fell back into his throat. Thin again came the stifling darkness. He thried to run away, but his knees failed him, so he turned around to face the danger.</p>
|
||
<p>As he did so he could hear the splash of the man’s feet in the soft mud. In less than a minute Cormac would be sthruggling in the wather. At the thought Darby, bracing himself body and sowl, let a warning howl out of him.</p>
|
||
<p>“Hould where you are!” he shouted; “she wants to drownd ye—the bridge is broke in the middle!” but he could tell, from the rushing footsteps an’ from the hoarse swelling curses which came nearer an’ nearer every second, that the dayludhered man, crazed with grief, was deaf an’ blind to everything but the figure that floated before his eyes.</p>
|
||
<p>At that hopeless instant Bridget’s parting words popped into Darby’s head.</p>
|
||
<p>“When one goes on an errant of marcy a score of God’s white angels, with swoords in their hands, march before an’ beside an’ afther him, keeping his path free from danger.”</p>
|
||
<p>How it all come to pass he could never rightly tell, for he was like a man in a dhrame, but he recollects well standing on the broken ind of the bridge, Bridget’s words ringing in his ears, the glistening black gulf benathe his feet, an’ he swinging his arrums for a jump. Just one thought of herself and the childher, as he gathered himself for a spring, an’ then he cleared the gap like a bird.</p>
|
||
<p>As his two feet touched the other side of the gap a turrific screech—not a screech, ayther, but an angry, frightened shriek—almost split his ears. He felt a rush of cowld, dead air agin his face, and caught a whiff of newly turned clay in his nosthrils; something white stopped quick before him, an’ then, with a second shriek, it shot high in the darkness an’ disappeared. Darby had frightened the wits out of the banshee.</p>
|
||
<p>The instant afther the two men were clinched an’ rowling over an’ over aich other down the muddy bank, their legs splashing as far as the knees in the dangerous wather, an’ McCarthy raining wake blows on the knowledgeable man’s head an’ breast.</p>
|
||
<p>Darby felt himself goin’ into the river. Bits of the bank caved undher him, splashing into the current, an’ the lad’s heart began clunking up an’ down like a churn-dash.</p>
|
||
<p>“Lave off, lave off!” he cried, as soon as he could ketch his breath. “Do you take me for the banshee?” says he, giving a dusperate lurch an’ rowling himself on top of the other.</p>
|
||
<p>“Who are you, then? If you’re not a ghost you’re the divil, at any rate,” gasped the stonecutter.</p>
|
||
<p>“Bad luck to ye!” cried Darby, clasping both arrums of the haunted man. “I’m no ghost, let lone the divil—I’m only your friend, Darby O’Gill.”</p>
|
||
<p>Lying there, breathing hard, they stared into the faces of aich other a little space till the poor stonecutter began to cry.</p>
|
||
<p>“Oh, is that you, Darby O’Gill? Where is the banshee? Oh, haven’t I the bad fortune,” he says, sthriving to raise himself.</p>
|
||
<p>“Rise up,” says Darby, lifting the man to his feet an’ steadying him there. The stonecutter stared about like one stunned be a blow.</p>
|
||
<p>“I don’t know where the banshee flew, but do you go back to Eileen as soon as you can,” says the friend of the fairies. “Not that way, man alive,” he says, as Cormac started to climb the footbridge, “it’s broke in the middle; go down an’ cross the stone bridge. I’ll be afther you in a minute,” he says.</p>
|
||
<p>Without a word, meek now and biddable as a child, Cormac turned, an’ Darby saw him hurry away into the blackness.</p>
|
||
<p>The raysons Darby raymained behind were two: first an’ foremost, he was a bit vexed at the way his clothes were muddied an’ dhraggled, an’ himself had been pounded an’ hammered; an’ second, he wanted to think. He had a quare cowld feeling in his mind that something was wrong—a kind of a foreboding, as one might say.</p>
|
||
<p>As he stood thinking a rayalisation of the caylamity sthruck him all at once like a rap on the jaw—he had lost his fine brier pipe. The lad groaned as he began the anxious sarch. He slapped furiously at his chist an’ side pockets, he dived into his throwsers and greatcoat, and at last, sprawlin’ on his hands an’ feet like a monkey, he groped savagely through the wet, sticky clay.</p>
|
||
<p>“This comes,” says the poor lad, grumblin’ an’ gropin’, “of pokin’ your nose into other people’s business. Hallo, what’s this?” says he, straightening himself. “ ’Tis a comb. Be the powers of pewther, ’tis the banshee’s comb.”</p>
|
||
<p>An’ so indade it was. He had picked up a goold comb the length of your hand an’ almost the width of your two fingers. About an inch of one ind was broken off, an’ dhropped into Darby’s palm. Without thinkin’, he put the broken bit into his weskit pocket, an’ raised the biggest half close to his eyes, the betther to view it.</p>
|
||
<p>“May I never see sorrow,” he says, “if the banshee mustn’t have dhropped her comb. Look at that, now. Folks do be sayin’ that ’tis this gives her the foine singing voice, bekase the comb is enchanted,” he says. “If that sayin’ be thrue, it’s the faymous lad I am from this night. I’ll thravel from fair to fair, an’ maybe at the ind they’ll send me to parliament.”</p>
|
||
<p>With these worruds he lifted his caubeen an’ stuck the comb in the top tuft of his hair.</p>
|
||
<p>Begor, he’d no sooner guv it a pull than a sour, singing feelin’ begun at the bottom of his stomick, an’ it rose higher an’ higher. When it raiched his chist he was just going to let a bawl out of himself only that he caught sight of a thing ferninst him that froze the marrow in his bones.</p>
|
||
<p>He gasped short an’ jerked the comb out of his hair, for there, not tin feet away, stood a dark, shadowy woman, tall, thin, an’ motionless, laning on a crutch.</p>
|
||
<p>During a breath or two the parsecuted hayro lost his head completely, for he never doubted that the banshee had changed her shuit of clothes to chase back afther him.</p>
|
||
<p>The first clear aymotion that rayturned to him was to fling the comb on the ground an’ make a boult of it. On second thought he knew that ’twould be aisier to bate the wind in a race than to run away from the banshee.</p>
|
||
<p>“Well, there’s a good Tipperary man done for this time,” groaned the knowledgeable man, “unless in some way I can beguile her.” He was fishing in his mind for its civilist worrud when the woman spoke up, an’ Darby’s heart jumped with gladness as he raycognised the cracked voice of Sheelah Maguire, the spy for the fairies.</p>
|
||
<p>“The top of the avenin’ to you, Darby O’Gill,” says Sheelah, peering at him from undher her hood, the two eyes of her glowing like tallow candles; “amn’t I kilt with a‑stonishment to see you here alone this time of the night,” says the ould witch.</p>
|
||
<p>Now, the clever man knew as well as though he had been tould, when Sheelah said thim worruds, that the banshee had sent her to look for the comb, an’ his heart grew bould; but he answered her polite enough, “Why, thin, luck to ye, Misthress Maguire, ma’am,” he says, bowing grand, “sure, if you’re kilt with a‑stonishment, amn’t I sphlit with inkerdoolity to find yourself mayandherin’ in this lonesome place on Halloween night.”</p>
|
||
<p>Sheelah hobbled a step or two nearer, an’ whuspered confaydential.</p>
|
||
<p>“I was wandherin’ hereabouts only this morning,” she says, “an’ I lost from me hair a goold comb—one that I’ve had this forty years. Did ye see such a thing as that, agra?” An’ her two eyes blazed.</p>
|
||
<p>“Faix, I dunno,” says Darby, putting his two arrums behind him. “Was it about the length of ye’re hand an’ the width of ye’re two fingers?” he axed.</p>
|
||
<p>“It was,” says she, thrusting out a withered paw.</p>
|
||
<p>“Thin I didn’t find it,” says the tantalising man. “But maybe I did find something summillar, only ’twasn’t yours at all, but the banshee’s,” he says, chuckling.</p>
|
||
<p>Whether the hag was intentioned to welt Darby with her staff, or whether she was only liftin’ it for to make a sign of enchantment in the air, will never be known, but whatsomever she meant the hayro doubled his fists an’ squared off; at that she lowered the stick, an’ broke into a shrill, cackling laugh.</p>
|
||
<p>“Ho, ho!” she laughed, houldin’ her sides, “but aren’t ye the bould, distinguishable man. Becourse ’tis the banshee’s comb; how well ye knew it! Be the same token I’m sint to bring it away; so make haste to give it up, for she’s hiding an’ waiting for me down at Chartres’ mill. Aren’t you the courageous blaggard, to grabble at her, an’ thry to ketch her. Sure, such a thing never happened before, since the worruld began,” says Sheelah.</p>
|
||
<p>The idee that the banshee was hiding an’ afeared to face him was great news to the hayro. But he only tossed his head an’ smiled shuparior as he made answer.</p>
|
||
<p>“ ’Tis yourself that knows well, Sheelah Maguire, ma’am,” answers back the proud man, slow an’ dayliberate, “that whin one does a favour for an unearthly spirit he may daymand for pay the favours of three such wishes as the spirit has power to give. The worruld knows that. Now I’ll take three good wishes, such as the banshee can bestow, or else I’ll carry the goolden comb straight to Father Cassidy. The banshee hasn’t goold nor wor’ly goods, as the sayin’ is, but she has what suits me betther.”</p>
|
||
<p>This cleverness angered the fairy-woman so she set in to abuse and to frighten Darby. She ballyragged, she browbate, she trajooced, she threatened, but ’twas no use. The bould man hildt firm, till at last she promised him the favours of the three wishes.</p>
|
||
<p>“First an’ foremost,” says he, “I’ll want her never to put her spell on me or any of my kith an’ kin.”</p>
|
||
<p>“That wish she gives you, that wish she grants you, though it’ll go sore agin the grain,” snarled Sheelah.</p>
|
||
<p>“Then,” says Darby, “my second wish is that the black spell be taken from Eileen McCarthy.”</p>
|
||
<p>Sheelah flusthered about like an angry hin. “Wouldn’t something else do as well?” she says.</p>
|
||
<p>“I’m not here to argify,” says Darby, swingin’ back an’ forrud on his toes.</p>
|
||
<p>“Bad scran to you,” says Sheelah. “I’ll have to go an’ ask the banshee herself about that. Don’t stir from that spot till I come back.”</p>
|
||
<p>You may believe it or not, but with that sayin’ she bent the head of her crutch well forward, an’ before Darby’s very face she trew—savin’ your presence—one leg over the stick as though it had been a horse, an’ while one might say Jack Robinson the crutch riz into the air an’ lifted her, an’ she went sailing out of sight.</p>
|
||
<p>Darby was still gaping an’ gawpin’ at the darkness where she disappeared whin—whisk! she was back agin an’ dismountin’ at his side.</p>
|
||
<p>“The luck is with you,” says she, spiteful. “That wish I give, that wish I grant you. You’ll find seven crossed rushes undher McCarthy’s doorstep; uncross them, put them in fire or in wather, an’ the spell is lifted. Be quick with the third wish—out with it!”</p>
|
||
<p>“I’m in a more particular hurry about that than you are,” says Darby. “You must find me my brier pipe,” says he.</p>
|
||
<p>“You omadhaun,” sneered the fairy-woman, “ ’tis sthuck in the band of your hat, where you put it when you left your own house the night. No, no, not in front,” she says, as Darby put up his hand to feel. “It’s stuck in the back. Your caubeen’s twishted,” she says.</p>
|
||
<p>Whilst Darby was standing with the comb in one hand an’ the pipe in the other, smiling daylighted, the comb was snatched from his fingers and he got a welt in the side of the head from the crutch. Looking up, he saw Sheelah tunty feet in the air, headed for Chartres’ mill, an’ she cacklin’ an’ screechin’ with laughter. Rubbing his sore head an’ mutthering unpious words to himself, Darby started for the new bridge.</p>
|
||
<p>In less than no time afther, he had found the seven crossed rushes undher McCarthy’s doorstep, an’ had flung them into the stream. Thin, without knocking, he pushed open McCarthy’s door an’ tiptoed quietly in.</p>
|
||
<p>Cormac was kneelin’ beside the bed with his face buried in the pillows, as he was when Darby first saw him that night. But Eileen was sleeping as sound as a child, with a sweet smile on her lips. Heavy pursperation beaded her forehead, showing that the faver was broke.</p>
|
||
<p>Without disturbing aither of them our hayro picked up the package of tay from the floor, put it on the dhresser, an’ with a glad heart sthole out of the house an’ closed the door softly behind him.</p>
|
||
<p>Turning toward Chartres’ mill he lifted his hat an’ bowed low. “Thank you kindly, Misthress Banshee,” he says. “ ’Tis well for us all I found your comb this night. Public or private, I’ll always say this for you—you’re a woman of your worrud,” he says.</p>
|
||
</section>
|
||
</section>
|
||
<section id="the-ghosts-at-chartres-mill" epub:type="chapter">
|
||
<hgroup>
|
||
<h3 epub:type="ordinal z3998:roman">III</h3>
|
||
<p epub:type="title">The Ghosts at Chartre’s Mill</p>
|
||
</hgroup>
|
||
<p>For a little while afther Darby O’Gill sint the banshee back her comb, there was the duckens to pay in that townland. Aich night came stormier than the other. An’ the rain—never, since Noey the Phoenaycian histed sail for Arrayat was there promised such a daynudherin’ flood. (In one way or another we’re all, even the Germin min an’ the Fardowns, dayscendints of the Phoeaycians.)</p>
|
||
<p>Even at that the foul weather was the laste of the throuble—the counthry-side was ha’nted. Every ghost must have left Croaghmah as soon as twilight to wander abroad in the lonesome places. The farmyards and even the village itself was not safe.</p>
|
||
<p>One morning, just before cockcrow, big Joey Hooligan, the smith, woke up sudden, with a turrible feeling that some gashly person was lookin’ in at him through the windy. Startin’ up flurried in bed, what did he see but two eyes that were like burnin’ coals of fire, an’ they peerin’ study into the room. One glance was enough. Givin’ a thraymendous gasp, Joey dhropped back quakin’ into the bed, an’ covered his head with the bedclothes. How long afther that the two heegous eyes kept starin’ at the bed Joey can’t rightly tell, for he never uncovered his head nor stirred hand nor foot agin till his wife Nancy had lighted the fire an’ biled the stirabout.</p>
|
||
<p>Indade, it was a good month afther that before Joey found courage enough to get up first in the morning so as to light the fire. An’ on that same mimorable mornin’ he an’ Nancy lay in bed argyfin’ about it till nearly noon—the poor man was that frightened.</p>
|
||
<p>The avenin’ afther Hooligan was wisited <abbr epub:type="z3998:name-title">Mrs.</abbr> Norah Clancy was in the stable milking her cow—Cornaylia be name—whin sudden she spied a tall, sthrange man in a topcoat standin’ near the stable door an’ he with his back turned toward her. At first she thought it a shadow, but it a‑ppeared a thrifle thicker than a shadow, so, a little afeared, she called out: “God save you kindly, sir!”</p>
|
||
<p>At that the shadow turned a dim, grey face toward her, so full of rayproachful woe that <abbr epub:type="z3998:name-title">Mrs.</abbr> Clancy let a screech out of her an’ tumbled over with the pail of milk betwixt her knees. She lay on her back in the spilt milk unconscionable for full fufteen minutes.</p>
|
||
<p>The next night a very rayliable tinker, named Bothered Bill Donahue, while wandherin’ near Chartres’ ruined mill, came quite accidental upon tunty skillingtons, an’ they colloguing an’ confabbing together on the flat roof of the mill-shed.</p>
|
||
<p>But worst of all, an’ something that sthruck deeper terror into every heart, was the news that six different persons at six different places had met with the turrible phantom coach, the Costa Bower.</p>
|
||
<p>Peggy Collins, a wandherin’ beggar woman from the west counthry, had a wild chase for it; an’ if she’d been a second later raichin’ the chapel steps an’ laying her hand on the church-door it would have had her sure.</p>
|
||
<p>Things got on so that afther dark people only wentured out in couples or in crowds, an’ in pint of piety that parish was growin’ into an example an’ patthron for the naytion.</p>
|
||
<p>But of all the persons whom thim conditions complicayted you may be sure that the worst harried an’ implicayted was the knowledgeable man, Darby O’Gill.</p>
|
||
<p>There was a weight on his mind, but he couldn’t tell why, an’ a dhread in his heart that had no raysonable foundaytion. He moped an’ he moothered. Some of the time he felt like singin’ doleful ballads an’ death keens, an’ the rest of the time he could hardly keep from cryin’. His appetite left him, but what confuged him worse than all the rest was the fondness that had come over him for hard worruk—cuttin’ turf an’ diggin’ petaties, an’ things like that.</p>
|
||
<p>To make matters more onsociable, his friend, Brian Connors, the King of the Fairies, hadn’t showed a nose inside Darby’s door for more than a fortnit; so the knowledgeable man had no one to adwise with.</p>
|
||
<p>In thim dismal sarcumstances Darby, growin’ dusperate, harnessed the pony Clayopathra one morning and dhrove up to Clonmel to see the Masther Doctor—the raynowned McNamara. Be this you may know how bad he felt, for no one, till he was almost at the pint of dissolation, ever wint to that crass, brow-batin’ ould codger.</p>
|
||
<p>So, loath enough was our own hayro to face him, an’ hard-hearted enough was the welcome the crabbed little docthor hilt out to Darby whin they met.</p>
|
||
<p>“What did you ate for breakwus?” the physician says, peerin’ savage from undher his great eyebrows at Darby’s tongue.</p>
|
||
<p>“Only a bowl of stirabout, an’ a couple of petaties, an’ a bit of bacon, an’ a few eggs.” He was countin’ on his fingers, “an’—an’ somethin’ or other I forgot. Do you think I’ll go into a daycline, Doctor, agra?”</p>
|
||
<p>“Hump! ugh! ugh!” was all the comfort the sick man got from the blinkin’ ould blaggard. But turnin’ imaget to his medicine-table the surgent began studyin’ the medicines. There was so much of it ferninst him he might have give a gallon an’ never missed it. There was one foine big red bottle in particular Darby had his eye on, an’ thought his dose ’ud surely come out of that. But NcNamara turns to a box the size of your hat, an’ it filled to the top with little white, flat pills. Well, the stingy ould rascal counts out three and, handing them to Darby, says: “Take one before breakwus, another before dinner, an’ the last one before suppher, an’ give me four silver shillings, an’ that’ll cure ye,” he says.</p>
|
||
<p>You may be sure that Darby biled up inside with madness at the onraysonableness of the price of the pills, but, houlding himself in, he says, very cool an’ quite: “Will you write me out a rayceipt for the money, Doctor McNamara, if you plaze?” he says. An’, whilst the ould chayter was turned to the writing, be the hokey if our hayro didn’t half fill his pockets with pills from the box. By manes of them, as he dhrove along home, he was able to do a power of good to the neighbour people he met with on the road.</p>
|
||
<p>Whin you once get in the habit of it there’s no pleasure in life which ayquils givin’ other people medicine.</p>
|
||
<p>Darby ginerously med ould Peggy O’Callaghan take six of the little round things. He gave a swally to half-witted Red Durgan, an’ a good mouthful to poor sick Eileen McCarthy (only she had to gulp them whole, poor thing, an’ couldn’t ate them as the others did—but maybe ’twas just as good). An’ he gave a fistful aich to Judy Rafferty an’ Dennis Hogan; an’ he stood handsome thrate to a sthranger, who, the minute he got the taste well intil his mouth, wanted to fight Darby. Howsumever, the two only called aich other hard names for a while, then Darby joggled along, doin’ good an’ growin’ lighter-hearted an’ merrier-minded at every sthop he med. ’Twas this way with him till, just in front of <abbr epub:type="z3998:name-title">Mrs.</abbr> Kilcannon’s, who should he see, scratching himself agin the wall, but Solomon, an’ the baste lookin’ bitther daynunciation out of the corner of his eye. Darby turned his head, ashamed to look the misthrayted donkey in the face. An’ worse still nor that, just beyant Solomon, laning agin the same wall, was Bothered Bill Donahue, the deef tinker. That last sight dashed Darby entirely, for he knew as well as if he had been tould that the tinker was layin’ in wait to ride home with him for a night’s lodging.</p>
|
||
<p>It wasn’t that Darby objected on his own account to takin’ him home, for a tinker or a beggarman, mind you, has a right, the worruld over, to claim a night’s lodgin’ an’ a bit to ate wherever he goes; an’ well, these honest people pay for it in the gossip an’ news they furnish at the fireside an’ in the good rayport of your family they’ll spread through the counthry aftherwards.</p>
|
||
<p>Darby liked well to have them come, but through some unknown wakeness in her char-ack-ther Bridget hated the sight of them. Worst of all, she hated Bothered Bill. She even went so far as to say that Bill was not half so bothered as he purtendid—that he could hear well enough what was agreeable for him to hear, an’ that he was deef only to what he didn’t like to listen to.</p>
|
||
<p>Well, anyhow there was the tinker in the road waitin’ for the cart to come up, an’ for a while what to do Darby didn’t well know.</p>
|
||
<p>He couldn’t rayfuse one who axed food to ate or shelther for a wandherer’s four bones during the night (that would be a sin, besides it would bring bad luck upon the house), an’ still he had a mortial dislike to go agin Bridget in this purtick’ler—she’d surely blame him for bringin’ Bothered Bill home.</p>
|
||
<p>But at length an’ at last he daycided, with a sigh, to put the whole case before Bill an’ then let him come or stay.</p>
|
||
<p>Whilst he was meditaytin’ on some way of conveyin’ the news that’d be complaymintary to the tinker, an’ that’d elevayte instid of smashing that thraveller’s sinsitiveness, Bill came up to the cart.</p>
|
||
<p>“The top iv the day to you, dacint man,” he says. “ ’Tis gettin’ toward dark an’ I’ll go home with ye for the night, I’m thinkin’,” says he. The tinker, like most people who are hard of hearin’, roared as though the listener was bothered.</p>
|
||
<p>Darby laid down the lines an’ hilt out a handful of the little medicines.</p>
|
||
<p>“There’s nothin’ the matther with me, so why should I ate thim?” cried Bill.</p>
|
||
<p>“They’re the best thing in the worruld for that,” says Darby, forcing them into Bill’s mouth. “You don’t know whin you’ll nade thim,” he says, shoutin’. “It’s betther meet sickness halfway,” says he, “than to wait till it finds you.”</p>
|
||
<p>And thin, whilst Bill, with an open hand aginst his ear, was chawin’ the pills an’ lookin’ up plaintiff into Darby’s face, the knowledgeable man wint on in a blandishin’ way to pint out the sitiwation.</p>
|
||
<p>“You see, ’tis this away, Wullum,” he says. “It’s only too daylighted I’d be to take you home with me. Indade, Bridget herself has wondherful admiraytion for you in an ord’nary way,” says he. “She believes you’re a raymarkable man intirely,” he says, dayplomatic, “only she thinks you’re not clane,” says he.</p>
|
||
<p>The tinker must have misundherstood altogether, for he bawled, in rayply, “Wisha good luck to her,” he says, “an’ ain’t I glad to have so foine opinion from so foine a woman,” says he. “But sure, all the women notice how tidy I am, an’ that’s why they like to have me in the house. But we best be movin’,” says he, coolly dhropping his bags of tools intil the cart, “for the night’s at hand, an’ a black an’ stormy one it’ll be,” says Bill.</p>
|
||
<p>He put a foot onto the wheel of the cart. As he did so Darby, growin’ very red in the face, pressed a shilling into the tinker’s hand. “Go into <abbr epub:type="z3998:name-title">Mrs.</abbr> Kilcannon’s for the night, Wullum,” he says, “an’ come to us for your breakwus, an’ your dinner an’ maybe your supper, me good fellow,” says he.</p>
|
||
<p>But the deef man only pocketed the shillin’ an’ clambered up onto the sate beside Darby. “Faith, the shillin’s welcome,” he says; “but I’d go to such a commodious house as yours any time, Darby O’Gill, without a fardin’s pay,” says he, pattin’ Darby kindly on the back. But Darby’s jaw was hangin’ for the loss of the shillin’ right on top of the unwelcome wisitor.</p>
|
||
<p>“We’d betther hurry on,” says the tinker, lighting his pipe; “for afther sundown who knows what’ll catch up with us on the road,” says he.</p>
|
||
<p>Sure, there was nothing for it but to make the best of a bad bargain, an’ the two went on together, Darby gloomy an’ vexed an’ the deef man solemn but comfortable till they were almost at McHale’s bridge. Then the tinker spoke up.</p>
|
||
<p>“Did ye hear the black threats Sheelah Maguire is makin’ agin you?” he says.</p>
|
||
<p>“No,” says Darby; “what in the worruld ails her?” says he.</p>
|
||
<p>“Bless the one of me knows,” says the tinker, “nor anybody else for that matther. Only that last Halloween night Sheelah Maguire was bate black an’ blue from head to foot, an’ she lays the raysponsibility on you, Darby,” he says.</p>
|
||
<p>The knowledgeable man had his mouth open for a question whin who should go runnin’ acrost the road in front of them but Neddy McHale himself, an’ his arrum full of sticks. “Go back! go back!” cries Neddy, wavin’ an arrum wild. “The bridge’s butther-worruks are washed out be the flood an’ McDonald’s bridge is down, too, so yez must go around be the mill,” says Neddy.</p>
|
||
<p>Now here was bitther news for ye! ’Twas two miles out of the way to go be Chartres’ mill, an’ do the best possible they’d be passing that ha’nted place in the pitch dark.</p>
|
||
<p>“Faith, an’ I’ve had worse luck than in pickin’ you up this night, Bothered Bill Donahue,” says Darby, “for it’s loath I’d be to go alone—”</p>
|
||
<p>He turned to speak just in time, for the tinker had gathered up his bag an’ had put his right foot on the cartwheel, purparin’ for a jump. Darby clutched the lad be the back of his neck an’ joulted him back hard into the sate.</p>
|
||
<p>“Sit still, Wullum, till we raich me own house, avourneen,” he says, sarcastic, “for if ye thry that move agin I’ll not lave a whole bone in your body. I’ll never let it be said,” he says, lofty, “that I turned one who axed me for a night’s lodgin’ from me door,” he says. An’ as he spoke he wheeled the cart quick around in the road.</p>
|
||
<p>“Lave me down, Misther O’Gill! I think I’ll stop the night with Neddy McHale,” says Wullum, shiverin’. “Bridget don’t think I’m clane,” says he, as the pony started off.</p>
|
||
<p>“Who tould ye that, I’d like to know?” shouted Darby, growin’ fierce; “who dared say that of ye? You’re bothered, Wullum, you know, an’ so you misthrupit langwidge,” he says.</p>
|
||
<p>But Bill only cowered down sulky, an’ the pony galloped down the side lane intil the woods, strivin’ to bate the rain an’ the darkness. But the elements were too swift-footed, an’ the rain came down an’ all the shadows met together, an’ the dusk whirled quick intil blackness before they raiched the gloomy hill.</p>
|
||
<p>Ever and always Chartres’ mill was a misfortunit place. It broke the heart of an’ runed and kilt the man who built it; an’ itself was a rune these last tunty years.</p>
|
||
<p>Many was the wild tale known throughout the counthry-side of the things that had been seen an’ heard at that same mill, but the tale that kept Darby an’ the tinker unwelcome company as the pony throtted along was what had happened there a couple of years before. One night, as Paddy Carroll was dhrivin’ past the gloomy ould place, his best ear cocked an’ his weather eye open for ghosts, there came sudden from the mill three agonised shrieks for help.</p>
|
||
<p>Thinkin’ ’twas the spirits that were in it Paddy whipped up his pony an’ hurried on his way. But the next morning, misdoubtin’ whether ’twasn’t a human woice, afther all, he had heard, Paddy gathered up a dozen of the neighbours an’ went back to inwestigate. What did they find in one of the upper rooms but a peddler, lying flat on the floor, his pack ramsacked an’ he dead as a doornail. ’Twas his cries Paddy had heard as the poor thraveller was bein’ murdhered.</p>
|
||
<p>Since that time a dozen people passing the mill at night had heard the cries of the same peddler, an’ had seen the place blazin’ with lights. So, that now no one who could help it ever alone passed the mill afther dark.</p>
|
||
<p>At the hill this side of that place the pony slowed down to a walk; nayther coaxin’ nor batin’ ’d injooce the baste to mend his steps. The horse’d stop a little an’ wait, an’ thin it’d go on thrimblin’.</p>
|
||
<p>They could all see the dim outlines of the empty mill glowerin’ up at them, an’ the nearer they came the more it glowered, an’ the faster their two hearts bate. Halfway down the hill an ould signpost pinted the way with its broken arm; just beyant that the bridge, an’ afther that the long, level road an’—salwaytion.</p>
|
||
<p>But at the signpost Clayopathra sthopped dead still, starin’ into some bushes just beyant. She was shakin’ an’ snortin’ and her limbs thrimblin’.</p>
|
||
<p>At the same time, to tell the truth, she was no worse off than the two Christians sittin’ in the cart behint her, only they were not so daymonsthray-ta-tive about it. Small blame to the lads at that, for they were both sure an’ sartin that lurking in the black shadows was a thing waiting to freeze their hearts with terror, an’ maybe to put a mark on thim that they’d carry to their graves.</p>
|
||
<p>Afther coaxing Clayopathra an’ raysonin’ with her in wain, Darby, his knees knocking, turned to the tinker, an’ in the excitement of the events forgettin’ that Bill was deef, whuspered, as cool an’ as aisy-like as he could:</p>
|
||
<p>“Would ye mind doin’ me the favour of steppin’ out, avick, an’ seein’ what’s in that road ahead of us, Wullum?”</p>
|
||
<p>But Bothered Bill answered back at once, just as cool an’ aisy:</p>
|
||
<p>“I would mind, Darby,” he says; “an’ I wouldn’t get down, asthore, to save you an’ your family an’ all their laneyal daysindents from the gallus-rope,” says he.</p>
|
||
<p>“I thought you was deef,” says Darby, growin’ disrayspectful.</p>
|
||
<p>“This is no time for explaynations,” says Wullum. “An’ I thought meself,” he wint on, turning his chowlder on Darby, “that I was in company with a brave man; but I’m sorry to find that I’m riding with no betther than an’ outrageous coward,” says he, bitther.</p>
|
||
<p>Whilst Wullum was sayin’ them wexatious worruds Darby stood laning out of the cart with a hand on Clayopathra’s back an’ a foot on the shaft, goggling his eyes an’ sthrivin’ to pierce the darkness at the pony’s head. Without turnin’ round he med answer:</p>
|
||
<p>“Is that the way it is with you, Wullum?” he says, still sarcastic. “Faix, thin ye’ll have that complaint no longer, for if yez don’t climb down this minute I’ll trow you bag an’ baggage in the ditch,” he says; “so get out immaget, darlint, or I’ll trow you out,” says he.</p>
|
||
<p>The worruds weren’t well out of his mouth whin the owdacious tinker whipped out his scissors an’ sint the sharp pint half an inch into Clayopathra’s flank. Clayopathra jumped, an’ Darby, legs an’ arrums flying, took a back sommerset that he never ayquiled in his supplest days, for it landed him flat agin the hedge; an’ the leap Clayopathra gave, if she could only keep it up’d fit her for the Curragh races. An’ keep it up for a surprisin’ while she did, at any rate, for as the knowledgeable man scrambled to his feet he could hear her furious gallop a hundhred yards down the road.</p>
|
||
<p>“Stop her, Wullum avourneen, I was only joking! Come back, ye shameless rogue of the univarse, or I’ll have ye thransported!” he shouted, rushing a few steps afther them. But the lash of the whip on Clayopathra’s sides was the only answer Wullum sint back to him.</p>
|
||
<p>To purshue was useless, so the daysarted man slacked down to a throt. I’d hate bad to have befall me any one of the hundhred things Darby wished aloud then an’ there for Wullum.</p>
|
||
<p>Well, at all events, there was Darby, his head bint, plodding along through the storm, an’ a fiercer storm than the wind or rain ever med kept ragin’ in his heart.</p>
|
||
<p>Only that through the storm in his mind there flared now an’ thin quivers of fear an’ turpitation that sometimes hastened his steps an’ thin again falthered thim. Howsumever, taking it all in all, he was making good pro‑gress, an’ had got to the bunch of willows at the near side of the mill whin one particular raymembrance of Sheelah Maguire and of the banshee’s comb halted the lad in the middle of the road an’ sint him fumblin’ with narvous hands in his weskit pocket. There, sure enough, was the piece of the banshee’s comb. The broken bit had lain forgotten in the lad’s pocket since Halloween; an’ now, as he felt it there next his thumping heart an’ buried undher pipefuls of tobaccy, the rayalisation almost floored him with consthernaytion. All rushed over his sowl like a flood.</p>
|
||
<p>Who else could it be but the banshee that guv Sheelah Maguire that turrible batin’ mintioned by the tinker? An’ what was that bating for, unless the banshee a‑ccused Sheelah of stealing the ind of the comb? An’, mother of Moses! ’Twas sarchin’ for that same bit of comb it was that brought the ghosts up from Croaghmah an’ med the whole townland ha’nted.</p>
|
||
<p>Was ever such a dangerous purdicament! Here he was, with ghosts in the threes above him an’ in the hedges, an’ maybe lookin’ over his chowlder, an’ all of them sarchin’ for the bit of enchanted comb that was in his own pocket. If they should find out where it lay what awful things they would do to him. Sure, they might call up the Costa Bower an’ fling him into it, an’ that ’ud be the last ever heard of Darby O’Gill in the land of the livin’.</p>
|
||
<p>With thim wild thoughts jumpin’ up an’ down in his mind he stood in the dark an’ in the rain, gawmin’ vacant over toward the shadowy ruin. An’ he bein’ much agitayted, the lad, without thinkin’, did the foolishest thing a man in his sitiwaytion could well a-complish—he took out of his pocket the enchanted sliver of goold an’ hildt it to his two eyes for a look.</p>
|
||
<p>The consequences came suddin’, for as he stuck it back into the tobaccy there burst from the darkness of the willows the hallowest, most blood-curdlin’ laugh that ever fell on mortial ears. “Ho! ho! ho!” it laughed.</p>
|
||
<p>The knowledgeable man’s hair lifted the hat from his head.</p>
|
||
<p>An’ as if the laugh wasn’t enough to scatther the wits of anyone, at the same instant it sounded, an’ quick as a flash, every windy in the ould mill blazed with a fierce blue light. Every batthered crack an’ crevice seemed bursting with the glare for maybe the space of ten seconds, an’ then, oh, Millia Murther! there broke from the upper floor three of the bitterest shrieks of pain an’ terror ever heard in this worruld; an’, with the last cry, the mill quinched itself into darkness agin an’ stood lonely an’ gloomy an’ silent as before. The rain patthered down on the road an’ the wind swished mournful in the threes, but there was no other sound.</p>
|
||
<p>The knowledgeable man turned to creep away very soft an’ quiet; but as he did a monsthrous black thing that looked like a dog without a head crawled slowly out from the willows where the turrible laugh had come from, an’ it crept into the gloom of the opposite hedge an’ there it stood, waitin’ for Darby to dhraw near.</p>
|
||
<p>But the knowledgeable man gave a leap backwards, an’ as he did from the darkness just behindt him swelled a deep sigh that was almost a groan. From the hedge to his right came another sigh, only deeper than the first, and from the blackness on his left rose another moan, an’ then a groaning, moaning chorus rose all round him, an’ lost itself in the wailing of the wind. He was surrounded—the ghosts had captured Darby.</p>
|
||
<p>The lad never rayalised before that minute what a precious thing is daylight. If there would only come a flash of lightening to show him the faces of the surrounding spirrits, horrible though they might be, he’d bid it welcome. But though the rain drizzled an’ the tunder rumpled, not a flare lit up the sky.</p>
|
||
<p>One swift, dusperate hope at the last minute saved the boy from sheer dispair; an’ that same hope was that maybe some of the Good People might be flyin’ about an’ would hear him. Liftin’ up his face to the sky an’ crying out to the passin’ wind, he says:</p>
|
||
<p>“Boys,” he says, agonised, “lads,” says he, “if there be any of yez to listen,” he cried, “I’ll take it as a great favour an’ I’ll thank ye kindly to tell King Brian Connors that his friend an’ comerade, Darby O’Gill, is in deep throuble and wants to see him imaget,” says he.</p>
|
||
<p>“Ho! ho! ho!” laughed the turrible thing in the hedge.</p>
|
||
<p>In spite of the laugh he was almost sure that off in the distance a cry answered him.</p>
|
||
<p>To make sure he called again, but this time, though he sthrained his ears till their drums ached, he caught no rayply.</p>
|
||
<p>And now, out of the murkiness in the road ahead of him, something began to grow slowly into a tall, slender, white figure. Motionless it stood, tightly wrapped in a winding sheet. In its presence a new an’ awful fear pressed down the heart of Darby. He felt, too, that another shade had taken its place behindt him, an’ he didn’t want to look, an’ sthrove against lookin’, but something forced the lad to turn his head. There, sure enough, not foive feet away, stood still an’ silent the tall, dark figure of a man in a topcoat.</p>
|
||
<p>Thin came from every direction low, hissing whuspers that the lad couldn’t undherstand. Somethin’ turrible would happen in a minute—he knew that well.</p>
|
||
<p>There’s just so much fear in every man, just exactly as there is a certain amount of courage, an’ whin the fear is all spilt a man aither fights or dies. So Darby had always said.</p>
|
||
<p>He raymembered there was a gap in the hedge nearly opposite the clump of willows, so he med up his mind that, come what might, he’d make a gran’ charge for it, an’ so into the upland meadow beyant. He waited an instant to get some strength back intil his knees, an’ then he gave a spring. But that one spring was all he med—in that direction, at laste.</p>
|
||
<p>For, as he neared the ditch, a dozen white, ghostly hands raiched out eager for him. With a gasp he whirled in his thracks an’ rushed mad to the willows opposite, but there a hundhred gashly fingers were stretched out to meet the poor lad; an’ as he staggered back into the middle of the road agin, the hayro couldn’t, to save his sowl, keep back a long cry of terror and disthress.</p>
|
||
<p>Imaget, from undher the willows and from the ditch near the hedge an’ in the air above his head, from countless dead lips aychoed that triumphing, onairthly laugh, Ho! ho! ho!</p>
|
||
<p>’Twas then Darby just nearly guve up for lost. He felt his eyes growing dim an’ his limbs numb. There was no air comin’ into his lungs, for whin he thried to breathe he only gaped, so that he knew the black spell was on him, an’ that all that was left for him to do was to sink down in the road an’ thin to die.</p>
|
||
<p>But at that minute there floated from a great way off the faint cry of a woice the dispairing man knew well.</p>
|
||
<p>“Keep up your heart, Darby O’Gill,” cried Brian Connors; “we’re coming to resky you,” an’ from over the fields a wild cheer follyed thim worruds.</p>
|
||
<p>“Faugh-a-balla—clear the way!” sprang the shrill war-cry of a thousand of the Good People.</p>
|
||
<p>At the first sound of the King’s worruds there rose about Darby the mighty flurrying an’ rushing of wings in the darkness, as if thraymendous birds were rising sudden an’ flying away, an’ the air emptied itself of a smothering heaviness.</p>
|
||
<p>So fast came the King’s fairy army that the great cheer was still aychoing among the threes when the goold crown of Brian Connors sparkled up from beside the knowledgeable man’s knees. At that the parsecuted man, sobbin’ with joy, knelt down in the muddy road to shake hands with his friend, the masther of the Good People.</p>
|
||
<p>Brian Connors was not alone, for there crowded about Darby, sympathisin’ with him, little Phelim Beg, an’ Nial the fiddler, an’ Shaun Rhue the smith, an’ Phadrig Oge. Also every instant, flitthering out of the sky into the road, came be the score green-cloaked and red-hooded men, follying the King an’ ready for throuble.</p>
|
||
<p>“If ever a man needed a dhrop of good whusky, you’re the hayro, an’ this is the time an’ place for it,” says the King, handin’ up a silver-topped noggin. “Dhrink it all,” he says, “an’ then we’ll escorch ye home. Come on,” says he.</p>
|
||
<p>The masther of the nighttime turned an’ shouted to his subjects. “Boys,” he cried, “we’ll go wisible, the betther for company sake. An’ do you make the ’luminaytion so Darby can see yez with him!”</p>
|
||
<p>At that the lovely rosy light which, as you may raymember, our hayro first saw in the fairy’s home at Sleive-na-mon, lighted up the roadway, an’ undher the leafy arches, bobbin’ along like a ridgement of sojers, all in their green cloaks an’ red caps, marched at laste a thousand of the Little People, with Phadrig Oge at their head actin’ as gineral.</p>
|
||
<p>As they passed the mill foive dayfiant pipers med the batthered ould windys rattle with “Garry Owen.”</p>
|
||
</section>
|
||
<section id="the-costa-bower" epub:type="chapter">
|
||
<hgroup>
|
||
<h3 epub:type="ordinal z3998:roman">IV</h3>
|
||
<p epub:type="title">The Costa Bower</p>
|
||
</hgroup>
|
||
<section id="the-costa-bower-1" epub:type="z3998:subchapter">
|
||
<h4 epub:type="ordinal z3998:roman">I</h4>
|
||
<p>So the green-dhressed little army, all in the sweet, rosy light they made, wint marchin’, to the merry music of the pipes, over the tree-bowered roadway, past the ha’nted brakes up the shivering hills, an’ down into the waiting dales, making the grim night maylodious.</p>
|
||
<p>For a long space not a worrud, good, bad, or indifferent, said Darby.</p>
|
||
<p>But a sparrow woke her dhrowsy childher to look at the beautiful purcession, an’ a robin called excited to her sleepy neighbours, the linnets an’ the rabbits an’ the hares, an’ hundhreds like them crowded daylighted through the bushes, an’ stood peerin’ through the glistening leaves as their well-known champyions wint by. A dozen wentursome young owls flew from bough to bough, follying along, crackin’ good-natured but friendly jokes at their friends, the fairies. Thin other birds came flying from miles around, twitthering jubilaytion.</p>
|
||
<p>But the stern-jawed, frowny-eyed Little People for once answered back never a worrud, but marched stiff an’ silent, as sojers should. You’d swear ’twas the Enniskillins or ’twas the Eighteenth Hussars that ’twas in it.</p>
|
||
<p>“Isn’t that Gineral Julius Sayser at the head?” says one brown owl, flapping an owdacious wing at Phadrig Oge.</p>
|
||
<p>“No!” cries his brother, another young villian. “ ’Tis only the Jook of Wellington. But look at the bothered face on Darby O’Gill! Musha, are the Good People goin’ to hang Darby?”</p>
|
||
<p>And faix, thin, sure enough, there was mighty little elaytion on the faytures of our hayro. For, as he came marchin’ along, silent an’ moody, beside the King, what to do with the banshee’s comb was botherin’ the heart out of him. If he had only trun it to the ghosts whin he was there at the mill! But that turrible laugh had crunched all sense an’ rayson out of him, so that he forgot to do that very wise thing. Ochone, now the ghosts knew he had it; so, to trow it away’d do no good, onless they’d find it afther. One thing was sartin—he must some way get it back to the banshee, or else be ha’nted all the rest of his days.</p>
|
||
<p>He was sore-hearted, too, at the King, an’ a bit crass-timpered bekase the little man had stayed away so long frum wisitin’ with him.</p>
|
||
<p>But at last the knowledgeable man found his tongue. “Be me faix, King,” he complained, “ ’tis a cure for sore eyes to see ye. I might have been dead an’ buried an’ you none the wiser,” says he, sulky.</p>
|
||
<p>“Sure, I’ve been out of the counthry a fortnit,” says the King. “And I’ve only rayturned within the hour,” he says. “I wint on a suddin call to purvent a turrible war betwixt the Frinch fairies and the German fairies. I’ve been for two weeks on an island in the River Ryan, betwixt France an’ Germany. The river is called afther an Irishman be the name of Ryan.”</p>
|
||
<p>“At laste ye might have sint me wurrud,” says Darby.</p>
|
||
<p>“I didn’t think I’d be so long gone,” says the fairy; “but the disputaytion was thraymendous,” he says.</p>
|
||
<p>The little man dhrew himself up dignayfied an’ scowled solemn up at Darby. “They left it for me to daycide,” he says, “an’ this was the contintion:</p>
|
||
<p>“Fufty years ago a swan belongin’ to the Frinch fairies laid a settin’ of eggs on that same island, an’ thin comes along a German swan, an’ what does the impident craythure do but set herself down on the eggs laid be the Frinch swan an’ hatched thim. Afther the hatchin’ the German min claimed the young ones, but the Frinchmen pray-imp-thurribly daymanded thim back, d’ye mind. An’ the German min dayfied thim, d’ye see. So, of course, the trouble started. For fufty years it has been growin’, an’ before fightin’, as a last ray sort, they sint for me.</p>
|
||
<p>“Well, I saw at once that at the bottom of all was the ould, ould question, which has been disthurbin’ the worruld an’ dhrivin’ people crazy for three thousand years.”</p>
|
||
<p>“I know,” says Darby, scornful, “ ’twas whither the hin that laid the egg or the hin that hatched the egg is the mother of the young chicken.”</p>
|
||
<p>“An’ nothin’ else but that!” cried the King, surprised. “Now, what d’ye think I daycided?” he says.</p>
|
||
<p>Now, yer honour, I’ll always blame Darby for not listening to the King’s daycision, bekase ’tis a matther I’ve studied meself considherable, an’ never could rightly con‑clude; but Darby at the time was so bothered that he only said, in rayply to the King:</p>
|
||
<p>“Sure, it’s little I know, an’ sorra little I care,” he says, sulky. “I’ve something more important than hin’s eggs throubling me mind, an’ maybe ye can help me,” he says, anxious.</p>
|
||
<p>“Arrah, out with it, man,” says the King. “We’ll find a way, avourneen,” he says, cheerful.</p>
|
||
<p>With that Darby up an’ toult everything that had happened Halloween night an’ since, an’, indeed, be sayin’: “Now, here’s that broken piece of comb in me pocket, an’ what to do with it I don’t know. Will ye take it to the banshee, King?” he says.</p>
|
||
<p>The King turned grave as a goat. “I wouldn’t touch that thing in yer pocket, good friends as we are, to save yer life—not for a hundhred pounds. It might give them power over me. Yours is the only mortial hand that ever touched the banshee’s comb, an’ yours is the hand that should raystore it.”</p>
|
||
<p>“Oh, my, look at that, now,” says Darby, in despair, nodding his head very solemn.</p>
|
||
<p>“Besides,” says the King, without noticin’ him, “there’s only one ghost in Croaghmah I ’ssociate with—an’ that’s Shaun. They are mostly oncultavayted, an’ I almost said raydundant. Although I’d hate to call anyone raydundant onless I had to,” says the just-minded ould man.</p>
|
||
<p>“I’ll trow it here in the road an’ let some of them find it,” says Darby, dusperate. “I’ll take the chanst,” says he.</p>
|
||
<p>The King was shocked, an’, trowing up a warnin’ hand, he says:</p>
|
||
<p>“Be no manner of manes,” the fairy says, “you forget that thim ghosts were once min an’ women like yerself, so whin goold’s consarned they’re not to be thrusted. If one should find the comb he mightn’t give it to the banshee at all—he might turn ’bezzler an’ ’buzzle it. No, no, you must give it to herself pursnal, or else you an’ Bridget an’ the childher’ll be ha’nted all yer days. An’ there’s no time to lose, ayther,” says he.</p>
|
||
<p>“But Bridget an’ the childher’s waitin’ for me this minute,” wailed Darby. “An’ the pony, what’s become of her? An’ me supper?” he cried.</p>
|
||
<p>A little lad who was marchin’ just ahead turned an’ spoke up.</p>
|
||
<p>“The pony’s tied in the stable, an’ Bothered Bill has gone sneakin’ off to McCloskey’s,” the little man says. “I saw thim as I flew past.”</p>
|
||
<p>“Phadrig!” shouted the King. “Donnell! Conn! Nial! Phelim!” he called.</p>
|
||
<p>With that the little min named rose from the ranks, their cloaks spread, an’ come flyin’ back like big green buttherflies, an’ they sthopped huvering in the air above Darby an’ the King.</p>
|
||
<p>“What’s wanted?” axed Phelim.</p>
|
||
<p>“Does any of yez know where the banshee’s due at this hour?” the King rayplied.</p>
|
||
<p>“She’s due in County Roscommon at Castle O’Flinn, if I don’t misraymimber,” spoke up the little fiddler. “But I’m thinking that since Halloween she ain’t worrukin’ much, an’ purhaps she won’t lave Croaghmah.”</p>
|
||
<p>“Well, has any one of yez seen Shaun the night, I dunno?” axed the master.</p>
|
||
<p>“Sorra one of me knows,” says Phadrig. “Nor I,” “Nor I,” “Nor I,” cried one afther the other.</p>
|
||
<p>“Well, find where the banshee’s stayin’,” says King Brian. “An’ some of yez, exceptin’ Phadrig, go look for Shaun, an’ tell him I want to see him purtic’lar,” says the King.</p>
|
||
<p>The foive huvering little lads wanished like a candle that’s blown out.</p>
|
||
<p>“As for you, Phadrig,” wint on the masther fairy, “tell the ridgiment they’re to guard this townland the night, an’ keep the ghosts out of it. Begin at once!” he commanded.</p>
|
||
<p>The worruds wern’t well said till the whole ridgiment had blown itself out, an’ agin the night closed in as black as yer hat. But as it did Darby caught a glimpse from afar of the goolden light of his own open door, an’ he thought he could see on the thrashol the shadow of Bridget, with one of the childher clinging to her skirt, an’ herself watchin’ with a hand shading her eyes.</p>
|
||
<p>“Do you go home to yer supper, me poor man,” says the King, “an’ meantime I’ll engage Shaun to guide us to the banshee. He’s a great comerade of hers, an’ he’ll paycificate her if anyone can.”</p>
|
||
<p>The idee of becomin’ acquainted pursonal with the ghosts, an’ in a friendly, pleasant way have dalings with them, was a new sinsation to Darby. “What’ll I do now?” he axed.</p>
|
||
<p>“Go home to yer supper,” says the King, “an’ meet me by the withered three at Conroy’s crass-roads on the sthroke of twelve. There’ll be little danger tonight, I’m thinkin’, but if ye should run against one of thim spalpeens trow the bit of comb at him; maybe he’ll take it to the banshee an’ maybe he won’t. At any rate, ’tis the best yez can do.”</p>
|
||
<p>“Don’t keep me waitin’ on the crass-roads, whatever else happens,” warned Darby.</p>
|
||
<p>“I’ll do me best endayvour,” says the King. “But be sure to racognise me whin I come; make no mistake, for ye’ll have to spake first,” he says.</p>
|
||
<p>They were walking along all this time, an’ now had come to Darby’s own stile. The lad could see the heads of the childher bunched up agin the windy-pane. The King sthopped, an’, laying a hand on Darby’s arrum, spoke up umpressive:</p>
|
||
<p>“If I come to the crass-roads as a cow with a rope about me horns ye’ll lade me,” he says. “If I come as a horse with a saddle on me back, yez’ll ride me,” says he. “But if I come as a pig with a rope tied to me lift hind leg, ye’ll dhrive me,” says the King.</p>
|
||
<p>“Oh, my! Oh, my! Oh, tare an’ ages!” says Darby.</p>
|
||
<p>“But,” says the King, wavin’ his hand aginst inthurruptions, “so that we’ll know aich other we’ll have a by-worrud bechuxt us. An’ it’ll be poethry,” he says. “So that I’ll know that ’tis you that’s in it ye’ll say ‘Cabbage an’ bacon’; an’ so that ye’ll know that ’tis me that’s in it I’ll answer, ’Will sthop the heart achin’.’ Cabbage an’ bacon will sthop the heart achin’,” says the King, growin’ unwisible. “That’s good, satisfyin’ poethry,” he says. But the last worruds were sounded out of the empty air an’ a little way above, for the masther of the nighttime had wanished. At that Darby wint in to his supper.</p>
|
||
<p>I won’t expaytiate to yer honour on how our hayro spint the avenin’ at home, an’ how, afther Bridget an’ the childher were in bed, that a growin’ daysire to meet an’ talk sociable with a ghost fought with tunty black fears an’ almost bate them. But whinever his mind hesitayted, as it always did at the thought of the Costa Bower, a finger poked into his weskit pocket where the broken bit of comb lay hid, turned the scale.</p>
|
||
<p>Howandever, at length an’ at last, just before midnight our hayro, dhressed once more for the road, wint splashin’ an’ ploddin’ up the lane toward Conroy’s crass-roads.</p>
|
||
</section>
|
||
<section id="the-costa-bower-2" epub:type="z3998:subchapter">
|
||
<h4 epub:type="ordinal z3998:roman">II</h4>
|
||
<p>A man is never so brave as whin sittin’ ferninst his own comfortable fire, a hot supper asleep in his chist, a steamin’ noggin of flaygrant punch in his fist, an’ a well-thried pipe betwixt his teeth. At such times he rumynates on the ould ancient hayroes, an’ he daycides they were no great shakes, afther all. They had the chanst to show themselves, an’ that’s the only difference betwixet himself an’ themselves. But whin he’s flung sudden out of thim pleasant surcumstances, as Darby was, to go chargin’ around in the darkness, hunting unknown an’ unwisible dangers, much of that courage oozes out of him.</p>
|
||
<p>An’ so the sthrangest of all sthrange things was, that this night, whin ’twas his fortune to be taken up be the Costa Bower, that a dhread of that death-coach was present in his mind from the minute he shut the door on himself, an’ it outweighed all other fears.</p>
|
||
<p>In spite of the insurance that King Brian had given, in spite of the knowledge that his friends, the Good People, were flyin’ hither an’ thither over that townland, there crept into his sowl an’ fastened itself there the chanst that the headless dhriver might slip past thim all an’ gobble him up.</p>
|
||
<p>In wain he tould himself that there were a million spots in Ireland where the death-carriage was more likely to be than in his own path. But in spite of all raysons, a dhreading, shiverin’ feelin’ was in his bones, so that as he splashed along he was flinging anxious looks behind or thremblin’ at the black, wavering shadows in front.</p>
|
||
<p>Howsumever, there was some comfort to know that the weather was changin’ for the betther. Strong winds had swept the worst of the storm out over the ocean, where it lingered slow, growlin’ an’ sputtherin’ lightening.</p>
|
||
<p>A few scatthered, frowning clouds, trowing ugly looks at the moon, sulked behind.</p>
|
||
<p>“Lord love your shining face,” says Darby, looking up to where the full moon, big as the bottom of a tub, shone bright an’ clear over his head. “An’ it’s I that hopes that the blaggard of a cloud I see creeping over at you from Sleive-na-mon won’t raich you an’ squinch your light before I meet up with Brian Connors.”</p>
|
||
<p>The moon, in answer, brushed a cloud from her face, and shed a clearer, fuller light, that made the flooded fields an’ dhropping threes quiver an’ glisten.</p>
|
||
<p>On top of the little mound known as Conroy’s Hill, an’ which is just this side of where the roads crass, the friend of the fairies looked about over the lonesome counthry-side.</p>
|
||
<p>Here and there gleamed a distant farmhouse, a still white speck in the moonlight. Only at Con Kelley’s, which was a good mile down the road, was a friendly spark of light to be seen, an’ that spark was so dim and so far that it only pressed down the loneliness heavier on Darby’s heart.</p>
|
||
<p>“Wisha,” says Darby, “how much I’d druther be there merry-makin’ with the boys an’ girls than standin’ here lonesome and cowld, waiting for the divil knows what.”</p>
|
||
<p>He sthrained his eyes for a sight of a horse, or a cow, or a pig, or anything that might turn out to be Brian Connors. The only thing that moved was the huge dark cloud that stretched up from Sleive-na-mon, and its heavy edge already touched the rim of the moon.</p>
|
||
<p>He started down the hill.</p>
|
||
<p>The withered three at the crossroads where he was to meet the King waved its blackened arms and lifted them up in warning as he came toward it, an’ it dhripped cowld tears upon his caubeen and down his neck when he stood quaking in its shadows.</p>
|
||
<p>“If the headless coachman were to ketch me here,” he whumpered, “and fling me into his carriage, not a sowl on earth would ever know what became of me.</p>
|
||
<p>“I wish I wasn’t so knowledgeable,” he says, half cryin’. “I wish I was as ignorant about ghosts an’ fairies as little <abbr epub:type="z3998:name-title">Mrs.</abbr> Bradigan, who laughs at them. The more you know the more you need know. Musha, there goes the moon.”</p>
|
||
<p>And at them words the great blaggard cloud closed in on the moon and left the worruld as black as yer hat.</p>
|
||
<p>That wasn’t the worst of it by no manner of manes, for at the same instant there came a rush of wind, an’ with it a low, hollow rumble that froze the marrow in Darby’s bones. He sthrained his eyes toward the sound, but it was so dark he couldn’t see his hand before his face.</p>
|
||
<p>He thried to run, but his legs turned to blocks of wood and dayfied him.</p>
|
||
<p>All the time the rumble of the turrible coach dhrew nearer an’ nearer, an’ he felt himself helpless as a babe. He closed his eyes to shut out the horror of the headless dhriver an’ of the poor, dead men laning back agin the sate.</p>
|
||
<p>At that last minute a swift hope that the King might be within hearing lent him a flash of strength, and he called out the byword.</p>
|
||
<p>“Cabbage an’ bacon!” he cried out, dispairing. “Cabbage an’ bacon’ll stop the heart achin’!” he roared, dismally, an’ then he gave a great gasp, for there was a splash in the road ferninst the three, an’ a thraymendous black coach, with four goint horses an’ a coachman on the box, stood still as death before him.</p>
|
||
<p>The dhriver wore a brown greatcoat, the lines hung limp in his fingers, an’ Darby’s heart sthopped palpitaytin’ at the sight of the two broad, headless chowlders.</p>
|
||
<p>The knowledgeable man sthrove to cry out agin, but he could only croak like a raven.</p>
|
||
<p>“Cabbage an’ bacon’ll stop the heart achin’,” he says.</p>
|
||
<p>Something moved inside the coach. “Foolish man,” a woice cried, “you’ve not only guv the byword, but at the same time you’ve shouted out its answer!”</p>
|
||
<p>At the woice of the King—for ’twas the King who spoke—a great wakeness came over Darby, an’ he laned limp agin the three.</p>
|
||
<p>“Suppose,” the King went on, “that it was an inemy you’d met up with instead of a friend. Tare an’ ’ounds! he’d have our saycret and maybe he’d put the comeither on ye. Shaun,” he says, up to the dhriver, “this is the human bean we’re to take with us down to Croaghmah to meet the banshee.”</p>
|
||
<p>From a place down on the sate on the far side of the dhriver a deep, slow woice, that sounded as though it had fur on it, spoke up:</p>
|
||
<p>“I’m glad to substantiate any sarvice that will in any way conjuice to the amaylyro-ra-tion of any friend of the raynounded King Brian Connors, even though that friend be only a human bean. I was a humble human bean meself three or four hundhred years ago.”</p>
|
||
<p>At that statement Darby out of politeness thried to look surprised.</p>
|
||
<p>“You must be a jook or an earl, or some other rich pillosopher, to have the most raynouned fairy in the worruld take such a shine to you,” wint on the head.</p>
|
||
<p>“Haven’t ye seen enough to make yerself like him?” cried the King, raising half his body through the open windy. “Didn’t ye mark how ca’m an’ bould he stood waitin’ for ye, whin any other man in Ireland would be this time have wore his legs to the knees runnin’ from ye? Where is the pillosopher except Darby O’Gill who would have guessed that ’twas meself that was in the coach, an’ would have flung me the by-worrud so careless and handy?” cried the King, his face blazing with admyration.</p>
|
||
<p>The worruds put pride into the heart of our hayro, an’ pride the worruld over is the twin sisther of courage. And then, too, whilst the King was talkin’ that deep, obsthreperous cloud which had covered the sky slipped off the edge of the moon an’ hurried to jine its fellows, who were waiting for it out over the ocean. And the moon, to make a-minds for its late obscuraytion, showered down sudden a flood of such cheerful, silver light that the drooping, separate leaves and the glistening blades of grass lept up clane an’ laughin’ to the eye. Some of that cheer wint into Darby’s breast, an’ with it crept back fresh his ould confidence in his champyion, the King.</p>
|
||
<p>But the headless dhriver was talking. “O’Gill,” says the slow woice agin, “did I hear ye say O’Gill, Brian Connors? Surely not one of the O’Gills of Ballinthubber?”</p>
|
||
<p>Darby answered rayluctant an’ haughty, for he had a feeling that the monsther was goin’ to claim relaytionship, an’ the idee put a bad taste in his mouth. “All me father’s people came from Ballinthubber,” he says.</p>
|
||
<p>“Come this or come that,” says the deep woice, thremblin’ with excitement, “I’ll have one look at ye.” No sooner said than done; for with that sayin’ the coachman thwisted, an’ picking up an extra’onary big head from the sate beside him, hilt it up in his two hands an’ faced it to the road. ’Twas the face of a goint. The lad marked that its wiry red whuskers grew close undher its eyes, an’ the flaming hair of the head curled an’ rowled down to where the chowlders should have been. An’ he saw, too, that the nose was wide an’ that the eyes were little. An uglier face you couldn’t wish to obsarve.</p>
|
||
<p>But as he looked, the boy saw the great lips tighten an’ grow wide; the eyelids half closed, an’ the head gave a hoarse sob; the tears thrickled down its nose. The head was cryin’.</p>
|
||
<p>First Darby grew oncomfortable, then he felt insulted to be cried at that way be a total sthranger. An’ as the tears rowled faster an’ faster, an’ the sobs came louder an’ louder, an’ the ugly eyes kep’ leering at him affectionate, he grew hot with indignaytion.</p>
|
||
<p>Seeing which, the head spoke up, snivelling:</p>
|
||
<p>“Plaze don’t get pugnaycious nor yet disputaytious,” it begged, betwixt sobs. “ ’Tisn’t yer face that hurts me an’ makes me cry. I’ve seen worse—a great dale worse—many’s the time. But ’tis the amazin’ fam’ly raysimblance that’s pathrifying me heart.”</p>
|
||
<p>The dhriver lifted the tail of his coat an’ wiped the head’s two weepin’ eyes. “ ’Twas in Ballinthubber I was born an’ in Ballinthubber I was rared; an’ it’s there I came to me misfortune through love of a purty, fair maid named Margit Ellen O’Gill. There was a song about it,” he says.</p>
|
||
<p>“I’ve heerd it many an’ many the time,” says the King, noddin’, sympathisin’, “though not for the last hundhred years or so.” Darby glared, scornful, at the King.</p>
|
||
<p>“Vo! Vo! Vo!” wailed the head, “but you’re like her. If it wasn’t for yer bunchy red hair, an’ for the big brown wen that was on her forehead, ye’d be as like as two pase.”</p>
|
||
<p>“Arrah,” says Darby, brustlin’, “I’m ashamed to see a man of yer sinse an’ station,” he says, “an’ high dictation—”</p>
|
||
<p>“Lave off!” broke in the King, pulling Darby be the sleeve. “Come inside! Whatever else you do, rayspect the sintimintalities—there all we have to live for, ghost or mortial,” says he.</p>
|
||
<p>So, grumbling, Darby took a place within the coach beside his friend. He filled his poipe, an’ was borrying a bit of fire from that of the King, whin looking up he saw just back of the dhriver’s seat, and opening into the carriage, a square hole of about the height an’ the width of yer two hands. An’ set agin the hole, starin’ affectionate down at him, was the head, an’ it smiling langwidging.</p>
|
||
<p>“Be this an’ be that,” Darby growled low to the King, “if he don’t take his face out of that windy, ghost or no ghost, I’ll take a poke at him!”</p>
|
||
<p>“Be no manner of manes,” says the King, anxious. “What’d we do without him? We’ll be at Croaghmah in a few minutes, then he needn’t bother ye.”</p>
|
||
<p>“Why don’t ye dhrive on?” says Darby, lookin’ up surly at the head. “Why don’t ye start?”</p>
|
||
<p>“We’re goin’ these last three minutes,” smiled Shaun; “we’re comin’ up to Kilmartin churchyard now.”</p>
|
||
<p>“Have you passed Tom Grogan’s public-house?” axed the King, starting up, anxious.</p>
|
||
<p>“I have, but I can turn back agin,” says the face, lighting up, intherested.</p>
|
||
<p>“They keep the best whusky there in this part of Ireland,” says the King. “Would ye mind steppin’ in an’ bringing us out a sup, Darby agra?”</p>
|
||
<p>Misthress Tom Grogan was a tall, irritated woman, with sharp corners all over her, an’ a timper that was like an east wind. She was standing at her own door, argyin’ with Garge McGibney an’ Wullum Broderick, an’ daling them out harrud names, whilst her husband, Tom, a mild little man, stood within laning on the bar, smoking saydately. Garge an’ Wullum were argying back at Misthress Grogan, tellin’ her what a foine-looking, rayspectable woman she was, an’ couldn’t they have one dhrop more before going home, whin they saw coming sliding along through the air toward them, about four feet above the ground, a daycint-dhressed man, sitting comfortable, his poipe in his mouth an’ one leg crossed over the other. The sthranger stopped in the air not foive feet away, and in the moonlight they saw him plain knock the ashes from his poipe an’ stick it in the rim of his caubeen.</p>
|
||
<p>They ketched hould of aich other, gasping as he stepped down out of the air to the ground, an’ wishin’ them the top of the avening, he brushed past, walked bould to the bar an’ briskly called for three jorums of whusky. Tom, obliverous—for he hadn’t seen—handed out the dhrinks, an’ the sthranger, natural as you plaze, imptied one, wiped his mouth with the back of his hand an’ started for the door, carrying the two other jorums.</p>
|
||
<p>Tom, of course, follyed out to see who was in the road, and then he clutched hould of the three others, an’ the four, grippin’ aich other like lobsters bilin’ in the pot, clung, spacheless, swaging back an’ forth.</p>
|
||
<p>An’ sure ’twas no wonder, for they saw the sthrange man lift the two cups into the naked air, an’ they saw plain the two jorums lave his hands, tip themselves slowly over until the bottoms were uppermost—not one dhrop of the liquor spillin’ to the ground. They saw no more, for they aich gave a different kind of roar whin Darby turned to bring back the empty vesels. The next second Tom Grogan was flying like a hunted rabbit over the muddy petatie-field behind his own stable, whilst Wullum Broderick an’ Garge McGibney were dashin’ furious afther him like Skibberberg hounds. But <abbr epub:type="z3998:name-title">Mrs.</abbr> Grogan didn’t run away, bekase she was on her own thrashol’, lying on the flat of her back, and for the first time in her life spacheless.</p>
|
||
<p>Howandever, with a rumble an’ a roar, the coach with its thravellers wint on its way.</p>
|
||
<p>The good liquor supplied all which that last sight lacked that was needful to put our three hayroes in good humour with thimselves an’ with aich other, so that it wasn’t long before their throubles, bein’ forgot, they were convarsing sociable an’ fumiliar, one with the other.</p>
|
||
<p>Darby, to improve his informaytion, was sthriving to make the best of the sitiwation be axin’ knowledgeable questions. “What kind of disposition has the banshee, I dunno?” he says, afther a time.</p>
|
||
<p>“A foine creachure, an’ very rayfined, only a bit too fond of crying an’ wailing,” says Shaun.</p>
|
||
<p>“Musha, I know several livin’ women that cap fits,” says the knowledgeable man. “Sure, does she do nothin’ but wail death keens? Has she no good love-ballads or songs like that? I’d think she’d grow tired,” he says.</p>
|
||
<p>“Arrah, don’t be talkin’!” says Shaun. “ ’Tis she who can sing them. She has one in purticular—the ballad of ‘Mary McGinnis’—that I wisht ye could hear her at,” he says.</p>
|
||
<p>“The song has three splendid chunes to it, an’ the chune changes at aich varse. I wisht I had it all, but I’ll sing yez what I have,” he says. With that the head began to sing, an’ a foine, deep singin’ woice it had, too, only maybe a little too roarin’ for love-ballads:</p>
|
||
<blockquote epub:type="z3998:song">
|
||
<p>
|
||
<span>“Come all ye thrue lovers, where’er yez may be,</span>
|
||
<br/>
|
||
<span>Likewise ye decayvers be land or be sea;</span>
|
||
<br/>
|
||
<span>I hope that ye’ll listen with pity to me</span>
|
||
<br/>
|
||
<span>Since the jew’l of me life is a thraitor.”</span>
|
||
</p>
|
||
</blockquote>
|
||
<p>“Here’s where the chune changes,” says the head, lickin’ his lips.</p>
|
||
<blockquote epub:type="z3998:song">
|
||
<p>
|
||
<span>“On goin’ to church last Sunday me thrue love passed me by,</span>
|
||
<br/>
|
||
<span>I knew her mind was changed be the twinklin’ of her eye;</span>
|
||
<br/>
|
||
<span>I knew her mind was changed, which caused me for to moan,</span>
|
||
<br/>
|
||
<span>’Tis a terrible black misfortin to think she cowld has grown.”</span>
|
||
</p>
|
||
</blockquote>
|
||
<p>“That’s what I call rale poethry,” says Darby.</p>
|
||
<p>“There’s no foiner,” says the King, standing up on the sate, his face beaming.</p>
|
||
<p>“The next varse’ll make yez cry salt tears,” says Shaun. An’ he sang very affectin’:</p>
|
||
<blockquote epub:type="z3998:song">
|
||
<p>
|
||
<span>“Oh, dig me a grave both large, wide, an’ deep,</span>
|
||
<br/>
|
||
<span>Art lay me down gently, to take me long sleep;</span>
|
||
<br/>
|
||
<span>Put a stone at me head an’ a stone at me feet,</span>
|
||
<br/>
|
||
<span>Since I cannot get Mary McGinnis.”</span>
|
||
</p>
|
||
</blockquote>
|
||
<p>“Faith, ’tis a foine, pittiful song,” says Darby, “an’ I’d give a great dale if I only had it,” says he.</p>
|
||
<p>“Musha, who knows; maybe ye can get it,” says the ould King, with a wink. “Ye may daymand the favours of the three wishes for bringing her what yer bringin’,” he whuspered. “Shaun!” he says, out loud, “do ye think the banshee’ll give that song for the bringing back of the lost comb, I dunno?”</p>
|
||
<p>“I dunno meself,” says the head, jubious.</p>
|
||
<p>“Bekase if she would, here’s the man who has the comb, an’ he’s bringin’ it back to her.”</p>
|
||
<p>The head gave a start and its eyes bulged with gladness.</p>
|
||
<p>“Then it’s the lucky man I am entirely,” he says. “For she promised to stick me head on and to let me wear it purmanent, if I’d only bring tidings of the comb,” says Shaun. “She’s been in a bad way since she lost it. You know the crachure can sing only whin she’s combing her hair. Since the comb’s broke her woice is cracked scand’lous, an’ she’s bitther ashamed, so she is. But here’s Croaghmah right before us. Will yez go in an’ take a dhrop of something?” says he.</p>
|
||
<p>Sticking out his head, Darby saw towering up in the night’s gloom bleak Croaghmah, the mountain of the ghosts; and, as he thought of the thousands of shivering things inside, an’ of the onpleasant feelings they’d given him at Chartres’ mill a few hours before, a doubt came into his mind as to whether it were best to trust himself inside. He might never come out.</p>
|
||
<p>Howandever, the King spoke up sayin’, “Thank ye kindly, Shaun, but ye know well that yerself an’ one or two others are the only ghosts I ’ssociate with, so we’ll just step out, an’ do you go in yerself an’ tell the banshee we’re waitin’. Rayturn with her, Shaun, for ye must take Darby back.”</p>
|
||
<p>With that the two hayroes dayscinded from the coach, an’ glad enough was Darby to put his brogues safe an’ sound on the road agin.</p>
|
||
<p>All at once the side of the mountain ferninst them opened with a great crash, an’ Shaun, with the coach an’ horses, disaypeared in a rush, an’ were swolleyd up be the mountain, which closed afther thim. Darby was blinkin’ an’ shiverin’ beside the King, when sudden, an’ without a sound, the banshee stood before them.</p>
|
||
<p>She was all in white, an’ her yallow hair sthrealed to the ground. The weight an’ sorrow of ages were on her pale face.</p>
|
||
<p>“Is that you, Brian Connors?” she says. “An’ is that one with you the man who grabbled me?”</p>
|
||
<p>“Your most obadient,” says the King, bowin’ low; “it was a accident,” says he.</p>
|
||
<p>“Well, accident or no accident,” she says, savare, “ ’tis the foine lot of throuble he’s caused me, an’ ’tis the illigant lot of throuble he’d a had this night if you hadn’t saved him,” she says. The banshee spoke in a hollow woice, which once in a while’d break into a squeak.</p>
|
||
<p>“Let bygones be bygones, ma’am, if you plaze,” says Darby, “an’ I’ve brought back yer comb, an’ by your lave I ax the favour of three wishes,” says he.</p>
|
||
<p>Some way or other he wasn’t so afeared now that the King was near, an’ besides one square, cool look at any kind of throuble—even if ’tis a ghost—takes half the dhread from it.</p>
|
||
<p>“I have only two favours to grant any mortial man,” says she, “an’ here they are.” With that she handed Darby two small black stones with things carved on thim.</p>
|
||
<p>“The first stone’ll make you onwisible if you rub the front of it, an’ ’twill make you wisible again if you rub the back of it. Put the other stone in yer mouth an’ ye can mount an’ ride the wind. So Shaun needn’t dhrive yez back,” she says.</p>
|
||
<p>The King’s face beamed with joy.</p>
|
||
<p>“Oh, be the hokey, Darby me lad,” says he, “think of the larks we’ll have thravellin’ nights together over Ireland ground, an’ maybe we’ll go across the say,” he says.</p>
|
||
<p>“But fairies can’t cross runnin’ water,” says Darby, wondherin’.</p>
|
||
<p>“That’s all shuperstition,” says the King. “Didn’t I cross the river Ryan? But, ma’am,” says he, “you have a third favour, an’ one I’m wishin’ for mightilly meself, an’ that is, that ye’ll taiche us the ballad of ‘Mary McGinnis.’ ”</p>
|
||
<p>The banshee blushed. “I have a cowld,” says she. “ ’Tis the way with singers,” says the King, winkin’ at Darby, “but we’ll thank ye to do yer best, ma’am,” says he.</p>
|
||
<p>Well, the banshee took out her comb, an’ fastening to it the broken ind, she passed it through her hair a few times an’ began the song.</p>
|
||
<p>At first her woice was purty wake an’ thrimblin’, but the more she combed the sthronger it grew, till at last it rose high and clear, and sweet and wild as Darby’d heerd it that Halloween night up at McCarthy’s.</p>
|
||
<p>The two hayroes stood in the shadow of a three, Darby listening and the King busy writing down the song. At the last worrud the place where she had been standing flashed empty an’ Darby never saw her again.</p>
|
||
<p>I wisht I had all the song to let your honour hear it, an’ maybe I’ll learn it from Darby be the next time ye come this way, an’ I wisht I had time to tell your honour how Darby, one day havin’ made himself onwisible, lost the stone, and how Bothered Bill Donahue found it, and how Bill, rubbin’ it be accident, made himself onwisible, an’ of the turrible time Darby had a-finding him.</p>
|
||
<p>But here’s Kilcuny, an’ there’s the inn, an’—thank ye! God bless yer honour!</p>
|
||
</section>
|
||
</section>
|
||
</article>
|
||
<section id="colophon" epub:type="colophon backmatter">
|
||
<header>
|
||
<h2 epub:type="title">Colophon</h2>
|
||
<img alt="The Standard Ebooks logo." 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epub:type="z3998:publisher-logo se:image.color-depth.black-on-transparent"/>
|
||
</header>
|
||
<p><i epub:type="se:name.publication.book">Darby O’Gill and the Good People</i><br/>
|
||
was published in <time>1903</time> by<br/>
|
||
<a href="https://en.wikipedia.org/wiki/Herminie_Templeton_Kavanagh">Herminie Templeton Kavanagh</a>.</p>
|
||
<p>This ebook was produced for<br/>
|
||
<a href="https://standardebooks.org/">Standard Ebooks</a><br/>
|
||
by<br/>
|
||
<a href="https://kingrpaul.github.io/">Paul King</a>,<br/>
|
||
and is based on a transcription produced by<br/>
|
||
<a href="https://en.wikisource.org/wiki/Darby_O%27Gill_and_the_Good_People">Wikisource</a><br/>
|
||
and on digital scans from the<br/>
|
||
<a href="https://archive.org/details/darbyogillgoodpe00kavarich">Internet Archive</a>.</p>
|
||
<p>The cover page is adapted from<br/>
|
||
<i epub:type="se:name.visual-art.painting">Delaware Water Gap</i>,<br/>
|
||
a painting completed in <time>1861</time> by<br/>
|
||
<a href="https://en.wikipedia.org/wiki/George_Inness">George Inness</a>.<br/>
|
||
The cover and title pages feature the<br/>
|
||
<b epub:type="se:name.visual-art.typeface">League Spartan</b> and <b epub:type="se:name.visual-art.typeface">Sorts Mill Goudy</b><br/>
|
||
typefaces created in <time>2014</time> and <time>2009</time> by<br/>
|
||
<a href="https://www.theleagueofmoveabletype.com/">The League of Moveable Type</a>.</p>
|
||
<p>The first edition of this ebook was released on<br/>
|
||
<time datetime="2022-04-26T01:39:55Z">April 26, 2022, 1:39 <abbr class="eoc">a.m.</abbr></time><br/>
|
||
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at<br/>
|
||
<a href="https://standardebooks.org/ebooks/herminie-templeton-kavanagh/darby-ogill-and-the-good-people">standardebooks.org/ebooks/herminie-templeton-kavanagh/darby-ogill-and-the-good-people</a>.</p>
|
||
<p>The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at <a href="https://standardebooks.org/">standardebooks.org</a>.</p>
|
||
</section>
|
||
<section id="uncopyright" epub:type="copyright-page backmatter">
|
||
<h2 epub:type="title">Uncopyright</h2>
|
||
<blockquote epub:type="z3998:verse">
|
||
<p>
|
||
<span>May you do good and not evil.</span>
|
||
<br/>
|
||
<span>May you find forgiveness for yourself and forgive others.</span>
|
||
<br/>
|
||
<span>May you share freely, never taking more than you give.</span>
|
||
</p>
|
||
</blockquote>
|
||
<p>Copyright pages exist to tell you that you <em>can’t</em> do something. Unlike them, this Uncopyright page exists to tell you that the writing and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. The United States public domain represents our collective cultural heritage, and items in it are free for anyone in the United States to do almost anything at all with, without having to get permission.</p>
|
||
<p>Copyright laws are different all over the world, and the source text or artwork in this ebook may still be copyrighted in other countries. If you’re not located in the United States, you must check your local laws before using this ebook. Standard Ebooks makes no representations regarding the copyright status of the source text or artwork in this ebook in any country other than the United States.</p>
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<p>Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright. That means that nobody can claim a new copyright on an item that is in the public domain for, among other things, work like digitization, markup, or typography. Regardless, the contributors to this ebook release their contributions under the terms in the <a href="https://creativecommons.org/publicdomain/zero/1.0/">CC0 1.0 Universal Public Domain Dedication</a>, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the source text or artwork. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.</p>
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